Back to Creative Writing School

by Bridget Whelan

What writers say about Back to Creative Writing School
'The creative writing bible’, C.S. Quinn, bestselling author of the historical fiction classic The Thief Taker
'Inspiring, insightful and fun...an indispensable tool for anyone wanting to write fiction ’ Sarah Rayner, novelist and author of One Moment, One Morning , officially one of the 21st century’s bestselling books. ‘I recommend this book to all my students, and I recommend it to you. Great stuff.' Alex Pheby, Head of Creative Writing, University of Greenwich
Playing with ideas and language can help you become the writer you've always wanted to be.
30 imaginative exercises will stretch your writing skills and take you in new and unexpected directions.
They ,

Genres: Writing, Nonfiction

152 pages, Paperback

First published January 1, 2013

About the author

Bridget is a novelist, prize winning short story writer and creative writing lecturer who has taught on undergraduate courses and in adult education. She has also been Writer in Residence at a community centre for the unemployed and low waged.

Praise for BACK TO CREATIVE WRITING SCHOOL

“An indispensable tool for anyone wanting to write fiction...”
Sarah Rayner, bestselling author of One Moment, One Morning new book

"It really feels as though you have the best kind of supportive teacher by your side" Kate Harrison, author of The Secret Shopper, Boot Camp and The 5:2 Diet Book

"It's more than a writer's handbook - it's a book which anyone could read and if they did they would probably find their pleasure in words and the world heightened.”
Lizzie Enfield, author of What You Don’t Know and Uncoupled new book

"This fantastic, down to earth, imaginative and brilliantly organised programme of exercises and explanations will give enormous inspiration to anyone who has ever wondered about whether they could write."
Julia Crouch, author of Cuckoo

A GOOD CONFESSION is set in 1960s London and Ireland and tells the story love growing between a priest and a young mother.

Praise for A GOOD CONFESSION

Bridget Whelan writes in the great Irish tradition of storytelling. A Good Confession is an unputdownable, compelling love story about the conflict between passion and duty. Daily Mirror columnist Miriam Stoppard

…A moving, humorous and subtle book whose central theme has struck a chord with many readers. The Irish World

...Whelan has created a richly textured plot with pathos, humor and charm, flawed but likable characters, and an ending that, though not exactly happy, is at least satisfying. An excellent read…. Booklist USA

Reviews

[[ J o ] · Rating 2 out of 5]

Absolutely fair enough, but really I didn't come across anything that you can't find for free somewhere in the Internet with less attempts to be humorous. If you've not done a creative writing course before, this is basically it, without having to talk to people.

[Terry Tyler · Rating 4 out of 5]

Reviewed for Rosie Amber's Book Review Team

There are two distinct schools of thought concerning creative writing courses and 'how to' books: those who consider writing a skill that can be taught, and those who think that the ability to write compellingly is an innate talent that you either have or you don't; yes, your craft can be improved upon, but if you don't have what it takes to keep readers turning the pages, no amount of diligent study will make that much difference. I stand, arms folded, in the latter camp and, thus, approached this review choice with cynicism. I am delighted to report that I now bow to Bridget Whelan's expertise!

Back To Creative Writing School is a charming and inspiring book that encourages the reader to discover the rhythm and beauty of words. At first I thought it was just a basic beginner's guide for the student who has never tried to write so much as a descriptive paragraph; some of the instruction goes right back to the things you learn at school (hence the title, I'm guessing), like the difference between similies and metaphors. Many of the exercises, though, are so clever and unusual that they might help undiscovered talent to bloom—which is, I think, the book's strength.

By the time I was half way through I'd found myself thinking, 'hmm, yes, that's a good point' several times, to the extent that I'd recommend any fellow 'old hands' to give this a read, too. I'll be the first to agree that writing is a constant learning process, and it's good to remind oneself of the basics. I nodded my head in agreement at the examples of the unrealistic, information heavy dialogue often found in debut novels, the explanation about unnecessary adjectives and adverbs, the warning against the dreaded clichés and 'telling not showing', the use of onomatopoeia and alliteration. The only section I was not so keen on was the one about humour—I reckon that writing 'funny' is something for which you really do need to have an in built knack. The ability to analyse why something does or doesn't work doesn't necessarily provide the fine skill necessary for effective comic timing.

A few 'thank yous' to Ms Whelan: 1) for the excerpt of James Joyce's 'The Dead'—I have not read 'The Dubliners' since 'A' Level and had forgotten how much I loved it; 2) for making me laugh: I have about 200 superfluous occurrences of the word 'just' in all my first drafts, too!! And 3) I am one of the 3% of people who have the condition synaesthesia (a sensory mix-up in which you see see letters, words and music as colours), and this was a reminder of what a gift it is to a writer.

In short: the innovative exercises in this book won't teach you how to produce a spellbinding novel, but if you do have the talent they could well unlock the door to a creative new world.

[Naomi Foyle · Rating 5 out of 5]

This book surprised and refreshed me in wonderful ways. I bought it hoping to learn a new trick or two for my teaching. And I did use the ‘nicknames’ exercise in class, one my students chattered eagerly about afterwards. But what I also found was that Whelan’s sense of discovery revitalised my own writing. Working on fiction, after a decade as a poet, I had begun to see writing as a job; turning to this book after a particularly gruelling period of editing helped me to embark anew on the personal voyage writing always is for me at heart. One exercise triggered a sudden rush of character development for my third novel: a pivotal moment akin to falling in love. Far from boot camp, or the basics, Whelan’s CW School is a bubble bath of inspiration.

[Laura Wilkinson · Rating 5 out of 5]

For anyone experimenting with creative writing, for either the first time or returning after a break, this could be the best couple of quid you'll spend. A delightful, easy to read book, choc-a-bloc with exercises, ideas and prompts. I work with young people in schools on their literacy and creative writing skills - though if Gove has his way this might stop :( - and this guide is a fantastic addition to our resources 'box'. Can't recommend it highly enough.

[Stuart Aken · Rating 4 out of 5]

A writing manual that sets out to encourage and inspire, but that also gives the reader tools to use, examples to learn from, and exercises that will help embed the lessons. As a writer of some experience, I generally don’t gravitate toward books on basic technique. I’m pleased I made this one an exception.

Concise, witty, informed and accessible, this is a book that guides would-be writers through the skill sets and pitfalls of creative writing. Bridget Whelan’s writing style is inviting and friendly without straying into the uncomfortable intimacy that a casual approach can sometimes involve. She presents her lessons in small chunks of entertainingly written advice gleaned from experience of writing and of teaching writing students. And she provides exercises that are well thought out and manageable whilst retaining a challenging element designed to make the reader really consider what it is they are being asked to do.

Set out in 3 ‘Terms’, each split into 10 ‘Lessons’, the text takes the reader through those elements of creative writing that most matter. Whilst each subject and topic is dealt with seriously, the writing style allows her sense of humour to come through and engage the reader in a way that makes the whole easily managed.

I particularly liked her sections on humour: in fact parts of it had me laughing out loud. Her sections on horror give a real feel for the genre. The selected samples used to illustrate certain points are always clear and pertinent, showing the best, or the worst, of writing style.

This is a book that will gently and surely lead the would-be writer through the process of approaching and creating imaginative writing. I thoroughly recommend what is an enjoyable, encouraging and inspiring read. And, now, if you don’t mind, I’ll end this review so I can get on with some of the stories that are currently fighting for my attention, having been inspired by this book!

[Paul Botterill · Rating 5 out of 5]

As someone who has aspirations to write a book, I found this guide really useful and really enjoyable.

The exercises included in every chapter help make you think like an author and each one focusses your mind on a different aspect of the creative writing process, aimed at honing your skills and craft.

It is written in an easy to read, conversational style that makes this book a simply superb servant for the budding author.

[Sonia · Rating 5 out of 5]

As I have mentioned before, I did a couple of terms-worth of creative writing courses at City Lit end of last year, beginning of this.

I was excruciatingly nervous about this, having not written anything ‘creative’ for years – and definitely not being a college kind of girl. However, all of my fears were soon put to rest by our wonderful tutor, Bridget Whelan.

She was unfortunately unable to take our class for the second term, and I think the all of the students that had continued missed her a great deal.

For me, one of the best parts of Bridget’s classes were the exercises that she used to set within the lesson, to get our creative juices flowing – and I was especially pleased to recognise some of these in the creative writing book that she has just published.

The book is set into three terms, each consisting of ten lessons and gives not only tools and exercises to help writers work on their creativity, but also warns of some of the pitfalls.

I am in the lucky position of being able to ‘hear’ Bridget throughout the book – but I think her warmth, wit and genuine love of writing and writers comes across in every page. Bridget has taught many creative writing students, and I think you can really tell from her style that she’s enjoyed this, as above all it’s fun! And fun definitely helps!

This is a fantastic book for writers at any stage – whether you’re trying for the first time to get something onto a pristeen page, looking for a little inspiration or (like me) need to kick your arse into gear to actually write something when you thought your creativity well may have run dry.

As she says, this book will NOT enable you to write a bestseller in a weekend, win competitions or become a rich and famous novelist, but it will certainly help set you on the path, and steer you away from some of the more dangerous obstacles.

[Julie · Rating 5 out of 5]

I found this book really useful. There are loads of exercises that you can dip into and whilst I didn't try them all, the ones I did were extremely practical and certainly got the creative juices flowing. For any writer who needs a kick start, this book is invaluable. I really enjoyed the exercises on choosing character names and agree wholeheartedly that unless your aim is to deliberately confuse, then you shouldn't choose two characters whose names begin with the same letter. Many times I have had to go back and reread a chapter because of confusing identities in a writer's work.

The book is well set out and the activities easy to pick and choose from. My only regret is that I didn't read this book sooner as now I may just have to go back and check my own novel for all kinds of literary devices that hadn't occurred to me before. A great aid to writers that should be compulsory reading - Bridget's book that is - not mine!



5/5

[Kārlis Bergmanis · Rating 5 out of 5]

I've been writing since I learned to do it, but some twenty-plus years later I decided to learn to do it properly. Or at least better. This was no brainer choice, and it worked out well.
Book starts with really simple exercises where you write a bit less than your average blog post, and then tricks you into writing stories with structure and a bit of mean on bones, so to say.
My plan is to let all I wrote sit for a month, and then go through it again - and perhaps compare what has changed in results or in my approach.
Recommend!

[Monika · Rating 5 out of 5]

Perfect to learn skill you want gain.

I'm bookworm since I remember and big chatter, but never was good with writing long pieces. All what I wrote at school (stories,essays) was rather short. Working on exercises in this book wasn't easy, but definitely satisfying after completing. I need more practice to feel confident and finishing little book for my son will be good start I think. Great book for beginners in world of words 😀. I could recommend it to anyone who want to start own storytelling.

[Alyson · Rating 2 out of 5]

I was rather disappointed by this book after reading some very positive reviews. The chapters are short, with an exercise at the end of many, but the activities leap between prose, poetry and grammar tasks. For me the point of the book was lost as it meanders its way through small details of writing.
Much of the advice is available on the internet, but I guess this would be helpful for beginners. Or better still, join a writing class and have some interaction with like minded people.

[Joy · Rating 5 out of 5]

This book is easy to read, makes perfect sense and gives you the tools to write.
Will continue to dip on and out as necessary.
Would love a paperback version please Bridget Whelan! which is on the cards

[Helen McCombs · Rating 5 out of 5]

Very informative

I did all the exercises in the book they were explained well and easy to follow along. I have improved with using disruptive words which I had a problem doing before.
The author used humor and made me laugh.

[Gill James · Rating 4 out of 5]

Some of the thirty exercises in this little book seem familiar. Others are completely new and fresh. And some are a twist on an old well-worn activity.
These are a great deal of fun and will be useful to the individual and the creative writing teacher.
I would have relished a few more examples.
A great book, though, for a rainy summer

[Ritu Bhathal · Rating 4 out of 5]

Great practical advice 😊

[Kathleen Pooler · Rating 5 out of 5]

In her light-hearted, personable way, Creativity Coach Bridget Whelan guides the beginning writer through a series of exercises meant to spark creativity. She provides useful tips, relevant examples and specific exercises to prompt creative writing. The information is credible and easy to follow and her writing is engaging, witty and concise.

Because she addresses a wide range of topics¬¬¬¬-¬- writing descriptions, humor, horror—this book appeals to writers of all genres and all experience levels. I found her voice to be trustworthy and down-to-earth and her book to be packed with practical tips and prompts.

Here is an excerpt from the chapter, “Descriptions That Multitask”:

“ You are the reader’s eyes and ears; you are their skin, their nostrils, their mouth. You can’t tell everything so the few details you reveal have to reinforce the atmosphere of the story or add to the development of a character or contribute in some way to the reader’s understanding.”

She then provides a detailed writing prompt with instructions and questions to stimulate your imagination. The book is divided into three terms, much like a semester course would be with chapter titles such as, “Become a Cliché Killer, Be Afraid. Be Very Afraid, No One Get s Tired of Once Upon a Time.”

This writing guidebook is inspiring, funny and insightful. At the end, she provides a practical step-by-step approach to writing book reviews for fiction and nonfiction. She leaves us with her best advice: “Write as much as you can about anything; Read as much as you can about anything.” She also provides a list of writing resources with her description on how they may be helpful.

I highly recommend this witty and informative writing guidebook for writers of all genres and all experience levels who are looking to break through the blank page to find their

[Alison · Rating 4 out of 5]

The advent of self-publishing means that everyone can be a writer. Everyone can publish a book. But does that mean that everyone should? And is writing a skill that can be taught?
I don’t think it can. I think that an ability to write is a bit like an ability to paint. Or to sing. Anyone can (and probably should) have a go, but it doesn’t mean that, by following rules and conventions and going to classes, you can learn to do it well.
So if writing is a talent rather than a skill that can be learned, then is there a place for a book like this?
I think that there is. If writing is a talent, it can still be honed. And it should be honed. And the exercises in this upbeat, entertaining and easy to read book will certainly help to do that. There is so much wonderful advice here on aspects like planning, characterisation, plot, writing humour, writing horror, point of view; the list goes on. And the exercises are easy to follow and interesting and fun to do.
If you’re someone who thinks they can write and wants to have a go, then this book is a great place to start. And if you’re a writer who wants to brush up on their skills, or if you are having trouble with a particular aspect of your writing, then there are plenty of exercises in this book to help you.
There are a few things that I don’t necessarily subscribe to - for example, I’ve never felt the need or the inclination to go into my characters’ back stories, likes and dislikes etc. to the extent that is recommended here. But I know that a lot of writers find that helpful. That aside, this book is a great buy for aspiring and established writers alike.

[Sue · Rating 5 out of 5]

What an excellent guide this is: it’s friendly, and full of excellent advice. Laid out as if it really were a creative writing school, with three ‘terms’, although I went through it in just a month. Each chapter has an introduction, examples, and an exercise at the end.

The suggestions start with fairly straightforward tasks such as generating titles or writing alternatives to cliches and well-worn metaphors. I did do one or two of these exercises, but mostly just read.

As the book progresses, the exercises become more complicated and thought-provoking. I’ve read many writing books, so inevitably there was much in this book that was familiar to me; but that didn’t matter, because the bulk of each section was the author’s ideas and suggestions. She gives advice for creating realistic characters, for poetic writing for the most reluctant, for using alliteration, writing dialogue, using humour, and much more.

Even though I didn’t take full advantage of this, it’s a book I will dip into again, and which I would recommend highly to anyone wanting some help with getting start in writing, or inspiration for making their writing better. I would suggest spending perhaps a week or longer on each of the thirty chapters even though I didn't myself.

[Aurelia McNeil · Rating 4 out of 5]

Tired of theory and want more application and practice? Back to Creative Writing School helps you to develop and use intrapersonal skills to build stories. This book pours out prompts and exercises which not only motivate you to start writing but inspire you to continue writing. A few of the exercises could use more explanation and instructions but you definitely won't be bogged down with too much information.

True to its title, Back to Creative Writing School explains how to use music, dictionaries, nicknames, animals, and more to fuel original writing. This book even shows you how to use simple board games to write adventure stories. You'll learn how to take dog-eared clichés and turn them into memorable and blossoming descriptors. Rather than picking character names, you'll learn how to invent them. Finally, there are over thirty sources for endless writing ideas not commonly found in other books on writing. Without hesitation, I highly recommend this book.

My favorite quote: "The only limit is your imagination and the more you exercise it the more it will stretch." --Bridget Whelan

Reviewed by McNeilsReviews.com

[Seumas Gallacher · Rating 5 out of 5]

...she's been there... got the T-shirt...


...the epithet of the lives of loads of writers, 'when all else fails, read the instructions'... Bridget Whelan is a breath of fresh air in an arena cluttered with would-be 'experts' on the machinations of story-telling in all its forms... the title is a red herring, plain and simple... this no tutorial classroom primer... this is a delicious slalom through the collected experience of someone who knows the craft of writing inside-out, outside-in, top to bottom and back to the middle again... whether the wand of literary scribbling is newly upon you, or you've studied alongside Methuselah, this book will tickle your cerebral inventiveness as a purveyor of words... it's a gem chest into which occasional dipping or prolonged visitation will be rewarded with faultless guidance (sometimes nudging) in the art of using words and language... and you do it all at your own pace... humour seeps constantly from the pages, even if you're not using it specifically to learn, you'll enjoy the exposition... excellent read ...

[Norma Curtis · Rating 5 out of 5]

This How-To book is entertaining, instructive and inspiring - it is an engaging book with a serious edge which encourages writers to approach their work with authority and enthusiasm.

[Velvetink]

kindle

[Araminta Hall · Rating 5 out of 5]

Easy to follow, excellent exercises to help all writers of any genres.

[William Shaw · Rating 5 out of 5]

Very witty, provocative guide to writing. As useful for the experienced as it is the inexperienced.