PLEASE BE ADVISED this review contains spoilers for Deadly Intent, so if you haven’t read it yet, you may not want to read on. Well where to begin?..... Ahh yes, firstly, what a fuck up! I’m now convinced that LLP didn’t actually write this book, at least not exclusively. A taboo subject that many reviewers on Goodreads often wonder about the other books in this series, but a topic I always reserved judgement on until reading Wrongful Death. There are several cases being covered in this novel in both the UK and USA; one in particular is Langton’s continued search of an Anthony Fitzpatrick, the main antagonist in Deadly Intent (Anna Travis #6); an international drug kingpin who evaded capture at the end, predominantly due to the team not having a recent picture of Fitzpatrick and him having very recent and extensive plastic surgery, allowing him to (roughly midway through the book) come to the MET station to speak with Langton claiming to be a DCI John Marlow from the Fraud Squad investigating a David Rushton, pulling wool over all their eyes and giving Fitzpatrick access to the intelligence they had on him including where his hidden drugs were stashed. A cheeky little manoeuvre that made for good reading. However in Wrongful Death it appears LLP cannot remember her own storylines or character arcs, as when referring back to this incident within the first few pages of Wrongful Death, LLP states that Fitzpatrick had come into the MET pretending to be an agent from the FBI investigating Fitzpatrick??? At the end of Deadly Intent he also escaped by piloting a private plane, Langton had wanted to use his car to cut the plane up on the runway in a last ditch attempt to abort Fitzpatrick’s take-off, but was rightly convinced against it by Travis due to Fitzpatrick having his young son and DAUGHTER onboard too. Flash forward to Wrongful Death and he apparently had left with his ONLY SON!
How can she get it so wrong? How can LLP not remember her own plots and characters? If LLP has hired a team of writers then at the very least have them do their research before submitting work. To me this was written more as a screenplay which is maybe why the story was changed, but if it was then decided to be released as a book after-all then at least remember to change it back for continuity.
Also LLP gives a long-winded acknowledgment of gratitude to her staff including (her words) ‘some of the best editors and publicist in the business’ yet ironically this book is full of spelling mistakes and at times, very poor grammar.
On a positive, I did find this book enjoyable and got through it in a couple of days, as I was intrigued to who the culprit was. I started off enjoying the first three Anna Travis books, but unfortunately I found them to decline in quality as the series progressed, the main characters aren’t likeable and the stories became predictable. However, I’ve plowed on to the last book and it appears LLP has upped her game, at least from a story perspective, perhaps read some of the reviews and took them on board, regardless LLP has shook it up a bit; the story is engaging, I genuinely enjoyed the whodunnit element being taken up a gear and actually looking forward to finding out who the killer was, rather than the usual reader knowing the killer from the start and just going through the process of finding evidence. There isn’t the standard unnecessary repetitiveness which was a common issue of the previous four books, but still there is LLP’s insistence on regurgitating her characters histories for those who have just picked up the book and not read the others. As I said, I did enjoy the story but I can only muster a one star due to the characters being 2D, the unrealistic conversations and way of speaking to each other but mainly the very poor grammar, spelling and missing words. If I pay for a book written by somebody as popular and acclaimed as LLP, then I expect better quality not the standard of a year eleven student handing in their coursework for an English Language GCSE.