This space sci-fi/horror/mystery genre mash-up has a fun premise, an exciting/frightening big bad, and some really fun action/horror set pieces. The writing is compelling, leaving almost each chapter with the kind of cliffhanger that really pushes the reader forward but doesn’t feel forced, and ultimately is a quick, fun read. I like that this is a near future (around 2050 CE, it seems) where humanity has the technological breakthroughs to conquer various solar systems, and yet we still find Christian missionaries trying to convert indigenous interstellar populations, and all of this is combined with more or less acceptance that ghosts and demons and other supernatural entities simply exist. That presents an interesting world-building that seems like it could be full of engaging internal contradictions, unfortunately this story doesn’t really explore those in very interesting ways, it simply presents this jumbled assortment of world-building ephemera without too much critical analysis from any of our characters.
While fun, there are a few things that hold it back from being great, though. The characters and story feel both heavy-handed and underwritten at the same time. There is nothing particularly interesting or inventive about the characters. A gruff, brooding FBI agent with recent trauma who may be learning to trust and feel again? An incompetent local cop who is of course overweight and slobbish, because that is easy code for unlikeable. Female character with tattoos, mental-health struggles, and mommy issues? Of course she is queer, and immediately falls for the other conveniently queer character, the rainbow-mohawked anarcho-punk who is also the head of security. There is an indigenous leader who is educated enough to scoff at his peoples’ traditional customs and ways, and a priest who is a bumbling alcoholic and constant punchline. Every character just feels worn out, totally expected. I appreciate that to have a mission with this large of a cast you need various character traits to make a compelling story, and I also appreciate the attempt at inclusivity, but everyone felt pretty cookie-cutter. That said, the personality traits do work well together to keep tension high at things moving. Similarly, there are weird things with the world-building that just leave something desired, like the numerous contemporary pop culture references (of course the FBI agent likes Star Wars and the queer chick likes Gwar, because that makes sense for this future world?), or the kind of lazy way the paranormal is discussed, with EMF readings being paramount and iron, salt, and sage being pretty much super weapons, without any sort of rationale or explanation (even when another character asks for it!). It feels uninspired. Add to that what feels like a little bit of a deus-ex-machina ending and the decision to just ignore numerous and character threads, leaving them unresolved, and not in a “maybe we will find out more in a new installment” kind of way but more of a “these were convenient things for me to use to push the narrative forward earlier in the book but I don’t really care enough to do anything with these ideas now” kind of way. We get reminded of our central character’s recent trauma on what feels like every other page and yet none of it goes anywhere or pays off in any interesting way. Even a brief epilogue could have at least tried to tie up loose ends but instead everything just feels incomplete.
I care a lot about character and world-building, which is why I felt a little let down. And in fact the weakness of the story probably would have been naturally solved by more complex, less expected characters. So, I had fun with this, but it felt like there was a whole lot left on the table that was just ignored. I will again say I thought the writing style was efficient, if a bit heavy-handed at times, but it did streamline the action and kept my attention. At some point as our group begins their investigation they split into two (for pretty unconvincing reasons, but that’s always the case, no one in any horror story splits into smaller groups or goes on their own for good reasons, so it didn’t bother me), and subsequent chapters switched back and forth between the two groups. This was used to good effect, with each chapter ending in some bit of excitement or intrigue only to be torn away to visit the other group, and yet both groups were equally interesting and fun to follow. So, this does squander some potential, and if you really care about interesting, unique characters you might find this a little short. If you are just looking for the fun balance of chaos and order that any ensemble cast needs, without worrying too much on the individuality of the actual characters, this fits the bill. This did keep me engaged and over all I thought it has enough interesting going on to let me read past the bits that were less compelling. If you like space horror then this is a fun, quick read.
I want to thank the author, the publisher Flame Tree Press, and NetGalley, who provided a complimentary eARC for review. I am leaving this review voluntarily.