When I re-read Stephen Lawhead’s “Dragon King Saga” recently, I found myself a little disappointed, as I was certain that I had read his work in the past and enjoyed it more. Given that this had been amongst his earlier works and the stand-alone novel I had read before was much better, I figured that I would keep reading. Fortunately, I already had his “Song of Albion Trilogy”, which was written nearly a decade later than the work I hadn’t enjoyed and during a pause in his “Pendragon Cycle”, which is his best-known work, so I hoped that may be an improvement.
The trilogy opens with “The Paradise War”, focussing on Lewis Gillies, a graduate student in Oxford who should be getting on with his research, but allows himself to be distracted by his flatmate, Simon, who should also be studying, but as part of a rich family, has no real need to graduate and earn a living. So when Simon hears a story of an ancient creature being found dead in modern day Scotland, he insists that they check it out. During their visit, Simon steps into an ancient cairn and disappears, with Lewis convinced that his friend is playing a trick on him and wanting no part of it.
But as he returns to Oxford alone, further strange things keep happening to Lewis. He had already seen a Green Man on the road to Scotland, but then he comes across a wolf in the streets of Oxford and gets trapped in a Celtic symbol drawn on the pavement. He is rescued by Professor Nettleton, who believes his story and feels that the distance between the modern world and the mystical world of Albion on which much of Celtic legend is based is shrinking and he can help Lewis get back there and bring Simon home again.
Carrying on immediately from the events of “The Paradise War”, this second novel, “The Silver Hand” takes up the story of the bard Tegid and his growing friendship with Llew, who was Lewis in our world, but is now fully established in Albion. So established, in fact, that Tegid has determined that he will be the new King after Meldryn Mawr, a decision that does not sit well with Prince Meldron, who has been told by Siawn Hy, formerly Simon, that he is entitled to the throne, but Tegid has seen him treat the King with a lack of respect that shows he is not deserving to rule.
After the two men escape from captivity, Prince Meldron takes his revenge on all who may assist them, committing a mass murder of all the remaining bards so that there are none to speak out against his rule. He then removes sight from Tegid and a hand from Llew, as a man with such a blemish could never be King and sets both adrift in a boat so that the seas will kill them and he will be blameless. However, the prophecy of Albion has not finished with either man and through the assistance of both men and gods, the survive and start to rebuild not only themselves, but Albion.
As with the second, “The Endless Knot” follows on immediately from the events that preceded it. This means that the land of Albion is currently at peace and the people have accepted Llew as their King. However, as the land had been blighted by Prince Meldron and his army, Tegid the bard has suggested a tour of the land so that all the people who survived can see that there is now peace in Albion and they can return to how life was before, or as closely as they can manage.
Upon his return, however, Llew’s wife Goewyn goes missing, along with Cynan’s new bride Tangwen. Suspecting that they have been kidnapped by Paladyr, a former enemy who has been exiled to Tir Aflan, they set out to rescue them. Tir Aflan is a land separate to Albion, where no-one knows what to expect, as no-one who has set foot there has ever returned to talk about what they found. It soon transpires that the land is home to many different types of danger unknown to those of Albion and the journey will be neither short nor easy.
The first two novels in the trilogy were a vast improvement on the previous works I had read from Lawhead. With Lewis as an often-bewildered storyteller in the first novel, the reader is allowed to grow into the mysteries alongside him and Nettleton acts as the introduction many of us may need into Celtic cultures and legends. With this done, Lewis returns to Albion and we get to see the life of Albion through his eyes, as he first stumbles through things and then learns to live in the culture and then thrive.
The building of the story from the bottom up means that the reader feels more involved than in many such works, as it is not entirely without reference points, thanks to Lewis. Celtic lore may not be something many of us are familiar with, but there are links to our own cultures. This helped me feel more engaged in the story and the characters as a reader and I found the novel much easier reading than his previous pure fantasy works, which were frequently hard work to get through.
As good as the first was, the second was even better, although it was a tougher read in some ways. For one thing, the writing is improved and this is helped by the story being told almost entirely by Tegid using a first-person narrative. As Tegid spends much of the novel without his eyesight, he is restricted on how much he can see and has to experience events differently from everyone else. This is a brave decision the part of the author, but he writes this different approach incredibly well and it doesn’t take much adjustment on the part of the reader.
There is also a heart of cooperation in the novel which is rare to find, as whilst fantasy frequently has stories of companions on a quest and they work together, it’s not often focussed on collaborating over a new home. When this is combined with characters who are well written and have a plausible backstory and motivation, it gives the story a new heart and direction which are incredibly welcome. Despite parts of the plot being rather static, it also means that there is always something going on and the pace of the novel is surprisingly high considering how the story progresses at points.
The issue I had with the trilogy was that it ended particularly poorly, as “The Endless Knot” spent an awful lot of time travelling, but never really getting anywhere. The whole journey was poorly written and there was little sense of danger or threat as they wandered from one incident to the next. The pacing was far slower than in the earlier novels which made for a hard read, especially as there was little in the way of character building along the way, as we already knew them all. One of the strengths of the trilogy was that the reader was made to care about the characters and so when bad things happened, it had an emotional impact, but that feeling didn’t happen here, as I felt less involved in the novel this time around.
Perhaps the worst part for me was the ending, which happened in an awful rush after the story plodded to its conclusion after taking the long way around. There was a hint of a low-budget C. S. Lewis in the ending, but Lawhead then felt the need to add in more to really make the point, which felt unnecessary as well as a touch patronising to the reader. It felt as if Lawhead didn’t really have much idea how to get from one world to another at this late stage and threw everything at the novel to see what stuck and it all felt like a bit of a mess, as well as lazy writing.
Ultimately, much of what happens in “The Endless Knot” reminds me a little uncomfortably of Lawhead’s “The Dragon King Saga”, which I had been disappointed with. There was a lot of dead space in the plot and no sense of scale or excitement in the journey aside from the odd moment and no characters you could get involved with. Had this trilogy opened with this novel, I probably would have put it aside and never continued, but that may have made the poor ending after two very good novels even more of a disappointment than doing that would have been, as I did at least get 2/3 of a very good fantasy trilogy this way.