Stefan Themerson was a Polish, later British poet, novelist, film-maker, composer and philosopher.
Stefan Themerson was born in Plock (Poland) in 1910, the son of a doctor. He studied physics at the University of Warsaw and architecture at the Warsaw Polytechnic. In his twenties, Stefan became well-known in Poland as an author of children’s books.
Stefan got married in 1931 to Franciszka. Between 1931 and 1937, the Themersons made several experimental films and Stefan invented new techniques for photograms. 'Adventures of a Good Citizen' (1937) was the fifth and the last of their pre-war films and the only one that has survived.
The Themersons played a major role in the history of independent, experimental and pre-war cinema in Poland, their significance for the development of the Polish avant-garde film is enormous.
The Themersons moved to Paris in 1937, to be at the heart of the art world. Two days after the start of the Second World War Stefan and Franciszka volunteered for the Polish army. In 1940 Franciszka escaped by moving to London. Stefan served in the Polish army in France, ending up in a Polish Red Cross hostel in Voiron, 1940-42.
At this time Stefan wrote his first novel, Professor Mmaa’s Lecture. After two years of separation Stefan and Franciszka were reunited in London in 1942. They made two more films, 1942-44.
In 1948 the Themersons founded a publishing house: the Gaberbocchus Press. In 31 years they published over sixty titles, including works by Alfred Jarry, Kurt Schwitters and Bertrand Russell.
In 1953 Stefan’s Professor Mmaa’s Lecture was first published. It is still a classic in Poland.
Through the 60s and 70s, Stefan’s books were published by Gaberbocchus Press, for example philosophical novels, children’s books, poetry, essays and a libretto and music for an opera.
His books have been translated in eight languages.
He invented 'semantic poetry' which first appeared in his novel Bayamus (1949). It is a sort of poetry that prefers the matter-of-fact meanings of words in dictionary definitions to the romantic euphemism of poetic conventions.
Ethics, language, freedom, human dignity and the importance of good manners are the topics Stefan wrote about most.
His novels range from elaborate allegories to satirical thrillers. The humanitarian philosophy that underpins them all was crystallised in The Chair of Decency, a talk given as the Huizinga lecture in Leyden in 1981. It contrasted the innate sense of good with which man is born, with the impassioned pursuit of belief and causes by which he is subsequently deluded.
A fantastic philosophical dialogue between an unnamed character and a Superintendent, in conversation about the best method of programming Dr. Good’s Ultra-Intelligent Machine, helpfully summarised in the margins of each page as the action proceeds. Such questions are posed: Who can afford to be a Marxist? What is the smallest greatest number in hedonic calculus? Where do poets find their concepts? Can one find neutrons and protons in Homer? Is it more difficult to change our method of thinking than our method of breathing? Does intellectual honesty belong to ethics? What is the boiling point of Panaltruism? Is Descartes existence more self-evident than yours? Genius.