Before I talk about the quality of the writing, let me outline the story in Time To Let Go. Having witnessed an incident on a plane, Hanna Korhonen, a flight attendant, comes to realize how quickly life can be over. Which brings to mind her parents, who are almost 80 years old. She come home to them, with the hope of running away from her own difficulties at work—only to find herself facing a much more daunting problem. Her mother, Biddy, who used to be such an energetic woman, is now in the grip of a terrible disease that destroys the mind and that will eventually leave just an outer shell of her. The entire family is affected: her father Walter, who is courageously taking care of his wife, and her brothers Henrik and Patrick.
With admirable sensitivity to the graveness of Alzheimer’s and to its ravages on the family, Christoph Fischer tells a deeply moving story. It is a complex yarn to weave, because it is underpinned by profound, hard questions. How would each one of them deal with this new, painful reality? Would they deny it or accept it? Would the progress of the disease strain them to the point of bringing about their own decline? Given their different approaches to treating Biddy, how do they negotiate a common strategy? Along the way, will the familial bond be weakened or strengthened? How do they deal with each tumble down, every time Biddy loses ground to the disease? Having put in place a rigid frame of rules, meant to brace her from further deterioration, how will they react when her mind continues to crumble? Can they hope to control her destiny? How do they let go, when it is time to do so?
Trying to find herself ensconced in the warmth of Home as she remembers it, the new reality become a test of maturity for Hanna. Will she find the inner strength needed to withstand it? In the words of her brother, Henrik, “Can you really see her as the Samaritan who gives up her career to clothe the poor and nurse the wounded, for the rest of her life? She is in shock right now and she is making a hurried, rash and stupid long term decision she will never be able to reverse.”
Finally, a few words about the cover design, which I love. Here is swan just starting to rise from the water and spread its wings, its feathers delineated diagonally across the cover. It is a dynamic, elegant icon, a symbol of the aspiration we all have to rise into purity, into our better selves. With its subtle shades of white, the design has some of the feel of The Three Nation Trilogy (the author’s historical fiction series.) However, with the cool greenish hues which infuses the entire image and the title font, this image extends in a different direction, a more contemporary one. And so does this book.
Five stars.