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336 pages, Paperback
First published March 3, 2015




"The old-fashioned method of asking you out didn't work. I took a different track."




Life isn't black ink on white paper, columns and numbers and script. It's a work of art that integrates the past into the future.
"I don't want sex. I just want to be close to you."
"Everything we've done and been is scraped over, melted down, but remains a part of what we become."




She opened her eyes, saw him in ger peripheral vision, his solemn profile. The light from Louise's living room picked out the silver in his hair, the dusting of gold on the backs of his hands. In that moment, the space of a couple of heartbeats, no more, she loved him so passionately her throat closed. She loved him.
Anne Calhoun knows how to write a unique Erotic Romance. She always seems to be conjuring up a refreshing idea with her books and THE LIST definitely stands out amongst the array of sexy books out there at the moment.
The book starts off in a not to great place with our main couple. They are seeking marriage counseling because our heroine, Tilda wants a divorce and Daniel doesn’t. After meeting each other and falling into bed, their marriage after that was quick and unplanned. Time has passed and it’s clear that the initial passion has dissolved. Or has it?
Calhoun flashes back months earlier where Tilda and Daniel first meet and fall in love. It’s a breathtaking story that is both sensual and deeply erotic. This author just cannot write a bad sex scene. Seriously!
I know there were people who were put off by Tilda’s cold personality. I didn’t find that at all. Yes, she’s cold and she’s often detached. But Tilda is a very, very strong woman who doesn’t need a man in her life to fulfill her. That is what I found so great about this book. Even though Tilda can do without a man, she allowed Daniel in. If he wasn’t as patient or persistent as he was, then this book wouldn’t have worked at all. But Daniel and Tilda are absolutely perfect for one another.
The reason why I liked Tilda so much was because of her stance on sexuality. She’s an intelligent woman and has a deep-rooted love and respect for herself. This quote sums her up well:
“When did you lose your virginity?”
“Virginity is a cultural construct,” she pointed out. “Given the many, many ways two people can have sex, limiting the question to penetration to penis into vagina is a rather narrow approach. Anyway, why is it a loss? I gained knowledge, experience.”
The thought of wild, barely restrained Tilda growing in experience sent a bolt of desire tinged with a gut-deep jealousy through him. “It’s just a figure of speech,” he said mildly.
“An interesting one. I didn’t lose anything.”
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"The medium of paper and ink and art become part of the message," Tilda said. "It conveys something to the recipient, that care was taken with every step of the process. It suggests that the individual takes much care with her life."
"I facilitate connection, a way to reach out to another person as
best they can. Perhaps the permanence is in sustaining the beauty of
that moment, the tangible elegance of it all. It fades away, of
course. But they've had that moment. Can we really hope for more?"
"It's not sex, Tilda. I want to white out your thoughts, turn your muscles to jelly and your bones to light. I want to taste your come, my come, our sweat. It's annihilation. That's what I want to do to you."
"Tilda. There is a difference between I've made a mistake and I am a mistake, or I've done a bad thing and I am a bad thing. There is a difference between guilt and shame...."
Tilda thought who she was made people abandon her.
They'd taught her, however inadvertently, to be ashamed of her need for love, and to doubt the motivations and tenacity of anyone who needed her in return. They'd taught her that the only thing she deserved was sex, not love. They'd taught her everyone belonged on her list except her.
" ... Wanting has never been my problem. My problem is having. Keeping what I want."
"That's not your problem, Tilda."
Life isn't black ink on white paper, columns and numbers and script. It's a work of art that integrates the past into the future. ...