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Discontent and Its Civilizations: Dispatches from Lahore, New York, and London
In Discontent and Its Civilizations, Mohsin Hamid traces the fracture lines generated by a decade and a half of seismic change, from the "war on terror" to the struggles of individuals to maintain humanity in the rigid face of ideology, or the indifferent face of globalization. Whether he's discussing courtship rituals or pop culture, drones or the rhythms of daily life in an extended family compound, he transports us beyond the alarmist headlines of an anxious West and a volatile East and helps to bring a dazzling diverse world within emotional and intellectual reach.
240 pages, Hardcover
First published November 27, 2014
146 people are currently reading
3895 people want to read
About the author
Mohsin Hamid
23 books4,123 followersMohsin Hamid is the author of four novels,
Moth Smoke
,
The Reluctant Fundamentalist
,
How to Get Filthy Rich in Rising Asia
, and
Exit West
, and a book of essays,
Discontent and Its Civilizations
.
His writing has been featured on bestseller lists, adapted for the cinema, shortlisted for the Man Booker Prize, selected as winner or finalist of twenty awards, and translated into thirty-five languages.
Born in Lahore, he has spent about half his life there and much of the rest in London, New York, and California.
His writing has been featured on bestseller lists, adapted for the cinema, shortlisted for the Man Booker Prize, selected as winner or finalist of twenty awards, and translated into thirty-five languages.
Born in Lahore, he has spent about half his life there and much of the rest in London, New York, and California.
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Displaying 1 - 30 of 290 reviews
October 19, 2015
This slim book of essays by Mohsin Hamid is one of the most interesting and important books per square inch of space that I have read in a very long time. I have had difficulty reading lately, with lots of distractions and changes in my own life. Hamid’s small book of nonfiction essays promised to be short, relevant, engaging, and international, like his fiction.
These essays were much more than that. Hamid surprised and delighted me with his political section at the end in which he shares with us the notion of Pakistan as it is experienced from the inside: huge, populous, diverse, and multicultural. It has been so difficult over these years of conflict to gain an understanding of the place if one simply read the newspapers or watched TV commentary. Hamid assures us that Pakistan has its problems but indeed is filled, as I knew it must be, with people not so different from ourselves, who strive every day to work, raise children, and live well, if they can.
In a world where tolerance is becoming increasingly hard to find, it was thrilling to find a thoughtful, educated person taking the time to tell us about an area of the world we have been bombing (with drone strikes) for the past decade and about which we have only the remotest sense. In an early essay, “In a Home for Water Lilies,” Hamid tells us he began writing essays and journalism after 9/11 when world events kept him from focusing on fiction. He wrote “a piece for an American publication about the fears of his parents and sister in Pakistan as the U.S. prepared to attack Afghanistan. The paper deleted a paragraph on reasons for the anger felt toward America in many Muslim-majority countries.” A similar piece for a British newspaper was published in its entirety.
Imagine that. While this is not the first I have heard of newspaper self-censorship, it is the first time I have of heard it happening for a fiction writer rather than for secret government documents. We need this man’s voice, for he does not shirk from telling us what we need to hear: that America’s military interventions are so clumsy that they tend to create larger problems and greater resentments than they solve. We have seen this in our time, and know it in our hearts. Hamid dares to tell us how that is.
Hamid has lived in and enjoyed New York, London, and Lahore. He likes them all, though his movements around the globe have given him a refreshingly clear view of each of these places and the countries in which they are rooted. His essays from the past fifteen years reprinted here recount recent history, the present, and risk imagining the future of Pakistan. It takes someone of courage to step outside his chosen field and write his conscience to address pressing issues. We may not agree with him, but the opinion of a thoughtful man is hard to dismiss.
This review was going to be about other, earlier essays in his collection in which he shares his favorite books, his preference for print over eBooks, and an amusing discussion on the current crop of really very decent television serials and what that means for the future of the novel. In a very short essay called “Rereading,” Hamid makes the case that small novels with fewer pages of plot can be “electric with potential” in a way that longer, more ponderous novels cannot be—potential that readers can realize once, twice, or many times in their lifetimes, each time a little differently, depending on experiences in their own lives.
Mohsin Hamid speaks to me. I mean directly to me. In “Enduring Love of the Second Person,” Hamid describes the “amazing potential of the ‘you’…You are given an active role, an invitation to create. Together.” It worked immensely well in his novel How to Get Filthy Rich in Rising Asia, and it works in his book of essays.
I highly recommend this title. It is a pleasure to read an author who excites, enlightens, and educates so profoundly in so few words.
These essays were much more than that. Hamid surprised and delighted me with his political section at the end in which he shares with us the notion of Pakistan as it is experienced from the inside: huge, populous, diverse, and multicultural. It has been so difficult over these years of conflict to gain an understanding of the place if one simply read the newspapers or watched TV commentary. Hamid assures us that Pakistan has its problems but indeed is filled, as I knew it must be, with people not so different from ourselves, who strive every day to work, raise children, and live well, if they can.
In a world where tolerance is becoming increasingly hard to find, it was thrilling to find a thoughtful, educated person taking the time to tell us about an area of the world we have been bombing (with drone strikes) for the past decade and about which we have only the remotest sense. In an early essay, “In a Home for Water Lilies,” Hamid tells us he began writing essays and journalism after 9/11 when world events kept him from focusing on fiction. He wrote “a piece for an American publication about the fears of his parents and sister in Pakistan as the U.S. prepared to attack Afghanistan. The paper deleted a paragraph on reasons for the anger felt toward America in many Muslim-majority countries.” A similar piece for a British newspaper was published in its entirety.
Imagine that. While this is not the first I have heard of newspaper self-censorship, it is the first time I have of heard it happening for a fiction writer rather than for secret government documents. We need this man’s voice, for he does not shirk from telling us what we need to hear: that America’s military interventions are so clumsy that they tend to create larger problems and greater resentments than they solve. We have seen this in our time, and know it in our hearts. Hamid dares to tell us how that is.
Hamid has lived in and enjoyed New York, London, and Lahore. He likes them all, though his movements around the globe have given him a refreshingly clear view of each of these places and the countries in which they are rooted. His essays from the past fifteen years reprinted here recount recent history, the present, and risk imagining the future of Pakistan. It takes someone of courage to step outside his chosen field and write his conscience to address pressing issues. We may not agree with him, but the opinion of a thoughtful man is hard to dismiss.
This review was going to be about other, earlier essays in his collection in which he shares his favorite books, his preference for print over eBooks, and an amusing discussion on the current crop of really very decent television serials and what that means for the future of the novel. In a very short essay called “Rereading,” Hamid makes the case that small novels with fewer pages of plot can be “electric with potential” in a way that longer, more ponderous novels cannot be—potential that readers can realize once, twice, or many times in their lifetimes, each time a little differently, depending on experiences in their own lives.
Mohsin Hamid speaks to me. I mean directly to me. In “Enduring Love of the Second Person,” Hamid describes the “amazing potential of the ‘you’…You are given an active role, an invitation to create. Together.” It worked immensely well in his novel How to Get Filthy Rich in Rising Asia, and it works in his book of essays.
I highly recommend this title. It is a pleasure to read an author who excites, enlightens, and educates so profoundly in so few words.
January 27, 2019
[4+] Like Hamid's novels, these essays are short, accessible and sometimes profound. Hamid eloquently chips away at the bias many of us bring to conversations about Pakistan and Islam. As a resident of New York, London and now Lahore, his perspective is refreshing and eye-opening and not easily categorized.
November 17, 2014
Absolutely fantastic read. Although a very brief book, likely to be finished by most readers in a day or two, it is profound in the diverse topics that it covers and has personally left me with a lot to think about. It is a collection of articles written by Mohsin Hamid for various publications over a 15 year period and is divided into three sections Life, Art and Politics. My personal favourites were: "In Concert, No Touching", "On Fatherhood", "Don't Angry Me", "Pereira Transforms" and "Why They Get Pakistan Wrong".
Articles such as "Pereira Transforms", "Enduring Love of the Second Person" and "Rereading" are an insight into the clear, brief writing style of Mohsin Hamid. Although I have heard him speak a couple of times at literature festivals, for the first time I understood his tendency to keep his readers engaged with the short novel form and his unique take on "the nature of the reader-writer relationship, the notion that 'you' could simultaneously be audience and character and maker." The development of his unique style he attributes to "The Fall" by Albert Camus.
Overall an enjoyable read.
Articles such as "Pereira Transforms", "Enduring Love of the Second Person" and "Rereading" are an insight into the clear, brief writing style of Mohsin Hamid. Although I have heard him speak a couple of times at literature festivals, for the first time I understood his tendency to keep his readers engaged with the short novel form and his unique take on "the nature of the reader-writer relationship, the notion that 'you' could simultaneously be audience and character and maker." The development of his unique style he attributes to "The Fall" by Albert Camus.
Overall an enjoyable read.
January 25, 2016
Having been born in Pakistan and having spent the greater part of his life in the US and the UK, Mohsin Hamid is able to bridge the cultural divide. His perspective is rare and valuable. He understands the US point of view and explains how it is heard and realized in Pakistan.
The essays are divided into topics of life, art and politics. In the first you learn about Hamid, his "water lily life" and how he chose to return to Pakistan. Having read this novels the essays on art were of interest. He writes of the authors who inspire him and how he writes.
The essays on politics, because of the knowledge and experience behind them are the heart of the book. Repeated themes are the Pakistan-India divide, the diversity of the Pakistani population, the weakness of the Pakistani government and the effects of US policy on everyday life. I learned that there is border dispute with Afghanistan that has not been on the US radar screen despite operations in this very area. There is a description of the “deep state” in Pakistan, and it seems to operate much like ours in thwarting peace efforts.
All the essays, like Hamid’s novels are short; they convey a lot and there is no need to make them longer. The dates of the works are significant and I liked that you don’t have to flip through the book to get the dates.
Hamid is guardedly optimistic. Despite overpopulation, weak economies, and anticipated flooding from global warming, he sees the coming century belonging to Asia. That Pakistan has had 5 years of democratic government and wants to improve relations with India are some reasons for his optimism.
The chapter “Fear and Silence” should be required reading for all high school students throughout the world.
The essays are divided into topics of life, art and politics. In the first you learn about Hamid, his "water lily life" and how he chose to return to Pakistan. Having read this novels the essays on art were of interest. He writes of the authors who inspire him and how he writes.
The essays on politics, because of the knowledge and experience behind them are the heart of the book. Repeated themes are the Pakistan-India divide, the diversity of the Pakistani population, the weakness of the Pakistani government and the effects of US policy on everyday life. I learned that there is border dispute with Afghanistan that has not been on the US radar screen despite operations in this very area. There is a description of the “deep state” in Pakistan, and it seems to operate much like ours in thwarting peace efforts.
All the essays, like Hamid’s novels are short; they convey a lot and there is no need to make them longer. The dates of the works are significant and I liked that you don’t have to flip through the book to get the dates.
Hamid is guardedly optimistic. Despite overpopulation, weak economies, and anticipated flooding from global warming, he sees the coming century belonging to Asia. That Pakistan has had 5 years of democratic government and wants to improve relations with India are some reasons for his optimism.
The chapter “Fear and Silence” should be required reading for all high school students throughout the world.
January 5, 2015
I cannot believe that I actually enjoyed reading this book - or rather collection of Hamid's previously published articles based on his life, emotions and experiences!! (I am not a fan of Mohsin Hamid's work!!)
Oddly speaking, the articles narrated in the book are a good relatable read ... Atleast for me!! It's like a lot of times what Hamid is writing or feeling is exactly what I felt in that moment in my life (aka Pakistan's colourful history) !!
Oddly speaking, the articles narrated in the book are a good relatable read ... Atleast for me!! It's like a lot of times what Hamid is writing or feeling is exactly what I felt in that moment in my life (aka Pakistan's colourful history) !!
January 26, 2018
A heartfelt series of essays which have appeared before in various publications. These articles span more than a decade and encompass the years he studied and worked in New York, London and Lahore. I have read all of Hamid's fictional works before, 'Moth Smoke' and 'How To Get Filthy Rich in Rising Asia' being my favourites.
Here he covers a wide range of subjects in his quiet, thoughtful style, including how he approached his writing and what he aimed to achieve. An added bonus was I learnt a fair bit about Pakistan's history and its role in the US-Soviet proxy war in Afghanistan, as well as the subsequent war against terrorism post-9/11. He also provides his opinion on why and how Pakistanis and other state actors can help the country break free from its past dalliance with extremist militants, who although helpful in the past against the Soviets and the Taliban, have increasingly turned their violence and intolerance inwards against their fellow countrymen. The success of this objective is of utmost importance to the entire region due to Pakistan's status as a nuclear-armed nation.
Here he covers a wide range of subjects in his quiet, thoughtful style, including how he approached his writing and what he aimed to achieve. An added bonus was I learnt a fair bit about Pakistan's history and its role in the US-Soviet proxy war in Afghanistan, as well as the subsequent war against terrorism post-9/11. He also provides his opinion on why and how Pakistanis and other state actors can help the country break free from its past dalliance with extremist militants, who although helpful in the past against the Soviets and the Taliban, have increasingly turned their violence and intolerance inwards against their fellow countrymen. The success of this objective is of utmost importance to the entire region due to Pakistan's status as a nuclear-armed nation.
October 27, 2015
I'm quite happy to have had the opportunity to read that, but out of eight essays I found best/ useful and was ready to scan, six were easily available online. Frustrating.
Read
September 21, 2019Mohsin Hamid is culturally,a hybrid,having lived parts of his life in the US,Pakistan and the UK,and still continues to shuttle back and forth.This is a collection of his writing on diverse subjects.Some of the pieces collected here are very interesting,others less so. The theme of displacement recurs in his work.In some of these despatches,he tries to explain Pakistan to an international audience.The more engaging part of the book for me has to do with his own multicultural experiences,his life and his musings on pop culture.
December 5, 2014
This entire review has been hidden because of spoilers.
May 1, 2020
This is a collection of Mohsin Hmaid's articles, written in 2000s, reflective of his life in Lahore, New York and London, focusing mainly on art, politics and culture. This felt like a mini-biography, as it reminisced the past with a very personal touch. I totally felt that when he said:
GLOBALIZATION IS A brutal phenomenon. It brings us mass displacement, wars, terrorism, unchecked financial capitalism, inequality, xenophobia, climate change. But if globalization is capable of holding out any fundamental promise to us, any temptation to go along with its havoc, then surely that promise ought to be this: we will be more free to invent ourselves. In that country, this city, in Lahore, in New York, in London, that factory, this office, in those clothes, that occupation, in wherever it is we long for, we will be liberated to be what we choose to be .
GLOBALIZATION IS A brutal phenomenon. It brings us mass displacement, wars, terrorism, unchecked financial capitalism, inequality, xenophobia, climate change. But if globalization is capable of holding out any fundamental promise to us, any temptation to go along with its havoc, then surely that promise ought to be this: we will be more free to invent ourselves. In that country, this city, in Lahore, in New York, in London, that factory, this office, in those clothes, that occupation, in wherever it is we long for, we will be liberated to be what we choose to be .
December 27, 2017
Globalization is a brutal phenomenon. It brings us mass displacement, wars, terrorism, unchecked financial capitalism, inequality, xenophobia, climate change. p2
But in the end, it is not possible to champion national greatness and human equality at the same time. p141
The message is clear. Speaking out against the problem means you become the problem, so you had better be quiet. p145
I am glad that MH refuses to be quiet and look forward to his next effort.
But in the end, it is not possible to champion national greatness and human equality at the same time. p141
The message is clear. Speaking out against the problem means you become the problem, so you had better be quiet. p145
I am glad that MH refuses to be quiet and look forward to his next effort.
March 13, 2015
I haven't read any of Hamid's fiction, although I plan to try "The Reluctant Fundamentalist", but the premise of this book interested me. In the end, though, I was disappointed. The section dealing with his life was mildly interesting, but superficial. He identifies with Pakistan as home, but is that mostly because his family lives there? I was hoping for more cross-cultural insights. What makes one country home, even if its language is not your first language? The section on art I found dull.
Finally, the section on politics suffered from being (necessarily) out of date. Although he grouped the articles and thoughts in approximate chronological order, there was no overall coherent time line and no explicit commentary on whether things he had hoped for had indeed occurred. While I am sure no one would disagree that peace in Afghanistan and peace with India are important goals, I was hampered by a lack of in depth knowledge to evaluate his views. He writes as an author living in Pakistan who has lived in the US and UK, which gives him a unique perspective, but I wonder what other "experts" would say on the topics he discusses. The political points he made were all "big picture" points and I found his repeated hopes for Pakistan made me want to tell him to stop writing and go and do something about it.
Finally, the section on politics suffered from being (necessarily) out of date. Although he grouped the articles and thoughts in approximate chronological order, there was no overall coherent time line and no explicit commentary on whether things he had hoped for had indeed occurred. While I am sure no one would disagree that peace in Afghanistan and peace with India are important goals, I was hampered by a lack of in depth knowledge to evaluate his views. He writes as an author living in Pakistan who has lived in the US and UK, which gives him a unique perspective, but I wonder what other "experts" would say on the topics he discusses. The political points he made were all "big picture" points and I found his repeated hopes for Pakistan made me want to tell him to stop writing and go and do something about it.
December 5, 2014
From BBC Radio 4 - Book of the Week:
Collected essays that encompass memoir, art and politics.
Collected essays that encompass memoir, art and politics.
December 7, 2014
I have to admit to being disappointed by the collection. Its quite interesting how the way we respond to pieces of work is dependent on the format they appear in. Many of these articles and 'dispatches', I would be quite content to read and consume in a newspaper or literary magazine, but when they appear in this book, with a not insignificant preface, I expect something meatier, more substantial. As it stands, with many of the pieces standing at 5-7 pages long, or even less, they feel insubstantial, weightless and easily ignorable. They have little impact and many facts and themes are often repeated without variation. There are a three or so articles towards the end that are truly fantastic, because they are longer, go into their subject in greater depth, and therefore reach more significant conclusions, but that they are so few is dispiriting. Maybe Hamid isn't to blame, and the book is down to the greed of his publisher, but maybe he could have developed a few more of them?
That said, the book has ignited this need within me to connect with Pakistan again, in a different way (as someone, unlike Mohsin, was not born there) and I find that quite exciting.
That said, the book has ignited this need within me to connect with Pakistan again, in a different way (as someone, unlike Mohsin, was not born there) and I find that quite exciting.
February 4, 2015
This is the first non-fiction book I've read.
I've read Mohsin Hamid's debut fiction novel 'Moth Smoke' previously.
Honestly speaking, I couldn't really get into the story back then. There were only a few elements that I enjoyed.
'Discontent and its Civilizations' explains Hamid's real life encounters. He has described how his life has changed while travelling from Lahore to NY, London and then back to Lahore. During this journey, Hamid has seen immense changes in his own perspective and personality.
He has pin pointed real life incidents in this book and have told how Islam has changed post 9/11. He has portrayed the real elements of Islamization in the Western side of the world. More or less, he has tried to present the real image of Islam. Politics, Pakistan-India relationship, U.S Drone Attacks have been thoughtfully explained in this book.
He has openly said that Islam is not a monolith.
Hamid also shares his stories regarding fiction, books, movies and titbits of his marriage life and also discussed some of the phases of fatherhood.
Certainly, Hamid's writing style is quite sophisticated, knowledgeable and mature.
I've read Mohsin Hamid's debut fiction novel 'Moth Smoke' previously.
Honestly speaking, I couldn't really get into the story back then. There were only a few elements that I enjoyed.
'Discontent and its Civilizations' explains Hamid's real life encounters. He has described how his life has changed while travelling from Lahore to NY, London and then back to Lahore. During this journey, Hamid has seen immense changes in his own perspective and personality.
He has pin pointed real life incidents in this book and have told how Islam has changed post 9/11. He has portrayed the real elements of Islamization in the Western side of the world. More or less, he has tried to present the real image of Islam. Politics, Pakistan-India relationship, U.S Drone Attacks have been thoughtfully explained in this book.
He has openly said that Islam is not a monolith.
Hamid also shares his stories regarding fiction, books, movies and titbits of his marriage life and also discussed some of the phases of fatherhood.
Certainly, Hamid's writing style is quite sophisticated, knowledgeable and mature.
April 29, 2015
I picked this book up accidentally while meandering through an unfamiliar section of Barnes and Nobles. I'm really glad I did. Reading the introductory essay persuaded me to buy the book and every essay impressed me in some manner.
Hamid writes with a fluid, dynamic tone; his writing is full of humanity and character and his stories and opinions kept me engaged despite my novice understanding of political relationships in the East. I happen to wholeheartedly agree with the sentiments voiced in his essays. I couldn't help from feeling profound solidarity with this author despite our difference in circumstance and experience. I wrote down quite a few quotes from various passages; this is one of my favorites:
"Civilizations are illusory. But they are useful illusions. They allow us to deny our common humanity, to allocate power, resources, and rights in ways repugnantly discriminatory."
I highly recommend this book. You'll want to suspend your preconceptions on Pakistan and its diverse cultures- but Hamid makes this exceedingly easy, so no worries.
Hamid writes with a fluid, dynamic tone; his writing is full of humanity and character and his stories and opinions kept me engaged despite my novice understanding of political relationships in the East. I happen to wholeheartedly agree with the sentiments voiced in his essays. I couldn't help from feeling profound solidarity with this author despite our difference in circumstance and experience. I wrote down quite a few quotes from various passages; this is one of my favorites:
"Civilizations are illusory. But they are useful illusions. They allow us to deny our common humanity, to allocate power, resources, and rights in ways repugnantly discriminatory."
I highly recommend this book. You'll want to suspend your preconceptions on Pakistan and its diverse cultures- but Hamid makes this exceedingly easy, so no worries.
March 28, 2016
This book is a must read for anyone who is a fan of Hamid or his books. Ever since I read Moth Smoke (his first book), I felt some sort of connection with the author and his characters.
The book is a collection of articles and writings of Hamid which have been published over the period of late 90's to the 00's, and when read together act like a biography of the author and his observations about religion, geo-politics, fatherhood, and everything else under the sun. The individual chapters are short and fluid, and I really enjoyed reading them. It made for a pretty brisk read.
Hamid also manages to focus on the problems facing contemporary Pakistan and the reasons and historical events which made the country what it is. He doesn't resort to pandering or blatant finger-pointing and manages to give a view that we in India often tend to miss when it comes to Indo-Pak relations. There is a conscious lack of rhetoric in his views and provide a fairly balanced, and sometimes simplistic view of things.
The book is a collection of articles and writings of Hamid which have been published over the period of late 90's to the 00's, and when read together act like a biography of the author and his observations about religion, geo-politics, fatherhood, and everything else under the sun. The individual chapters are short and fluid, and I really enjoyed reading them. It made for a pretty brisk read.
Hamid also manages to focus on the problems facing contemporary Pakistan and the reasons and historical events which made the country what it is. He doesn't resort to pandering or blatant finger-pointing and manages to give a view that we in India often tend to miss when it comes to Indo-Pak relations. There is a conscious lack of rhetoric in his views and provide a fairly balanced, and sometimes simplistic view of things.
June 30, 2025
I love this guy, he could be one of the reason why writers could help this world not to implode with wars, racism, religious issues and so on. His essays are so easy to read but at the same time so deep, that even things not so important could help you think about the difference between people and population.
Io lo adoro Mohsin Hamid, lui, assieme ad altri scrittori, potrebbero aiutare il mondo a non implodere sotto il peso di gueere, razzismi vari e problemi di origine religiosa, tanto per dirne alcuni. I suoi saggi sono cosí facili da leggere, ma allo stesso tempo cosí profondi da sottolineare attraverso le descrizioni di cose semplici le grandi differenze che ci sono tra le persone e le popolazioni.
Io lo adoro Mohsin Hamid, lui, assieme ad altri scrittori, potrebbero aiutare il mondo a non implodere sotto il peso di gueere, razzismi vari e problemi di origine religiosa, tanto per dirne alcuni. I suoi saggi sono cosí facili da leggere, ma allo stesso tempo cosí profondi da sottolineare attraverso le descrizioni di cose semplici le grandi differenze che ci sono tra le persone e le popolazioni.
April 7, 2015
"At this point in our technological evolution, to read a novel is to engage in probably the second-largest single act of pleasure-based data transfer that can take place between two human beings, exceeded only by sex. Novels are characterized by their intimacy, which is extreme, by their scale, which is vast, and by their form, which is linguistic and synesthetic. The novel is a kinky beast."
dnfs
December 10, 2017DNF at 60%. im just not really feeling this right now.
January 12, 2019
Ok definitely need a lighter read after today's two books... lol
2019 reading challenge - A book written by an author from Asia, Africa, or South America
2019 reading challenge - A book written by an author from Asia, Africa, or South America
April 3, 2015
Read more reviews Reviewing Shelf.
To tell the truth, the only reason I picked up this book in the first place was because the author was famous for having written The Reluctant Fundamentalist which went on to become a major motion picture. Otherwise, a book with a title like that would have been easily glossed over.
To tell the truth, the only reason I picked up this book in the first place was because the author was famous for having written The Reluctant Fundamentalist which went on to become a major motion picture. Otherwise, a book with a title like that would have been easily glossed over.
The book has been divided by essays into three parts - Life, Art and Politics. It's difficult to choose which part I liked the most. But yes, I found the first two parts more easy to read and interesting while the final one was heavy and dry on the palate.
I liked the way the essays have been structured. It starts with giving us a glimpse into the author's life which makes it easier to appreciate what comes later on. We see the world through his eyes and experiences and it lends itself a different voice than the world might see from their side of the spider's web.
The author's journey through his career changes, his personal life and travel within the three countries makes for an interesting narrative. In seeing the world-view through his eyes, one finds oneself wondering at the objectivity and its absence in all things meaningful.
The essays in the Art section also made for a gripping read. With my interest in all things related to books, I could identify where the author was coming from. His essays about rereading books, likeable characters, Murakami, great American novel and the change of reading experience through ebooks found a resonance within me. They made for a page turning read.
Let me now talk about the Politics section. Frankly, I have zero knowledge and/or interest in politics. But every so often, with the help of books like these, I try to keep myself abreast of the goings-on in the world. And that's precisely where this section stepped in. The essays give a plethora of events to think about, to reflect upon. Looking at the drones and war from an insider's perspective lends it an air of honesty and raw brutalism that makes one shudder. It's easy to read about it in the news than to hear someone who has been through it and knows the ins and outs. It would be easier to side with the US on its drones and air strikes when its labelled as a fight with terrorism but when you hear it from the horse's mouth do you realise it carries within it so much more than just that. The essays give a refreshing albeit heart rending stance to the whole situation. Frankly, it was difficult to go through it. It was unsettling and as is easier, one tends to pass by what is uncomfortable or evokes disturbing emotions. But I needed to know the bird's eye view of things and not just what the newspapers tell me and hence I read it, every single word of it. It didn't help settle my perturbed emotions but surely helped me realize that one can never see the panorama from just one side. And now that I have touched on the philosophical, let me give it a rest. And you go read the book.
Highly influential and well-written. Would definitely be trying the author again.
June 26, 2016
Obviously not as good as some of his fictional stuff but this was interesting in places and some of the essays were close to the heart in that mine and Mohsin’s backgrounds are quite similar. Both Muslim, similar (ish age), Mohsin was a management consultant, I still am, both born in Lahore, and lived in London. I like his style of writing and this is a short book which serves as a collection of some of his essays he has written on various subjects. Here are a few of the interesting points he makes:
• Sufis talk about the path to transcendence, one is to look out at the universe and see yourself, one is to look into yourself and see the entire universe.
• Mohsin talks about Pakistan which is a country that is close to his heart (probably more so than mine as I seem to have given up on it) he hasn’t and believes that an independent judicial system, thousands literally thousands of graduates pouring out of its universities, elected assemblies and free media are some of the foundational elements that the country needs to revolutionise its thinking and bring about the change that the country desperately needs – this needs to be bought about by a demand for a change in behaviours of leading politicians and leaders in general throughout all echelons of the country but the drive has to come from the roots upwards not top down. My challenge to that and I’m sure other philosophers have said it in a similar way and it’s that to change ones thinking you can’t approach the problem with the same philosophy of thinking that have u those problems let alone the same medium or mode. Like Nietzsche’s Zarathustra we need time to step back and truly think before we can come back to address the problem from greater heights or deeper depths as in this case if it’s a grass roots revolution.
Some of the other essays he writes about are: art and other Pakistans, international relations, on fatherhood, avatar in Lahore, personal and political intertwined, my reluctant fundamentalist, get fit with Haruki Murakami, where is the great American novel by a woman, how do e-books change the reading experience, after 60 years will Pakistan be reborn, uniting Pakistan’s minority and majority, Osama bin Laden’s death, nationalism should retire at 65, to fight India we fight ourselves, why drones don’t help and Islam is not a monolith.
• Sufis talk about the path to transcendence, one is to look out at the universe and see yourself, one is to look into yourself and see the entire universe.
• Mohsin talks about Pakistan which is a country that is close to his heart (probably more so than mine as I seem to have given up on it) he hasn’t and believes that an independent judicial system, thousands literally thousands of graduates pouring out of its universities, elected assemblies and free media are some of the foundational elements that the country needs to revolutionise its thinking and bring about the change that the country desperately needs – this needs to be bought about by a demand for a change in behaviours of leading politicians and leaders in general throughout all echelons of the country but the drive has to come from the roots upwards not top down. My challenge to that and I’m sure other philosophers have said it in a similar way and it’s that to change ones thinking you can’t approach the problem with the same philosophy of thinking that have u those problems let alone the same medium or mode. Like Nietzsche’s Zarathustra we need time to step back and truly think before we can come back to address the problem from greater heights or deeper depths as in this case if it’s a grass roots revolution.
Some of the other essays he writes about are: art and other Pakistans, international relations, on fatherhood, avatar in Lahore, personal and political intertwined, my reluctant fundamentalist, get fit with Haruki Murakami, where is the great American novel by a woman, how do e-books change the reading experience, after 60 years will Pakistan be reborn, uniting Pakistan’s minority and majority, Osama bin Laden’s death, nationalism should retire at 65, to fight India we fight ourselves, why drones don’t help and Islam is not a monolith.
November 23, 2014
Mohsin Hamid is a novelist, and he also writes a lot of nonfiction in the form of essays and articles for a wide range of publications such as The New York Times, the Guardian, literary journals, and Pakistani magazines. The essays in Discontent and its Civilizations (a clever play on the title of a classic by Freud) are from the years 2000-2014 and cover Hamid's time as a resident of New York, London, and Lahore, Pakistan.
It's a compact volume of pieces, only about 200 pages, and the essays themselves are each only a few pages long. In general they are concise and elegant, a pleasure to read. I enjoyed the articles about family and everyday life, and found those about writing and reading thoughtful. In the last third of the book, the essays became weighted with Pakistani politics and discussions of religion.
As a man born in Pakistan, who spent his childhood in California, his teens in Pakistan, and his young adulthood in New York and London, Hamid has a pretty interesting outlook on world affairs. As I read his essay about re-entering the United States and having to go through rigorous extra questioning yet again, I did a double take when I got to the end and found it had been written in the year 2000.
Despite appreciating Hamid's persuasive writing on other topics, I still could not quite fathom how he decided, when his wife told him that she was pregnant, that they should now move from their cozy home in London to Pakistan. He went on to describe daily power outages, undrinkable tap water, increasing civil unrest near his upper middle class home in Lahore. On the other hand his young daughter was now close to grandparents and cousins, aunts and uncles.
A nice collection of essays on topics close to home and quite distant.
It's a compact volume of pieces, only about 200 pages, and the essays themselves are each only a few pages long. In general they are concise and elegant, a pleasure to read. I enjoyed the articles about family and everyday life, and found those about writing and reading thoughtful. In the last third of the book, the essays became weighted with Pakistani politics and discussions of religion.
As a man born in Pakistan, who spent his childhood in California, his teens in Pakistan, and his young adulthood in New York and London, Hamid has a pretty interesting outlook on world affairs. As I read his essay about re-entering the United States and having to go through rigorous extra questioning yet again, I did a double take when I got to the end and found it had been written in the year 2000.
Despite appreciating Hamid's persuasive writing on other topics, I still could not quite fathom how he decided, when his wife told him that she was pregnant, that they should now move from their cozy home in London to Pakistan. He went on to describe daily power outages, undrinkable tap water, increasing civil unrest near his upper middle class home in Lahore. On the other hand his young daughter was now close to grandparents and cousins, aunts and uncles.
A nice collection of essays on topics close to home and quite distant.
March 19, 2015
I hesitated to give this one stars when I finished it because I was considering reviewing it at work. But I'm not reviewing it there, so I'll review here: I wish Hamid had stronger editing for this collection, which is uneven, sometimes repetitive and too long, even though it's a short book. There are a handful of powerful, thought-provoking essays in here (on drones, for example). There are good musings on the intersections of cultures, and he has the exact right collection of life experiences to write from a solid foundation on, say, the lack of cross-cultural competency in the U.S. and U.K. (and though I haven't read his novels, it sounds like those are brimming over with exactly that), but he doesn't delve deep enough often enough for me. I had high hopes for this, but I'm walking away kind of disappointed.
May 10, 2016
This was a serendipitous buy at my favorite local bookstore (Three Lives & Co). It's unusually interactive and endearing. I spent the first portion wishing I could mark it up with a red pen and send it back to Mr. Hamid with my edits. But oh, the starbursts of exquisite writing. The insights, the empathy. I began to feel like I knew Mohsin and was engaged in a long conversation with him. Then... the chapter on politics. I think he knew exactly what he was doing by first plying my heart open and then dropping in these last few (incongruous but powerful) essays. Very interesting and unusual structure overall. Glad I read it, and glad to know Mohsin Hamid a little better.
September 23, 2015
Compelling and intriguing essays ("dispatches") by one of the most interesting and inventive writers of this age, from a fascinating and complex country "that is messier than most, as my electricity supply cuts off every other hour, as my tap water remains unfit to drink, as foreign drones strike and local nuclear scientists toil, and as a group of boys who should be in school wander down my street, kicking what looks like a rusted can." By the way a country, with a democratically elected government, that the United States keeps bombing...
May 30, 2018
Nice quick read. Felt like conversing with a friend. This book has a few sections, split between his lived experiences, art and how it has affected his life, and then the political views he expresses at the end.
“The United States needs to address this contradiction. It seeks to stand for national greatness and human equality. Yet its greatness is in part built upon the denial of the equality of others outside its borders” (141).
Learned a bit from another perspective and how small things stick with us over time.
“The United States needs to address this contradiction. It seeks to stand for national greatness and human equality. Yet its greatness is in part built upon the denial of the equality of others outside its borders” (141).
Learned a bit from another perspective and how small things stick with us over time.
May 12, 2015
Globalization is a brutal phenomenon. It brings us mass displacement, wars, terrorism, unchecked financial capitalism, inequality, xenophobia, climate change. But if globalization is capable of holding out any fundamental promise to us, any temptation to go along with its havoc, then surely that promise ought to be this: we will be more free to invent ourselves
November 25, 2014
Some great writing here - nice, breif essays, good range of topics (broad). Some good talking/thinking points. Recommended.
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