It’s as much an art object as a book; the jacket design is fantastic, the hardcover binding is a gorgeous purple (so are the page edges), and it’s filled with the author’s own drawings. The writing is quirky, though there isn’t much new information for anyone who’s as widely read on death customs as I am. That really isn’t the point; it’s a beautiful addition to my thanatopian shelves.
Jones has a unique style, both in her writing and in her perception. It matches well with her honed wit and her obvious worldliness. Like her other works, this book is a collection of short essays accompanied by drawings of the subjects in question. It appears to be an expansion of the last chapter of The Unsophisticated Arts, which focused on death and mourning. Jones addresses traditions and routines, both folky and commercial. Though she writes contemporaneously with the early years of the commercial funerary business she lacks the scathing opinions of her peer, Jessica Mitford. She sketches the subject, careful to show the detail that makes it special, and then makes pithy observations about its use within the culture. Often opinionated, potentially divisive, but never preachy. She is simultaneously an amateur anthropologist and artist. Truly an underappreciated critic.
Here is the table of contents: The Corpse The Shroud The Coffin The Hearse and the Undertaker's Shop The Floral Tributes Printing and the Word The Procession The Cemetery and the Crematorium The Tomb Relics and Mementos Where Death Gets You Loving Death