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Woodstock
Now, if to these were added the diverse reall phantasms seen at Whitehall in Cromwell’s times, which caused him to keep such mighty guards in and about his bedchamber, and yet so oft to change his lodgings; if those things done at St. James’, where the devil so joal’d the centinels against the sides of the queen’s chappell doors, that some of them fell sick upon it; and others, not, taking warning by it, kild one outright, whom they buried in the place; and all other such dreadful things, those that inhabited the royal houses have been affrighted with.
532 pages, Paperback
First published August 28, 1826
16 people are currently reading
457 people want to read
About the author
Walter Scott
10.5k books2,008 followersLibrarian Note: There is more than one author in the GoodReads database with this name.
Sir Walter Scott was a Scottish novelist, poet, historian, and biographer, widely recognized as the founder and master of the historical novel. His most celebrated works, including Waverley, Rob Roy, and Ivanhoe, helped shape not only the genre of historical fiction but also modern perceptions of Scottish culture and identity.
Born in Edinburgh in 1771, Scott was the son of a solicitor and a mother with a strong interest in literature and history. At the age of two, he contracted polio, which left him with a permanent limp. He spent much of his childhood in the Scottish Borders, where he developed a deep fascination with the region's folklore, ballads, and history. He studied at Edinburgh High School and later at the University of Edinburgh, qualifying as a lawyer in 1792. Though he worked in law for some time, his literary ambitions soon took precedence.
Scott began his literary career with translations and collections of traditional ballads, notably in his Minstrelsy of the Scottish Border. He gained early fame with narrative poems such as The Lay of the Last Minstrel and The Lady of the Lake. As the popularity of poetic storytelling declined, especially with the rise of Lord Byron, Scott turned to prose. His first novel, Waverley, published anonymously in 1814, was set during the Jacobite rising of 1745 and is considered the first true historical novel. The success of Waverley led to a long series of novels, known collectively as the Waverley Novels, which blended historical events with compelling fictional narratives.
Over the following years, Scott produced a remarkable number of novels, including Old Mortality, The Heart of Midlothian, and The Bride of Lammermoor, each contributing to the romantic image of Scotland that became popular throughout Europe. With Ivanhoe, published in 1819, he turned his attention to medieval England, broadening his appeal and confirming his status as a major literary figure. His works were not only popular in his own time but also laid the groundwork for historical fiction as a respected literary form.
Scott married Charlotte Genevieve Charpentier in 1797, and they had five children. In 1820, he was granted a baronetcy and became Sir Walter Scott. He built a grand home, Abbotsford House, near Melrose, which reflected his passion for history and the Scottish past. However, in 1825, financial disaster struck when his publishers went bankrupt. Rather than declare bankruptcy himself, Scott chose to work tirelessly to pay off the debts through his writing. He continued to produce novels and non-fiction works at a staggering pace despite declining health.
Walter Scott died in 1832, leaving behind a literary legacy that influenced generations of writers and readers. His works remain widely read and studied, and he is credited with helping to revive interest in Scottish history and culture. Abbotsford House, now a museum, stands as a monument to his life and achievements.
Sir Walter Scott was a Scottish novelist, poet, historian, and biographer, widely recognized as the founder and master of the historical novel. His most celebrated works, including Waverley, Rob Roy, and Ivanhoe, helped shape not only the genre of historical fiction but also modern perceptions of Scottish culture and identity.
Born in Edinburgh in 1771, Scott was the son of a solicitor and a mother with a strong interest in literature and history. At the age of two, he contracted polio, which left him with a permanent limp. He spent much of his childhood in the Scottish Borders, where he developed a deep fascination with the region's folklore, ballads, and history. He studied at Edinburgh High School and later at the University of Edinburgh, qualifying as a lawyer in 1792. Though he worked in law for some time, his literary ambitions soon took precedence.
Scott began his literary career with translations and collections of traditional ballads, notably in his Minstrelsy of the Scottish Border. He gained early fame with narrative poems such as The Lay of the Last Minstrel and The Lady of the Lake. As the popularity of poetic storytelling declined, especially with the rise of Lord Byron, Scott turned to prose. His first novel, Waverley, published anonymously in 1814, was set during the Jacobite rising of 1745 and is considered the first true historical novel. The success of Waverley led to a long series of novels, known collectively as the Waverley Novels, which blended historical events with compelling fictional narratives.
Over the following years, Scott produced a remarkable number of novels, including Old Mortality, The Heart of Midlothian, and The Bride of Lammermoor, each contributing to the romantic image of Scotland that became popular throughout Europe. With Ivanhoe, published in 1819, he turned his attention to medieval England, broadening his appeal and confirming his status as a major literary figure. His works were not only popular in his own time but also laid the groundwork for historical fiction as a respected literary form.
Scott married Charlotte Genevieve Charpentier in 1797, and they had five children. In 1820, he was granted a baronetcy and became Sir Walter Scott. He built a grand home, Abbotsford House, near Melrose, which reflected his passion for history and the Scottish past. However, in 1825, financial disaster struck when his publishers went bankrupt. Rather than declare bankruptcy himself, Scott chose to work tirelessly to pay off the debts through his writing. He continued to produce novels and non-fiction works at a staggering pace despite declining health.
Walter Scott died in 1832, leaving behind a literary legacy that influenced generations of writers and readers. His works remain widely read and studied, and he is credited with helping to revive interest in Scottish history and culture. Abbotsford House, now a museum, stands as a monument to his life and achievements.
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Displaying 1 - 19 of 19 reviews
July 21, 2022
The strengths of Walter Scott's novels are character portrayal and vivid and highly demanding language and there is both aplenty in this account from the time of the English Revolution and First Commonwealth. This is a well told and straightforward (in plot, not language!) account of the future Charles' Second's escape from his pursuers. Both Cromwell and Charles Stuart (Charles II to be ) have roles in this tale, which is a vivid admixture of historical romance and historical fact. There is a superb gallery of highly colourful characters. In my Melrose edition, the tale is further enlivened by illustrations by contemporaries, or near contemporaries, of the novelist. I especially liked George Cruikshank's depiction of "Master Holdenough interrupted in his Vocation" and W.P. Frith's "Joceline Snatches a word with Phoebe Mayflower" . In his vivid depiction of character Scott resembles Dickens, who must I feel have been influenced by him. Like Dickens, Scott is also a deeply partisan writer. There is no mistaking where the novelist's sympathies lie in this book, but where I, heritically perhaps and certainly unfashionably, prefer Scott to Dickens, is that Scott never reverts to caricature. Characters portrayed sympathetically are not faultless. Sir Henry Lee, whom I suspect is to some extent a good humoured sketch by the writer of himself, is over hasty and oppressively dogmatic. He is caught out in his own prejudices by deeply admiring lines cited to him until he hears that the writer is the notorious regicide John Milton, whereupon, far from acknowledging his own prejudice, he reacts with violence to his nephew who cited the verse (not coincidentall theverse in question being from Comus, the subject of the poem being of course virtue threatened and virtue saved, which is very much a Scott leitmotif).
The depiction of the deeply troubled Cromwell and the libertine with a conscience who is Charles Stewart in this story, convey a strong sense to me at least, of authenticity and plausibility. What frustrates me in Scott's novels is that I feel that had he been less of a commercial or popular writer or whatever it was that prompted a clearly intelligent man to write yarns which seldom tax the intelligence, he would have offered much more thought-provoking material than he in fact does. I found that this novel was remarkable in presenting the case for virtue not from the standpoint of fanatical puritanism (which quite obviously Scott abhorred) but as a civil virtue and the "right" course to follow, without reference to religious commandments or dogma, or the injuntions of a sky pilot! Master Tomkins, the Independent, and Seventh Day Adventist (I hope I've got that right) is shown to be a sectarian whose beliefs are a pretext, but not necessarily a conscious pretext, for justifying his own libertenage, which does not stop short of rape. This is potentially more profound than Dostoyevsky's "remove God and anything will be allowed" and could be, probably is, very religious in its consideration and insipration. However, Scott does not develop his own most interesting themes such as this and allows instead the thrill of the ripping yarn to shift aside troubling and thought provoking philsophical, ethical and religious issues, and that immediately after such an issue has first been raised. (We look for a build up of psychological tension in a novel by Walter Scott in vain!) Walter Scott is an extremely good writer. I am left with a slight feeling of regret however, the regret that he could, under different circumstances, have been a great one.
The depiction of the deeply troubled Cromwell and the libertine with a conscience who is Charles Stewart in this story, convey a strong sense to me at least, of authenticity and plausibility. What frustrates me in Scott's novels is that I feel that had he been less of a commercial or popular writer or whatever it was that prompted a clearly intelligent man to write yarns which seldom tax the intelligence, he would have offered much more thought-provoking material than he in fact does. I found that this novel was remarkable in presenting the case for virtue not from the standpoint of fanatical puritanism (which quite obviously Scott abhorred) but as a civil virtue and the "right" course to follow, without reference to religious commandments or dogma, or the injuntions of a sky pilot! Master Tomkins, the Independent, and Seventh Day Adventist (I hope I've got that right) is shown to be a sectarian whose beliefs are a pretext, but not necessarily a conscious pretext, for justifying his own libertenage, which does not stop short of rape. This is potentially more profound than Dostoyevsky's "remove God and anything will be allowed" and could be, probably is, very religious in its consideration and insipration. However, Scott does not develop his own most interesting themes such as this and allows instead the thrill of the ripping yarn to shift aside troubling and thought provoking philsophical, ethical and religious issues, and that immediately after such an issue has first been raised. (We look for a build up of psychological tension in a novel by Walter Scott in vain!) Walter Scott is an extremely good writer. I am left with a slight feeling of regret however, the regret that he could, under different circumstances, have been a great one.
January 12, 2011
Okay, why has no one read this book?? It's even better than Ivanhoe in my opinion... anyway...! Okay, yeah, I'll admit to it, I found it in a box in my uncle attic, together with a load of other books he could not bear to trow away, but didn't need, like or whatever, anymore (I mean, who understands adults? this said by an adult, I'm 20, but I still ask this myself, sometimes). It is one of the less known works of Walter Scott, I gather, but I loved it. Spirits, war, prominent historical figures, love, adventure, kings, an happy-ending... there's all that a good book needs to get and keep my attention, so read it!
Kisses all around!
Kisses all around!
December 14, 2017
Another masterful tale by Scott in the historical fiction genre, showing his mastery of plot structure, characterization, supernatural phenomena, historical elucidation and true comic hilarity. Set in 1649, in the days immediately following the execution of Charles I by the Roundhead forces led by Oliver Cromwell, the novel focuses on the attempts of Charles' son to escape England and thereby save his life. The locale of the title is a country lodge outside Oxford, which was used as a hunting base by the royal family. In fact, a legend tells how Henry II kept his lover, Rosamond, in a tower and commanded that subterranean passages be constructed so that he could visit her unbeknownst to his wife. The parliamentary forces have taken over this lodge and its grounds, and its permanent residents, Sir Henry Lee and his daughter Alice, are forced to vacate the premises as Commissioners arise to sequester (i.e., loot the place of any valuables) the building. A cousin of Alice's (and nephew of Henry's), Colonel Markham Everard, sends a communication to Oliver Cromwell requesting that the family be allowed to maintain their residence in the lodge. This missive is taken by Roger Wildrake, a character whose exuberance is only matched by his lack of mental ability and penchant for singing drunken songs. Cromwell's spoken responses to Wildrake are masterfully written, as Scott posits that when he spoke, Cromwell interposes such intricate qualifications that 'he was perhaps the most unintelligible speaker who ever perplexed an audience.' The Commissioners at the lodge are at this time beset by many, varied and unexplained experiences during the night: seemingly the work of malicious spirits. They themselves are not spared Scott's humorous bent: Desborough is a self-centered clod, Harrison a 'Fifth Monarchy' adherent, who believes that the Book of Revelations is currently being played out, while Bletson is a professed atheist who nonetheless is the most frightened by the nightly specters. Lee's son, Albert returns, along with a Scottish page, one Louis Kernagey, whose true identity as Charles Stewart (not Stuart) is very poorly disguised. His amorous and quite reprehensible pursuit of Alice set him at odds with Everard, and their attempt to fight a duel represents one highlight of the plot. Later, a similar affront to a lady's virtue takes place between Joseph Tomkins (a double agent) and Phoebe (a household maid), with fatal results. This death plays a critical part in the plans of Cromwell to capture Charles, and the final pages of high drama in the novel. True to form, Scott ties everything up with a satisfactory marriage, and an eventual return to England of the exiled King. The deaths of the patriarch and his dog are a bit much melodramatically, but still not out of place in this seminal work of historical romance. Very, very good.
November 18, 2015
I cannot understand how Sir Walter could write tripe like 'The Talisman' then follow it up with a wonderful tale like this. One of his great strengths was the portrayal of historical figures, and in this story of the aftermath of the English Civil War, both Oliver Cromwell and the young Charles II are brought to life in a totally believable way. There's a wonderful mad cavalier, some ranting Roundheads, a feisty heroine and a wonderful dog. The story is page-turningly exciting, although obviously one knows the outcome, and the end is genuinely moving. It's the best Scott I've read, and that's most of them. Can't wait to which end of the spectrum 'Chronicles of the Canongate' lands on!
June 13, 2022
There are three periods of history which Scott clearly relished writing about: the 1745 Jacobite uprising in Scotland, the Civil War period of the 1640’s, and the Crusades. This is hugely enjoyable, not least because it gives Scott a chance to give us some excellent portrayals of both Cromwell and Charles II. Both characters are shown to have depth and nuance, and both are flawed – although it is always clear to us whose side Scott is on.
There are some touches of cliché, of course, with romantic scenes in general and a death scene in particular. There is also a lot of comedy – Scott’s brilliant wit is often undervalued. I also enjoyed his wonderfully complete familiarity with the King James Bible. Those rolling cadences made a deep impression on me as a child, and I am so glad I was immersed in it through my upbringing and schooling. Immersion in that text opens a portal to a deeper understanding and enjoyment of so much English literature of the past. And Scott often uses it to comic effect when he sends up the Roundheads. When the wonderfully named Corporal Grace-be-Here Humgudgeon offers to assassinate the young King, he says –
“Shall I not strike this son of a wicked father under the fifth rib, even as the tyrant of Moab was smitten by Ehud with a dagger of a cubit’s length?”
The fact that the absurdly named Puritans are always speaking like this makes them richly comic – as well as sinister. (Humgudgeon is like the wonderfully repulsive Tribulation Wholesome in Jonson’s Alchemist, who says wonderfully funny things with an entirely straight face - such as “Thou look’st like Anti Christ in that lewd hat”).
This novel was a great success with Scott’s public, though some of the more Puritanically inclined reviewers were – naturally enough - decidedly sniffy about it. This reminded me a bit of the film version of the Scarlet Pimpernel – another fun costume drama with the added bonus of winding up the humourless and Puritanical – who are just the sort who need their tails twisting.
There are some touches of cliché, of course, with romantic scenes in general and a death scene in particular. There is also a lot of comedy – Scott’s brilliant wit is often undervalued. I also enjoyed his wonderfully complete familiarity with the King James Bible. Those rolling cadences made a deep impression on me as a child, and I am so glad I was immersed in it through my upbringing and schooling. Immersion in that text opens a portal to a deeper understanding and enjoyment of so much English literature of the past. And Scott often uses it to comic effect when he sends up the Roundheads. When the wonderfully named Corporal Grace-be-Here Humgudgeon offers to assassinate the young King, he says –
“Shall I not strike this son of a wicked father under the fifth rib, even as the tyrant of Moab was smitten by Ehud with a dagger of a cubit’s length?”
The fact that the absurdly named Puritans are always speaking like this makes them richly comic – as well as sinister. (Humgudgeon is like the wonderfully repulsive Tribulation Wholesome in Jonson’s Alchemist, who says wonderfully funny things with an entirely straight face - such as “Thou look’st like Anti Christ in that lewd hat”).
This novel was a great success with Scott’s public, though some of the more Puritanically inclined reviewers were – naturally enough - decidedly sniffy about it. This reminded me a bit of the film version of the Scarlet Pimpernel – another fun costume drama with the added bonus of winding up the humourless and Puritanical – who are just the sort who need their tails twisting.
January 27, 2023
Memorable characters, hidden passageways, swordfights, roundheads and cavaliers, and names like Corporal Grace-be-here Humgudgeon - what's not to like?
January 30, 2011
Both the Lord Protector,Oliver Cromwell, and his very contrasting successor as head of state (after the Restoration), Charles II, figure as well developed characters in this engrossing story. Set in the title town (not far from Oxford) just after the two British civil wars ended with Cromwell victorious in battle (if less so in politics), two cousins of a family wrenched apart by the divisive controversies of the time find it well nigh impossible to accomplish the marital union they have long contemplated. Markham Everard threw in his lot with Cromwell and Alice Lee's father, Sir Henry Lee is an unreconstructed Royalist who has taught his only daughter to revere the crown.Although Scott satirizes both sides (particularly the clergy) his sympathies are evidently with the monarchy-tolerant readers of his English public. However his intent is just as evident: to encourage and glorify reconciliation, mutual respect and forgiveness. Even an unreconstructed Republican such as myself with plenty of "round-head" tendencies can fall in sincerely with these praiseworthy intentions. Scott's superb artistry made me care about his characters so that when the final melodramatic climax arrived I was captivated even knowing from history how the story must end.
December 31, 2018
I found this a most enjoyable read. I love the way Scott's story turns on the conflicting religious and political perspectives of men and women at the time of the English Civil War, and how he also shows these individuals as fallible, inconsistent, funny and humane. I found it fascinating that Cromwell and Charles Stewart both had central roles in the story: the way Scott portrayed them as each powerful yet with weaknesses felt true to life. And I enjoyed the fact that two strong women characters stood up for their dignity and refused to be cowered. And through this mix of funny, flawed people Scott explores the question of whether kings should be respected for having a divine right to rule. Somehow Scott managed to convince me that even a prince who is a vain unprincipled womaniser should rule.
February 6, 2012
Unexceptional within the Scott canon. The story centers around the aftermath of the English Revolution, and takes place in and arouind the royal hunting lodge of Woodstock. Scott takes a story of parlimentary agenst being driven from the royal lodge by supernatural forces, and fleshes it out. Nothing really novel here from Scott. A perfect hero and heroine living through a turbulent period in English history, colorful minor characters, some cameos by historical figures. It will entertain fans of Scott, but no blow them away. Woodstock would probably been a more effective drama if more attention had been paid to the machinations of the various politicl parties and less to the predictable romantic conflict.
February 16, 2018
Published in 1826, Woodstock is a historical adventure based on the fictional premise that Charles II briefly went to ground in Woodstock during his flight following the defeat a Worcester. The first half of the novel proceeds at a snail's pace, and only speeds up a little in the second half, before picking up a little more pace in the last 50 pages. I put this down to the thin storyline being spread over too many pages - a decent editor would have been generous with the blue pencil and could have reduced this to a better paced novella.
August 14, 2016
I loved the story, but had difficulty with the old world language (olde English) at first. As I progressed in the story, the context helped to decipher the unfamiliar terms. A huge dictionary helped too. Sir Walter Scott is definitely worth the challenge. I loved the loyalty, honor and friendship portrayed by the characters. His stories have history, romance, suspense, and happy endings. I am currently reading two more of his novels.
March 17, 2016
Like many classics this book takes a while to really get going, but once it does it has romance, adventure, intrigue, as well as interesting moral dilemmas. It is historical fiction with Charles Stuart and Oliver Cromwell as prominent characters. I really liked it.
January 12, 2012
Loved the story and the political and historical insights.
November 16, 2023
Woodstock was mentioned in Charles MacKay's spectacular book of essays "Extraordinary Popular Delusions and the Madness of Crowds," and I thought it sounded like fun: Undercover Royalists prank a parliamentarian delegation pillaging one of the King's minor palaces until they're all scared off. In actuality, that was only a small part of a great story of intrigue around Charles II's escape from England after losing the battle of Worcester.
It's a five-star story with a great ending, and it has within it a lot of interesting cultural insights into England of the 17th century - when the earliest settlers (Roundhead and Cavalier) were settling in America. As such I would wholeheartedly recommend it to anyone who thinks they can handle 17th-century English. If you can read the King James Bible, you can read this.
That being said, books were prized before TV for being long and drawn out, making the story LAST. Not like today. The opening scenes are a bit tangential and confusing with regard to which characters are to be important moving forward. Not unnecessary, but drawn out. The climax is drawn out, but delightfully so because it's a great climax. It helped to read it on Kindle (free download at Project Gutenberg), so I could look up terms easily.
Overall, it's well worth a read, but be prepared for a little confusion and a slow start. There's a reality to the culture and story that I think only comes with proximity (Scott wrote it in 1826), making it worth reading over something similar but more modern.
It's a five-star story with a great ending, and it has within it a lot of interesting cultural insights into England of the 17th century - when the earliest settlers (Roundhead and Cavalier) were settling in America. As such I would wholeheartedly recommend it to anyone who thinks they can handle 17th-century English. If you can read the King James Bible, you can read this.
That being said, books were prized before TV for being long and drawn out, making the story LAST. Not like today. The opening scenes are a bit tangential and confusing with regard to which characters are to be important moving forward. Not unnecessary, but drawn out. The climax is drawn out, but delightfully so because it's a great climax. It helped to read it on Kindle (free download at Project Gutenberg), so I could look up terms easily.
Overall, it's well worth a read, but be prepared for a little confusion and a slow start. There's a reality to the culture and story that I think only comes with proximity (Scott wrote it in 1826), making it worth reading over something similar but more modern.
November 17, 2025
Like most classics, for me it is important to read at a leisurely pace. Enjoy the journey.
Understanding a little about English history in the 1600s enriches the journey.
Sir Walter Scott was certainly a Royalist, and that comes through in the story.
The whole nation was divided, as where whole families and communities. Scott gives us a masterclass in weaving a tale.
The introduction of the dog 🐕 is a wonderful reflection on Scott's own love.
Understanding a little about English history in the 1600s enriches the journey.
Sir Walter Scott was certainly a Royalist, and that comes through in the story.
The whole nation was divided, as where whole families and communities. Scott gives us a masterclass in weaving a tale.
The introduction of the dog 🐕 is a wonderful reflection on Scott's own love.
November 6, 2018
A lovely but not excellent novel. The ending was more beautiful than I expected. Rarely am I choked up after reading!
June 22, 2023
Non avevo ancora letto Walter Scott. Grande scrittore. Le scene sono vivide e sprizzano vita, i personaggi tutti perfetti. Non si arriva a grandi vette o profondità, però è un picocolo gioiello.
January 7, 2025
Wish I could say I’d be as faithful as Alice 😬
November 3, 2022
I listened to the recording on Libravox.org
Last Sir Walter Scott book I read was Ivanhoe in elementary school. I was curious what I'd liked.
This is a pretty juvenile historical novel set in a real time in history.
I liked this type of book better when I was 10. Now, I'd rather read the actual history, and save the fiction reading for better writers.
Last Sir Walter Scott book I read was Ivanhoe in elementary school. I was curious what I'd liked.
This is a pretty juvenile historical novel set in a real time in history.
I liked this type of book better when I was 10. Now, I'd rather read the actual history, and save the fiction reading for better writers.
Displaying 1 - 19 of 19 reviews