To her lovers and friends, Anna Davidoff was a beautiful, charismatic, irresponsible, famous but ultimately unknowable. To her daughter, she is no less an enigma, thirty years after her death. Successful, content, and hopeful of new love, Ana-Sofia is the same age Anna was when she died. And Anna has begun to haunt her.
Sophie Cunningham is the author of six books including City of Trees: Essays on Life, Death and the Need for a Forest (Text, 2020). She is also the editor of the collection Fire, Flood, Plague: Australian writers respond to 2020 (Vintage, 2020).
Some minor quibbles aside, it’s an interesting tale because it explores the inter-generational effects of a war-damaged childhood. I like the way Az is rendered as an optimistic character who can accept the deficiencies of her parent without blaming her, and then ‘moves on’. ‘Bird’ herself is an exotic creature of the imagination, flitting from man to man and one career to another (including 1950s movie starlet, ’60s junkie party girl and (as you might well guess from her nickname) a singer who hangs out with the jazz greats. She seems incredibly sexy and free-spirited which is why it seems so bizarre that she should end up with a shaved head and monk’s robes. To read the rest of my review please visit https://anzlitlovers.com/2008/12/12/b...
The story jumped from time and perspective a little too much for my liking, and I found myself confused at some stages. Some perspectives/voices were stronger than others; I feel I didn't connect with the narrator at all, I'm not sure how successful the Tibetan monk's point of view was, I enjoyed the glamour of Anna's movie star world but it didn't feel genuine. I found this a mostly enjoyable read, but probably wouldn't re-read.