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The Shadow on the Bridge
Don't miss the BRAND NEW enchanting historical novel from Clare Marchant
‘Totally gripping and atmospheric… Breathtaking and beautifully written… Will stay with the reader long after the last page.’ Bestselling author of The Witch’s Tree, Elena Collins
‘You must forever watch your back,’ I spoke the words clearly, though he could not hear me. ‘Come what may, I shall avenge my brother’s death.’
Now: When Sarah’s summoned by her godmother to remote Norfolk, she doesn’t want to go. Crossing the bridges where the two rivers meet, said to be haunted by the ghost of a little boy, a large Tudor house looms in front of her. And Sarah’s instantly reminded her of the summer when she last visited. The summer she would like to forget. Which left her unable to ever move forward… Can a person ever recover from the loss of a sibling?
1571: Anne Howard, newly-made countess of Arundel, has also lost a sibling. And been dragged from the relative safety of her home in remote Norfolk to London, by her overbearing, manipulative, new father-in-law Thomas Howard; the very person she suspects of killing her beloved only brother. The Howards have greater secrets than this though. Secrets that will lead Anne to a tragedy that will echo down the ages…
When Sarah finds a mysterious book of poems in a hidden chamber of her godmother’s house, she is drawn into Anne’s story. Perhaps the mystery will take her mind off her own loss? But – as the flood waters begin to rise under the bridges – is Sarah laying ghosts to rest, or bringing truths to the surface that should stay beneath?
A completely haunting, gripping historical novel, perfect for fans of Philippa Gregory, Alison Weir, and Diane Setterfield’s Once Upon a River .
‘Totally gripping and atmospheric… Breathtaking and beautifully written… Will stay with the reader long after the last page.’ Bestselling author of The Witch’s Tree, Elena Collins
‘You must forever watch your back,’ I spoke the words clearly, though he could not hear me. ‘Come what may, I shall avenge my brother’s death.’
Now: When Sarah’s summoned by her godmother to remote Norfolk, she doesn’t want to go. Crossing the bridges where the two rivers meet, said to be haunted by the ghost of a little boy, a large Tudor house looms in front of her. And Sarah’s instantly reminded her of the summer when she last visited. The summer she would like to forget. Which left her unable to ever move forward… Can a person ever recover from the loss of a sibling?
1571: Anne Howard, newly-made countess of Arundel, has also lost a sibling. And been dragged from the relative safety of her home in remote Norfolk to London, by her overbearing, manipulative, new father-in-law Thomas Howard; the very person she suspects of killing her beloved only brother. The Howards have greater secrets than this though. Secrets that will lead Anne to a tragedy that will echo down the ages…
When Sarah finds a mysterious book of poems in a hidden chamber of her godmother’s house, she is drawn into Anne’s story. Perhaps the mystery will take her mind off her own loss? But – as the flood waters begin to rise under the bridges – is Sarah laying ghosts to rest, or bringing truths to the surface that should stay beneath?
A completely haunting, gripping historical novel, perfect for fans of Philippa Gregory, Alison Weir, and Diane Setterfield’s Once Upon a River .
474 pages, Paperback
Published March 11, 2025
386 people are currently reading
209 people want to read
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Displaying 1 - 30 of 56 reviews
March 15, 2025
I have become a huge fan of Clare Marchant. She writes wonderful dual timeline historical novels that make this genre so powerful. The House of the Witch is a must read!
The two women Sarah and Anne are living centuries apart, but Marchant manages to combine and link their stories with a wonderful parallel.
The intrigue around Sarah was so gripping as I tried to determine her past demons, but I loved Anne's story and the amazing poetry storyline. Another great read!
The two women Sarah and Anne are living centuries apart, but Marchant manages to combine and link their stories with a wonderful parallel.
The intrigue around Sarah was so gripping as I tried to determine her past demons, but I loved Anne's story and the amazing poetry storyline. Another great read!
March 11, 2025
Review to follow nearer publication date.
I enjoyed this book but not as much as The House of the Witch. In some ways the two books seemed very similar. Clare Marchant obviously researches her subject and makes history interesting. This is from someone who has never been a big history fan. I really liked Sarah’s godmother Cordelia and enjoyed their relationship.
Thank you to Netgalley for the opportunity to read and review this book.
I enjoyed this book but not as much as The House of the Witch. In some ways the two books seemed very similar. Clare Marchant obviously researches her subject and makes history interesting. This is from someone who has never been a big history fan. I really liked Sarah’s godmother Cordelia and enjoyed their relationship.
Thank you to Netgalley for the opportunity to read and review this book.
August 18, 2025
I enjoyed this read from Marchant but it didn’t draw me in as I had hoped. In my opinion, it was a bit too political with Queen Elizabeth’s court, but lacking the depth that I look for with similar historical novels. Furthermore, I was hoping for more ghostly apparitions than what was described, wanting a spookier story about the tragedies that have taken place.
I liked the dual timeline aspect to this story, switching between present day and the sixteenth century. Over the course of the novel, Marchant develops parallels between the timelines and I enjoyed seeing how these came together in the final few chapters. Both protagonists have experienced tragedy and it was interesting how they react: Anne is determined for revenge against her father-in-law; Sarah is escaping commitment and wants to remain isolated to prevent herself getting hurt.
At first I enjoyed the subterfuge as Anne starts to find out what her father-in-law is involved in. Devising a cipher and sharing information at court through reading her poetry, I loved how daring Anne was, reflecting her determination in exacting revenge. Furthermore, I was fascinated to see if I could understand Anne’s clues as well, glad that I had the advantage of the poems being written in front of me, rather than like her contacts who were relying on verbal interpretation. These scenes were quite tense and, added with the secret passages as Anne spies on the Duke, I did wonder if her luck would ever run out.
As Sarah helps out her godmother, she is plagued by memories of the summer she last stayed in Norfolk as a child. It is evident that a tragedy took place and Marchant uses pathetic fallacy to build the tension in the final chapters. It is like history repeating itself and the past and present come together in another potential tragedy. I enjoyed watching Sarah come across Anne’s letters and trying to decipher what exactly took place, but I think there was still something missing from the narrative.
Whilst I love reading stories that take place during the Elizabethan era, I couldn’t help but draw comparisons with other historical writers. In those instances, those stories were a lot slower and fully embedded in the historical narrative. However, I thought that Marchant introduced key characters too quickly into Anne’s story and I felt a bit lost with the traitorous actions being described. At points, I could not remember character motivations and it meant I could not keep my attention fully on the narrative.
A good, historical read with some spooky feels, this wasn’t my most favourite of Marchant books. Thanks to the title, I was hoping for more shadows, more ghostly encounters and a bit of a Halloween vibe. Instead, the book felt more political than what my brain and I was wanting, so perhaps this wasn’t the right book for me at the time.
With thanks to Boldwood books and NetGalley for providing me with a copy of this book in exchange for an honest review.
I liked the dual timeline aspect to this story, switching between present day and the sixteenth century. Over the course of the novel, Marchant develops parallels between the timelines and I enjoyed seeing how these came together in the final few chapters. Both protagonists have experienced tragedy and it was interesting how they react: Anne is determined for revenge against her father-in-law; Sarah is escaping commitment and wants to remain isolated to prevent herself getting hurt.
At first I enjoyed the subterfuge as Anne starts to find out what her father-in-law is involved in. Devising a cipher and sharing information at court through reading her poetry, I loved how daring Anne was, reflecting her determination in exacting revenge. Furthermore, I was fascinated to see if I could understand Anne’s clues as well, glad that I had the advantage of the poems being written in front of me, rather than like her contacts who were relying on verbal interpretation. These scenes were quite tense and, added with the secret passages as Anne spies on the Duke, I did wonder if her luck would ever run out.
As Sarah helps out her godmother, she is plagued by memories of the summer she last stayed in Norfolk as a child. It is evident that a tragedy took place and Marchant uses pathetic fallacy to build the tension in the final chapters. It is like history repeating itself and the past and present come together in another potential tragedy. I enjoyed watching Sarah come across Anne’s letters and trying to decipher what exactly took place, but I think there was still something missing from the narrative.
Whilst I love reading stories that take place during the Elizabethan era, I couldn’t help but draw comparisons with other historical writers. In those instances, those stories were a lot slower and fully embedded in the historical narrative. However, I thought that Marchant introduced key characters too quickly into Anne’s story and I felt a bit lost with the traitorous actions being described. At points, I could not remember character motivations and it meant I could not keep my attention fully on the narrative.
A good, historical read with some spooky feels, this wasn’t my most favourite of Marchant books. Thanks to the title, I was hoping for more shadows, more ghostly encounters and a bit of a Halloween vibe. Instead, the book felt more political than what my brain and I was wanting, so perhaps this wasn’t the right book for me at the time.
With thanks to Boldwood books and NetGalley for providing me with a copy of this book in exchange for an honest review.
March 16, 2025
This is dual timeline read set in present day and in the reign of Elizabeth I Four children bound together by centuries this was truly a FABULOUS read
February 15, 2025
What an amazing story! The Shadow on the Bridge by Clare Marchant is an exceptionally researched gripping dual timeline historical mystery with a dash of paranormal. I enjoyed both past and present offerings equally and loved how the two worlds reflect each other and cross over in a ghostly sense.
My heart was heavily invested in these two women’s lives who try desperately to sort out issues behind the guilt they have carried far too long. They each felt responsible because they could not prevent what happened to their siblings. Each believing they had failed at protecting their little brother and sister. Essentially it is a story about heartbreak—and its after effects. Everything that happens in the plot is primarily inspired by devastating loss in one form or another. The valuable lesson is learning to let go of guilt—when an incident is not your fault. And in the case of the historical thread: avenging a murder will not make the person feel better when justice is accomplished. It is an empty victory in many respects as nothing will bring back the loved one—no matter whose fault it was or wasn’t.
This novel follows two artistic women with a family connection yet centuries apart. Poet Anne is observed from 1569 – 1572 and Sarah 2004 and 2025.
Sarah’s ill godmother calls her back to the large Tudor house in Norfolk. This visit is important for many reasons but one is to help her solve an age old mystery. Although Sarah is hesitant to go back due to an incident that happened in her childhood, she returns as she loves her godmother. But a tragic event that scarred her heart and damaged her confidence, prevented her from moving forward and having a normal life. Will she find healing and face what has caused her so much pain? Once she arrives, the memories come flooding back. Her parents are nasty people and their domestic issues affected Sarah deeply. As she crosses the bridges where the two rivers meet, she is reminded of not only the loss of her sister and her terrible experience with her parents but also the ghost of a little boy who lived there many years before.
Wind back time to the same location in Norfolk but in the 1500s when Countess Anne Howard has also lost her little brother. She is sent to London by her horrible father-in-law Thomas Howard who she believes has caused her brother’s death for gain. But there are other secrets and hidden activities of Thomas that will come to light— some that involve the crown. As Anne seeks revenge by using a code, she hopes her efforts will contribute to his fall. But how will all this affect her in the end? Will her courage make her feel invincible? Will her drive for revenge set her free?
For Sarah, this journey back to the Tudor House stirs up some serious issues and confrontations with her parents. But Sarah tries to focus on her purpose being there. When she finds a poetry book hidden on her godmother’s property, it leads her down many intriguing roads. Uncovering the truth of the past could liberate her and allow for a better future. So will Sarah get her new beginning, where the two rivers meet?
This is a riveting and rollicking read filled with mystery and intrigue. I became deeply immersed in the story quickly and was sustained by Clare Marchant’s excellent writing and story-telling skills. Being a poet myself, I loved the use of poetry in the plot! The female lead characters of both timelines are very strong and the lessons they learn are priceless. There are many nuggets of wisdom I wish I could quote but don’t want to give anything away. Get a copy of this fabulous novel that will capture your heart, cause a few tears and have you nodding your head in agreement. You will be enthralled, satisfied and uplifted by the time you turn the last page. A lasting story of historical significance. 5 Stars ⭐️⭐️⭐️⭐️⭐️
Thanks to Boldwood Books and Netgalley for the ARC.
My heart was heavily invested in these two women’s lives who try desperately to sort out issues behind the guilt they have carried far too long. They each felt responsible because they could not prevent what happened to their siblings. Each believing they had failed at protecting their little brother and sister. Essentially it is a story about heartbreak—and its after effects. Everything that happens in the plot is primarily inspired by devastating loss in one form or another. The valuable lesson is learning to let go of guilt—when an incident is not your fault. And in the case of the historical thread: avenging a murder will not make the person feel better when justice is accomplished. It is an empty victory in many respects as nothing will bring back the loved one—no matter whose fault it was or wasn’t.
This novel follows two artistic women with a family connection yet centuries apart. Poet Anne is observed from 1569 – 1572 and Sarah 2004 and 2025.
Sarah’s ill godmother calls her back to the large Tudor house in Norfolk. This visit is important for many reasons but one is to help her solve an age old mystery. Although Sarah is hesitant to go back due to an incident that happened in her childhood, she returns as she loves her godmother. But a tragic event that scarred her heart and damaged her confidence, prevented her from moving forward and having a normal life. Will she find healing and face what has caused her so much pain? Once she arrives, the memories come flooding back. Her parents are nasty people and their domestic issues affected Sarah deeply. As she crosses the bridges where the two rivers meet, she is reminded of not only the loss of her sister and her terrible experience with her parents but also the ghost of a little boy who lived there many years before.
Wind back time to the same location in Norfolk but in the 1500s when Countess Anne Howard has also lost her little brother. She is sent to London by her horrible father-in-law Thomas Howard who she believes has caused her brother’s death for gain. But there are other secrets and hidden activities of Thomas that will come to light— some that involve the crown. As Anne seeks revenge by using a code, she hopes her efforts will contribute to his fall. But how will all this affect her in the end? Will her courage make her feel invincible? Will her drive for revenge set her free?
For Sarah, this journey back to the Tudor House stirs up some serious issues and confrontations with her parents. But Sarah tries to focus on her purpose being there. When she finds a poetry book hidden on her godmother’s property, it leads her down many intriguing roads. Uncovering the truth of the past could liberate her and allow for a better future. So will Sarah get her new beginning, where the two rivers meet?
This is a riveting and rollicking read filled with mystery and intrigue. I became deeply immersed in the story quickly and was sustained by Clare Marchant’s excellent writing and story-telling skills. Being a poet myself, I loved the use of poetry in the plot! The female lead characters of both timelines are very strong and the lessons they learn are priceless. There are many nuggets of wisdom I wish I could quote but don’t want to give anything away. Get a copy of this fabulous novel that will capture your heart, cause a few tears and have you nodding your head in agreement. You will be enthralled, satisfied and uplifted by the time you turn the last page. A lasting story of historical significance. 5 Stars ⭐️⭐️⭐️⭐️⭐️
Thanks to Boldwood Books and Netgalley for the ARC.
June 9, 2025
Now, Sarah is summoned by her godmother Cordelia to help with the contents of the house. Sarah however doesn't really want to go as there are memories of her childhood that she doesn't want to face. 1571 Anne Dacre is newly married to Philip, son of Thomas Howard Duke of Norfolk, who she suspects has killed her brother George.
This is the second book I've read by Clare Marchant. The first being House of the Witch which I really did enjoy. Unfortunately I didn't enjoy this book as much.
Very much like the other book this one is a different timeline tale. Anne in the 1500's, Sarah in the present and then back in her childhood.
Anne of course is a real person who I knew nothing about and to be honest still feel that way. This version of Anne is like Nancy Drew running around spying on Thomas Howard and the plot to get Mary Queen of Scots on the throne. Sarah's sections of the book I found the most interesting as she finds an old book of poems and decipher them, which inturn is connected to Anne. There is also a ghostly element but I found this to be neither here or there.
I liked the majority of the book but felt it was beginning to drag. However I did stick with it and overall it was an OK dual timeline story. I will read more by the author in future and I'm already looking forward to her next book as it revolves around tarot.
Thank you to the publisher via Netgalley for the book to review.
This is the second book I've read by Clare Marchant. The first being House of the Witch which I really did enjoy. Unfortunately I didn't enjoy this book as much.
Very much like the other book this one is a different timeline tale. Anne in the 1500's, Sarah in the present and then back in her childhood.
Anne of course is a real person who I knew nothing about and to be honest still feel that way. This version of Anne is like Nancy Drew running around spying on Thomas Howard and the plot to get Mary Queen of Scots on the throne. Sarah's sections of the book I found the most interesting as she finds an old book of poems and decipher them, which inturn is connected to Anne. There is also a ghostly element but I found this to be neither here or there.
I liked the majority of the book but felt it was beginning to drag. However I did stick with it and overall it was an OK dual timeline story. I will read more by the author in future and I'm already looking forward to her next book as it revolves around tarot.
Thank you to the publisher via Netgalley for the book to review.
February 21, 2025
"The Shadow on the Bridge" by Clare Marchant is a fantastic 5-star read! I absolutely love Clare Marchant's books, and this one did not disappoint.
Told from two different perspectives, the story follows Anne, a young girl whose journey unfolds between 1569 and 1572, and Sarah, whose life is explored in two timelines—first as a young girl in 2004 and later as an adult in 2025. Anne’s story begins at Barnhamcross Hall, a converted convent in Norfolk, while both of Sarah’s timelines are also set at this location.
Marchant has crafted a well-researched and compelling narrative about family, revenge, and guilt. I highly recommend this book to fans of historical fiction, particularly those interested in the Elizabethan era.
Thanks to Boldwood Books, Clare Marchant, and NetGalley for providing me with the opportunity to read this ARC and share my honest review.
Told from two different perspectives, the story follows Anne, a young girl whose journey unfolds between 1569 and 1572, and Sarah, whose life is explored in two timelines—first as a young girl in 2004 and later as an adult in 2025. Anne’s story begins at Barnhamcross Hall, a converted convent in Norfolk, while both of Sarah’s timelines are also set at this location.
Marchant has crafted a well-researched and compelling narrative about family, revenge, and guilt. I highly recommend this book to fans of historical fiction, particularly those interested in the Elizabethan era.
Thanks to Boldwood Books, Clare Marchant, and NetGalley for providing me with the opportunity to read this ARC and share my honest review.
April 22, 2025
Clare Marchant has a sublime way of writing her novels. She brings history to life in her written words.
I loved this triple timeline novel featuring Anne Howard and the downfall of the Duke of Norfolk
I loved this triple timeline novel featuring Anne Howard and the downfall of the Duke of Norfolk
March 14, 2025
I thought this was another really good book by this author. The story is told with dual timelines. Both stories were interesting and good. The women characters are strong. There’s a bit of a mystery to solve with hints of ghostly shadows. I thoroughly enjoyed this book!
March 12, 2025
Sarah’s childhood memories – a particularly traumatic event, gradually revealed – make her reluctant to return to Barnhamcross Hall in rural Norfolk. And it won’t be a brief visit – her godmother’s health is failing, and she needs her help in sorting out and cataloguing the house’s contents. The house itself has a rich past – a pre-Tudor convent converted into a family home – but the news that her godmother plans to leave it to her after her death, bypassing other family members, certainly isn’t something she’s happy to hear.
In the 1500s, Anne Howard thought of Barnhamcross as her home – although, after the death of her young brother and her subsequent forced marriage, she was required to move to London and into the turbulent world of the Elizabethan court. Driven by a quest for vengeance for her brother’s death, she becomes embroiled in espionage with a plan to bring about the downfall of her father-in-law Thomas Howard – exploring the house’s secret passages, passing on information through a pre-arranged code in the poetry she writes at the Queen’s behest.
While tackling the reorganisation of the library, Sarah discovers Anne’s hidden notebook, and begins to unravel her history – and the author’s narrative moves smoothly between the two timelines, as we discover the common elements between both women’s stories. There’s great sadness in both their lives – and a misplaced sense of guilt that has left Sarah unable to move on, and that has driven Anne down that dangerous path to ensure her brother’s death is avenged, however far-reaching the consequences.
The historical setting is quite wonderfully drawn, capturing Anne’s challenges as a naive newcomer to court circles, helped by her rather frowned-upon friendship with her long-suffering lady’s maid. I was particularly struck by the detail – the unfamiliar and uncomfortable clothing, the conventions that needed to be learned, the restrictions imposed on her to make wider friendships more difficult. And the characters really are so very well drawn – Thomas Howard himself really is evil personified, and you can feel the chill every time he makes an appearance.
But I also very much enjoyed the present day story – the house’s eccentricities (and it’s very much another character in the story) and the way that Sarah’s early-life experiences were slowly allowed to unfold. There are certainly edge-of-the-seat moments, very well written – and a few hints of the supernatural, but it’s really more about shadows and memories, and I particularly liked the way it was handled. And both stories were compelling and intriguing – nicely balanced throughout, with none of those uncomfortable wrenches from story to story.
This was a well written – and impeccably researched – dual-time story that I very much enjoyed. Both the women are strong, well defined and sympathetic, and their issues – separated only by history – most certainly entirely engaged me throughout and kept the pages turning. It’s very different from her last book – but I really couldn’t recommend the author’s writing more highly. I’m just looking forward to seeing what she does next…
In the 1500s, Anne Howard thought of Barnhamcross as her home – although, after the death of her young brother and her subsequent forced marriage, she was required to move to London and into the turbulent world of the Elizabethan court. Driven by a quest for vengeance for her brother’s death, she becomes embroiled in espionage with a plan to bring about the downfall of her father-in-law Thomas Howard – exploring the house’s secret passages, passing on information through a pre-arranged code in the poetry she writes at the Queen’s behest.
While tackling the reorganisation of the library, Sarah discovers Anne’s hidden notebook, and begins to unravel her history – and the author’s narrative moves smoothly between the two timelines, as we discover the common elements between both women’s stories. There’s great sadness in both their lives – and a misplaced sense of guilt that has left Sarah unable to move on, and that has driven Anne down that dangerous path to ensure her brother’s death is avenged, however far-reaching the consequences.
The historical setting is quite wonderfully drawn, capturing Anne’s challenges as a naive newcomer to court circles, helped by her rather frowned-upon friendship with her long-suffering lady’s maid. I was particularly struck by the detail – the unfamiliar and uncomfortable clothing, the conventions that needed to be learned, the restrictions imposed on her to make wider friendships more difficult. And the characters really are so very well drawn – Thomas Howard himself really is evil personified, and you can feel the chill every time he makes an appearance.
But I also very much enjoyed the present day story – the house’s eccentricities (and it’s very much another character in the story) and the way that Sarah’s early-life experiences were slowly allowed to unfold. There are certainly edge-of-the-seat moments, very well written – and a few hints of the supernatural, but it’s really more about shadows and memories, and I particularly liked the way it was handled. And both stories were compelling and intriguing – nicely balanced throughout, with none of those uncomfortable wrenches from story to story.
This was a well written – and impeccably researched – dual-time story that I very much enjoyed. Both the women are strong, well defined and sympathetic, and their issues – separated only by history – most certainly entirely engaged me throughout and kept the pages turning. It’s very different from her last book – but I really couldn’t recommend the author’s writing more highly. I’m just looking forward to seeing what she does next…
March 11, 2025
This is another brilliant multi timeline story from Clare. Full of drama, history and superbly described characters I got lost in Anne’s world completely.
Both Sarah and Anne are grieving - the loss of someone close has taken its toll in both of them and the links between these strong women are emotional. Their tragedies entwined in more ways than one.
I loved Anne’s story - her strength and loyalty are unquestionable and to survive in such a male dominated world is admirable. I was rooting for her from the very beginning and at times had my heart in my mouth as she bravely looks to set things right.
To hear Sarah’s story over the two timelines cleverly gave us an emotional insight into her life.
Both Sarah and Anne are grieving - the loss of someone close has taken its toll in both of them and the links between these strong women are emotional. Their tragedies entwined in more ways than one.
I loved Anne’s story - her strength and loyalty are unquestionable and to survive in such a male dominated world is admirable. I was rooting for her from the very beginning and at times had my heart in my mouth as she bravely looks to set things right.
To hear Sarah’s story over the two timelines cleverly gave us an emotional insight into her life.
March 14, 2025
Have you ever had an incident that was so impactful that it defined your entire life from that moment on? For Anne Howard, Countess of Arundel, it was the death of her younger brother, George. She vows vengeance against those who were behind his untimely demise. In the present day, Sarah must return to her godmother’s home, which holds a lot of memories, mostly painful. It is in the halls of this ancient house that Sarah meets Anne through a book of poetry. Can these two women find peace or will the truths bring even more disasters? Clare Marchant tells the stories of these two women, the tragedies and the poetry that unite them, in her latest novel, “The Shadow on the Bridge.”
I would like to thank Boldwood Books and Net Galley for sending me a copy of this novel. I liked the cover and when I read the description, it caught my eye. I have had Clare Marchant on my blog for a guest post, but I have yet to read her novels, so I decided to take a chance. I was not familiar with the story of Anne Howard, Countess of Arundel, so I was excited to read her story.
We begin with Anne Howard, born Anne Darce, and her family at Barnhamcross Hall. She takes care of her young brother George, who is supposed to become the 5th Baron Greystoke. However, tragedy strikes when George falls from his rocking horse. It seems like a tragic accident, but Anne soon discovers that it was done deliberately. While Anne is married to Philip Howard, she secretly plans revenge against her father-in-law, the Duke of Norfolk. Anne Howard is known for her poetry, so she uses her skills with a quill to uncover a plot a bit closer to home.
Sarah, in the modern day, is a woman full of remorse and guilt. She has accepted to visit her godmother Cordelia at her home of Barnhamcross Hall, which holds many secrets and sorrows. Sarah knows what it means to lose a loved one as she lost her sister, Emily. Her parents blamed her, and they are no longer in her life. Cordelia is dying, and she wants to leave her home to Sarah. Sarah agrees to stay and help with organizing the estate, and while doing so, she finds a book of poetry from the past. It is through the story of Anne and George that Sarah finds the strength to confront her past.
This was a delightful read full of discovery, suspense, and healing. It was very well-balanced and gave a new perspective to the Howard family. It was such a gripping read that I want a sequel with the same characters because I became attached to them. I am looking forward to reading more novels by Clare Marchant. If you want a fun dual timeline escape that explores a lesser-known Tudor woman, I highly recommend you read, “The Shadow on the Bridge” by Clare Marchant.
I would like to thank Boldwood Books and Net Galley for sending me a copy of this novel. I liked the cover and when I read the description, it caught my eye. I have had Clare Marchant on my blog for a guest post, but I have yet to read her novels, so I decided to take a chance. I was not familiar with the story of Anne Howard, Countess of Arundel, so I was excited to read her story.
We begin with Anne Howard, born Anne Darce, and her family at Barnhamcross Hall. She takes care of her young brother George, who is supposed to become the 5th Baron Greystoke. However, tragedy strikes when George falls from his rocking horse. It seems like a tragic accident, but Anne soon discovers that it was done deliberately. While Anne is married to Philip Howard, she secretly plans revenge against her father-in-law, the Duke of Norfolk. Anne Howard is known for her poetry, so she uses her skills with a quill to uncover a plot a bit closer to home.
Sarah, in the modern day, is a woman full of remorse and guilt. She has accepted to visit her godmother Cordelia at her home of Barnhamcross Hall, which holds many secrets and sorrows. Sarah knows what it means to lose a loved one as she lost her sister, Emily. Her parents blamed her, and they are no longer in her life. Cordelia is dying, and she wants to leave her home to Sarah. Sarah agrees to stay and help with organizing the estate, and while doing so, she finds a book of poetry from the past. It is through the story of Anne and George that Sarah finds the strength to confront her past.
This was a delightful read full of discovery, suspense, and healing. It was very well-balanced and gave a new perspective to the Howard family. It was such a gripping read that I want a sequel with the same characters because I became attached to them. I am looking forward to reading more novels by Clare Marchant. If you want a fun dual timeline escape that explores a lesser-known Tudor woman, I highly recommend you read, “The Shadow on the Bridge” by Clare Marchant.
February 23, 2025
I would like to say thank you from the bottom of my heart to the author, the publisher and Netgalley for allowing me the privilege of reading this book.
This book was something different. This is a story within a story. I want to start by saying I did enjoy this book. It's an okay book, and I know what I say following seems like a lot of criticism but truthfully it's not. If this book is picked up as an intriguing book to read and not for the other author comparisons you will 100% enjoy this. However if you pick up this book for the comparison to both Phillipa Gregory and Alison Weirs writing, the only thing you will mostly enjoy is the one story within and the bringing to light of a lost historical figure. That is why I give this the rating I do because it is nice to have a real historical figure brought back to life (more at the end of the book could have been said about her but it's fine) so because can find out more.
However because I requested this book based on the comparison to well known historical writers this is where it pales. There are many mildly slight historical inaccurate wordings in the one half of this book, they can be overlooked but it is noticable. Most of the parts of Anne are loosely accurate I've checked, the building itself not so, which was sorely disappointing. This would be right in-between both other mentioned authors, slightly more historically accurate than Phillipa Gregorys books can be, only slightly, and less fully historically immersive as Alison Weir can be with hers. The downfall though is the writing. The writings on both characters seems a little disjointed and in regards to Sarah seems rushed in her relationships but really miniscule in towards what she actually has to do in the same time period. I get the purpose of the whole story, the other secret story and the poems however it would have been so much more fascinating for more (despite the building being fictitious) references to items she could have found all over (actually feeling like she accomplished some part of that aspect) instead of a brief overview of two rooms and really just two discoveries. It would have really helped to tie the two worlds in more.
Overall this was a good book and I really appreciate the opportunity to be able to have read it and I know many will enjoy it. Thank you so very much again for the privilege it's been!
This book was something different. This is a story within a story. I want to start by saying I did enjoy this book. It's an okay book, and I know what I say following seems like a lot of criticism but truthfully it's not. If this book is picked up as an intriguing book to read and not for the other author comparisons you will 100% enjoy this. However if you pick up this book for the comparison to both Phillipa Gregory and Alison Weirs writing, the only thing you will mostly enjoy is the one story within and the bringing to light of a lost historical figure. That is why I give this the rating I do because it is nice to have a real historical figure brought back to life (more at the end of the book could have been said about her but it's fine) so because can find out more.
However because I requested this book based on the comparison to well known historical writers this is where it pales. There are many mildly slight historical inaccurate wordings in the one half of this book, they can be overlooked but it is noticable. Most of the parts of Anne are loosely accurate I've checked, the building itself not so, which was sorely disappointing. This would be right in-between both other mentioned authors, slightly more historically accurate than Phillipa Gregorys books can be, only slightly, and less fully historically immersive as Alison Weir can be with hers. The downfall though is the writing. The writings on both characters seems a little disjointed and in regards to Sarah seems rushed in her relationships but really miniscule in towards what she actually has to do in the same time period. I get the purpose of the whole story, the other secret story and the poems however it would have been so much more fascinating for more (despite the building being fictitious) references to items she could have found all over (actually feeling like she accomplished some part of that aspect) instead of a brief overview of two rooms and really just two discoveries. It would have really helped to tie the two worlds in more.
Overall this was a good book and I really appreciate the opportunity to be able to have read it and I know many will enjoy it. Thank you so very much again for the privilege it's been!
March 6, 2025
Thank you NetGalley and Boldwood Books for this eCopy to review
"The Shadow on the Bridge" by Clare Marchant is a hauntingly beautiful historical novel that seamlessly blends the past and present. This dual-timeline story captivated me from the very first page and left me utterly spellbound.
The novel follows Sarah in the present day and Anne Howard in 1571. Sarah, struggling with the loss of her sibling, is summoned by her godmother to a remote Norfolk estate. The estate is shrouded in mystery, with a bridge said to be haunted by the ghost of a little boy. As Sarah delves into the estate's history, she uncovers a hidden chamber containing a mysterious book of poems that connects her to Anne's story.
In the 16th century, Anne Howard, the newly-made Countess of Arundel, is grappling with the loss of her brother and the manipulative control of her father-in-law, Thomas Howard. Anne suspects Thomas of being involved in her brother's death and is determined to uncover the truth. Her journey is fraught with danger and intrigue, as she navigates the treacherous waters of the Tudor court.
Clare Marchant's writing is evocative and atmospheric, transporting the reader to both the eerie Norfolk estate and the bustling Tudor court. The characters are richly drawn, and their struggles and triumphs are deeply moving. The novel's central theme of loss and the quest for justice is beautifully explored, making it a poignant and thought-provoking read.
The suspenseful plot kept me on the edge of my seat, and the seamless transitions between the two timelines added to the novel's allure. Marchant's meticulous research and attention to detail bring the historical setting to life, while the modern-day storyline is equally compelling.
Overall, "The Shadow on the Bridge" is a masterful blend of history, mystery, and emotion. It's a book that will stay with you long after you've turned the last page. I highly recommend it to fans of historical fiction and anyone who loves a gripping, atmospheric read
"The Shadow on the Bridge" by Clare Marchant is a hauntingly beautiful historical novel that seamlessly blends the past and present. This dual-timeline story captivated me from the very first page and left me utterly spellbound.
The novel follows Sarah in the present day and Anne Howard in 1571. Sarah, struggling with the loss of her sibling, is summoned by her godmother to a remote Norfolk estate. The estate is shrouded in mystery, with a bridge said to be haunted by the ghost of a little boy. As Sarah delves into the estate's history, she uncovers a hidden chamber containing a mysterious book of poems that connects her to Anne's story.
In the 16th century, Anne Howard, the newly-made Countess of Arundel, is grappling with the loss of her brother and the manipulative control of her father-in-law, Thomas Howard. Anne suspects Thomas of being involved in her brother's death and is determined to uncover the truth. Her journey is fraught with danger and intrigue, as she navigates the treacherous waters of the Tudor court.
Clare Marchant's writing is evocative and atmospheric, transporting the reader to both the eerie Norfolk estate and the bustling Tudor court. The characters are richly drawn, and their struggles and triumphs are deeply moving. The novel's central theme of loss and the quest for justice is beautifully explored, making it a poignant and thought-provoking read.
The suspenseful plot kept me on the edge of my seat, and the seamless transitions between the two timelines added to the novel's allure. Marchant's meticulous research and attention to detail bring the historical setting to life, while the modern-day storyline is equally compelling.
Overall, "The Shadow on the Bridge" is a masterful blend of history, mystery, and emotion. It's a book that will stay with you long after you've turned the last page. I highly recommend it to fans of historical fiction and anyone who loves a gripping, atmospheric read
March 10, 2025
This dual timeline story follows the lives of two women connected to an imposing house in two centuries, in Tudor England and in the present century. In the Tudor story thread, you see the effect of society on women who were regarded as a commodity. Ambitious men plotted to increase riches and influence, at others' expense. In this case, the Duke of Norfolk, an important member of Queen Elizabeth's court, is secretly plotting to advance what he sees as the best for the country and for him. To him, Anne's family is no more than a source of income and he rides roughshod over her wishes. This leaves Anne with a burning sense of anger a need for revenge. Clever and resourceful, she hides her intelligence behind others' assumptions of her capability as a women.
In the present day, Sarah finds herself summoned back to her godmother's house in remote Norfolk. It is an ordeal for her to return there and you find out why slowly as the story evolves. In her childhood, she lost her sibling, a link she shares with the Elizabethan Anne. Sarah has felt guilt related to this loss ever since and been estranged from her parents. She senses ghostly presences in the house and becomes fascinated with researching the past. What she finds out has a profound effect on her and gives her insight into many matters.
I found this novel to be engrossing as the similarity between the two women became evident. There are fascinating period details in the Tudor period and your view of the house helps you to visualise how it ends up centuries later. There are some interesting threads which link the stories, particularly around grief and loss. The Tudor period emerges as a dangerous and deadly time for many, with a strict class system and within the rich and landed, an arrogant tone.
In short: tudor intrigue and present day sleuthing
thanks to the publisher
In the present day, Sarah finds herself summoned back to her godmother's house in remote Norfolk. It is an ordeal for her to return there and you find out why slowly as the story evolves. In her childhood, she lost her sibling, a link she shares with the Elizabethan Anne. Sarah has felt guilt related to this loss ever since and been estranged from her parents. She senses ghostly presences in the house and becomes fascinated with researching the past. What she finds out has a profound effect on her and gives her insight into many matters.
I found this novel to be engrossing as the similarity between the two women became evident. There are fascinating period details in the Tudor period and your view of the house helps you to visualise how it ends up centuries later. There are some interesting threads which link the stories, particularly around grief and loss. The Tudor period emerges as a dangerous and deadly time for many, with a strict class system and within the rich and landed, an arrogant tone.
In short: tudor intrigue and present day sleuthing
thanks to the publisher
March 11, 2025
The Shadow on the Bridge may be my favorite Clare Marchant book to date.
In present day Sarah travels to Norfolk at the request of her dying godmother, Cordelia, to Barnhamcross Hall her godmother’s large Tudor manor house. Sarah is reluctant to stay at the house, the site of a childhood trauma that haunts her to the present day. Cordelia informs Sarah that she is leaving Barnhamcross to her in her will and asks that she assists by clearing out the house. Sarah starts to clear out the manor house and comes across a book of poems that may date back to the Tudor period, the poems seem to tell the story of murder, betrayal and revenge.
In 1569 Anne Dacre watches as her eight year old brother dies in a horrible accident, only to find out that it was not an accident but deliberate murder. Anne vows revenge on the murderer, her step-father and subsequent fatherin-law the Duke of Norfolk. Anne is married off to the Duke’s eldest son to keep the Dacre fortune in the family. The Duke takes Anne to London where she discovers that he is plotting to free Queen Mary of Scots and place her on the English throne, with himself as her husband and co-ruler of course. Anne sees her chance to get revenge on her father-in-law for the murder of her brother. With the assistance of Lord and Lady Walsingham and her maid Kate, Anne is determined to destroy the Duke by any means necessary.
Between the two story lines, Sarah and Anne discover the means to forgive themselves for tragedies that were not of their making, but which consumed their lives. Tudor history with a touch of the supernatural made this a very enjoyable read.
Thanks to Netgalley, Boldwood books and the author for the chance to read and review this ARC.
In present day Sarah travels to Norfolk at the request of her dying godmother, Cordelia, to Barnhamcross Hall her godmother’s large Tudor manor house. Sarah is reluctant to stay at the house, the site of a childhood trauma that haunts her to the present day. Cordelia informs Sarah that she is leaving Barnhamcross to her in her will and asks that she assists by clearing out the house. Sarah starts to clear out the manor house and comes across a book of poems that may date back to the Tudor period, the poems seem to tell the story of murder, betrayal and revenge.
In 1569 Anne Dacre watches as her eight year old brother dies in a horrible accident, only to find out that it was not an accident but deliberate murder. Anne vows revenge on the murderer, her step-father and subsequent fatherin-law the Duke of Norfolk. Anne is married off to the Duke’s eldest son to keep the Dacre fortune in the family. The Duke takes Anne to London where she discovers that he is plotting to free Queen Mary of Scots and place her on the English throne, with himself as her husband and co-ruler of course. Anne sees her chance to get revenge on her father-in-law for the murder of her brother. With the assistance of Lord and Lady Walsingham and her maid Kate, Anne is determined to destroy the Duke by any means necessary.
Between the two story lines, Sarah and Anne discover the means to forgive themselves for tragedies that were not of their making, but which consumed their lives. Tudor history with a touch of the supernatural made this a very enjoyable read.
Thanks to Netgalley, Boldwood books and the author for the chance to read and review this ARC.
March 14, 2025
Another wonderfully absorbing and atmospheric multiple timeline novel, rich in history and spanning centuries, from one of my favourite authors.
A centuries old mansion with ghosts, its own graveyard and a sad tale of a young boy who died when falling off his rocking horse. Barnhamcross Hall in Norfolk had once been a convent but in 1569 is home to Anna. Her younger brother George dies, in a murder which is made to look like an accident. Her greedy stepfather is responsible and Anna makes it her aim in life to see he is punished, her story talking her to London and to meet Queen Elizabeth. Married to his 16 year old son without any say in the matter, she is taken to live in her stepfather’s / father in law’s house in London which has secret tunnels enabling her to spy on him and his plotting.
In the present, Sarah is asked by her dying godmother to return to her home which she has left to Sarah in her will. Sarah is ver reluctant as she hasn’t been back since something very bad happened there in 2004. Is history destined to keep repeating itself?
Fabulous storytelling and historical facts with fiction cleverly woven through. The pace is spot on and it kept me turning the pages as I got to know more about Anna and her quest for revenge. I was desperate for Sarah to work out what Anna’s poetry book which she found concealed in a hidden cupboard, is to reveal. And very well done to Clare for writing such clever poetry.
Two strong women connected through the years by their losses and by a diary, both of whom must find their way in life without the support of their parents.
Loved it. It will remain with me along with Clare’s other fabulous books and I highly recommend every one!
A centuries old mansion with ghosts, its own graveyard and a sad tale of a young boy who died when falling off his rocking horse. Barnhamcross Hall in Norfolk had once been a convent but in 1569 is home to Anna. Her younger brother George dies, in a murder which is made to look like an accident. Her greedy stepfather is responsible and Anna makes it her aim in life to see he is punished, her story talking her to London and to meet Queen Elizabeth. Married to his 16 year old son without any say in the matter, she is taken to live in her stepfather’s / father in law’s house in London which has secret tunnels enabling her to spy on him and his plotting.
In the present, Sarah is asked by her dying godmother to return to her home which she has left to Sarah in her will. Sarah is ver reluctant as she hasn’t been back since something very bad happened there in 2004. Is history destined to keep repeating itself?
Fabulous storytelling and historical facts with fiction cleverly woven through. The pace is spot on and it kept me turning the pages as I got to know more about Anna and her quest for revenge. I was desperate for Sarah to work out what Anna’s poetry book which she found concealed in a hidden cupboard, is to reveal. And very well done to Clare for writing such clever poetry.
Two strong women connected through the years by their losses and by a diary, both of whom must find their way in life without the support of their parents.
Loved it. It will remain with me along with Clare’s other fabulous books and I highly recommend every one!
April 23, 2025
1500s, Anne Dacre vows revenge on the Duke of Norfolk when he murders her brother. She is forced to marry the Duke's son then bides her time waiting for her opportunity to avenge the past. Present day, Sarah's godmother is dying and asks her to search the house for a secret. But being back in Norfolk reminds her of a terrible event in the past...
The Shadow on the Bridge is a triple timeline historical novel with mystery, intrigue and secrets with an extra helping of spookiness.
The book is written across three timelines: Anne in the 1500s, Sarah in the present day and during her childhood. I felt more engaged with Anne's chapters, possibly as they are written in the first person so the reader can see her emotions and actions more personally.
Anne's story begins when her stepfather the Duke of Norfolk causes the death of her little brother so that he can inherit the family wealth. She and her sisters are then married to the Duke's sons to secure the money and land. The Duke has embroiled himself in a plan to free Mary Queen of Scots and replace Elizabeth I so Anne needs to bring his treason to light to finally get her revenge.
It is clear that an event from Sarah's last visit has left a profound trauma which has influenced her life ever since. I thought the 'mystery' of the event, which wasn't revealed until the end, was pretty obvious and unnecessary. In fact I might have been more emotionally engaged with Sarah if the incident had been defined at the start.
I really enjoyed learning about the historical elements of the book and liked the ghostly presences which feature in both main timelines but are more prominent in the present day.
The Shadow on the Bridge is an enjoyable comparison of two women separated by centuries but both haunted by the past.
The Shadow on the Bridge is a triple timeline historical novel with mystery, intrigue and secrets with an extra helping of spookiness.
The book is written across three timelines: Anne in the 1500s, Sarah in the present day and during her childhood. I felt more engaged with Anne's chapters, possibly as they are written in the first person so the reader can see her emotions and actions more personally.
Anne's story begins when her stepfather the Duke of Norfolk causes the death of her little brother so that he can inherit the family wealth. She and her sisters are then married to the Duke's sons to secure the money and land. The Duke has embroiled himself in a plan to free Mary Queen of Scots and replace Elizabeth I so Anne needs to bring his treason to light to finally get her revenge.
It is clear that an event from Sarah's last visit has left a profound trauma which has influenced her life ever since. I thought the 'mystery' of the event, which wasn't revealed until the end, was pretty obvious and unnecessary. In fact I might have been more emotionally engaged with Sarah if the incident had been defined at the start.
I really enjoyed learning about the historical elements of the book and liked the ghostly presences which feature in both main timelines but are more prominent in the present day.
The Shadow on the Bridge is an enjoyable comparison of two women separated by centuries but both haunted by the past.
August 7, 2025
Clare Marchant is quickly becoming one of my go to comfort authors. Her timeslip novels often follow the same structure, but each one has an original plotline and a mystery to unfold. They’re comforting in that you know what you’re getting, but her stories are always original.
The modern-day story of Sarah and the Tudor story of Anne merged smoothly, with their two stories having a strong connection. Their characters were well-defined and different; the language used for Anne’s world is more archaic and true to her time, whereas Sarah has a much more modern tone.
Both have similarities in their stories, and both women are strong and determined to overcome their demons. Then there is the poetry book, which connects them and which helps Sarah uncover Anne’s story. This all combined into a well-thought-out, layered, and satisfying story with two voices.
I always enjoy historical settings, so Anne’s Tudor world was of particular interest. I enjoyed her role in thwarting her stepfather’s plans and meeting some of the powerful figures of Elizabeth’s court, like Walsingham and Elizabeth herself. Marchant captures a strong feel for the period and creates a realistic Tudor world.
This novel flowed really well and had lots of layers to bring it to life, such as Sarah’s traumatic past and new love interest, as well as her complicated family relationships. Anne’s story is one of a woman wielding her own quiet power, with themes of revenge and espionage. Marchant’s writing is also very compelling, drawing you into the stories of these two women.
Overall, I really enjoyed this—it really hit the spot and was a very bingeable read with enough complexity and depth.
Thank you to NetGalley for the ARC.
The modern-day story of Sarah and the Tudor story of Anne merged smoothly, with their two stories having a strong connection. Their characters were well-defined and different; the language used for Anne’s world is more archaic and true to her time, whereas Sarah has a much more modern tone.
Both have similarities in their stories, and both women are strong and determined to overcome their demons. Then there is the poetry book, which connects them and which helps Sarah uncover Anne’s story. This all combined into a well-thought-out, layered, and satisfying story with two voices.
I always enjoy historical settings, so Anne’s Tudor world was of particular interest. I enjoyed her role in thwarting her stepfather’s plans and meeting some of the powerful figures of Elizabeth’s court, like Walsingham and Elizabeth herself. Marchant captures a strong feel for the period and creates a realistic Tudor world.
This novel flowed really well and had lots of layers to bring it to life, such as Sarah’s traumatic past and new love interest, as well as her complicated family relationships. Anne’s story is one of a woman wielding her own quiet power, with themes of revenge and espionage. Marchant’s writing is also very compelling, drawing you into the stories of these two women.
Overall, I really enjoyed this—it really hit the spot and was a very bingeable read with enough complexity and depth.
Thank you to NetGalley for the ARC.
February 6, 2025
The Shadow on the Bridge by Clare Marchant. Boldwood Books, 2025.
I’ve already “shelved” this wonderful book with my Susanna Kearsley collection, and other favourites by Nicola Cornick, Barbara Erskine, Elaine Fox, Elizabeth Goudge, Kate Morton, Rosamond Pilcher, and Mary Stewart where fascinating homes are almost as important as the characters who live in them.
This book tells two stories, that of poet Anne (1569-1572) and illustrator Sarah (2004 & 2025), each of whom as children suffered a very similar family tragedy at Barnhamcross Hall, a converted convent in Norfolk. When Anne is forced to marry at twelve, she is moved to London’s Howard Hall, another dissolved religious establishment similar to Barnhamcross Hall with “shadowy, monastic passages [that lead] further and further into the distance”. Sarah returns when, after her twenty-one-year absence, her godmother Cordelia begs her to come back to, among other things, try to solve a family maxim, a riddle handed down to house owners unsolved for nearly five hundred years.
This book is outstandingly well written with respect to plot, character development and consistency, and writing style.
I did miss reading historical notes at the end of this book, though it was quick work to find most of the characters I had not heard of before on Wikipedia.
This is the first book I’ve read by Clare Marchant, a bestselling author of dual timeline historical fiction. I will be looking for others right away.
Disclosure: I received a review copy of The Shadow on the Bridge free via NetGalley in exchange for an honest review. #TheShadowontheBridge #NetGalley
I’ve already “shelved” this wonderful book with my Susanna Kearsley collection, and other favourites by Nicola Cornick, Barbara Erskine, Elaine Fox, Elizabeth Goudge, Kate Morton, Rosamond Pilcher, and Mary Stewart where fascinating homes are almost as important as the characters who live in them.
This book tells two stories, that of poet Anne (1569-1572) and illustrator Sarah (2004 & 2025), each of whom as children suffered a very similar family tragedy at Barnhamcross Hall, a converted convent in Norfolk. When Anne is forced to marry at twelve, she is moved to London’s Howard Hall, another dissolved religious establishment similar to Barnhamcross Hall with “shadowy, monastic passages [that lead] further and further into the distance”. Sarah returns when, after her twenty-one-year absence, her godmother Cordelia begs her to come back to, among other things, try to solve a family maxim, a riddle handed down to house owners unsolved for nearly five hundred years.
This book is outstandingly well written with respect to plot, character development and consistency, and writing style.
I did miss reading historical notes at the end of this book, though it was quick work to find most of the characters I had not heard of before on Wikipedia.
This is the first book I’ve read by Clare Marchant, a bestselling author of dual timeline historical fiction. I will be looking for others right away.
Disclosure: I received a review copy of The Shadow on the Bridge free via NetGalley in exchange for an honest review. #TheShadowontheBridge #NetGalley
March 10, 2025
With her godmother’s health failing Sarah returns to Barnhamcross Hall in Norfolk where she spent part of her childhood. However, Sarah’s memories of the house are not happy ones and as we flit between the present day and 2004 we start to understand the sadness which she has carried within her for so long. Connnected by ancient memories we also learn the story of Anne Howard who also lived at Barnhamcross Hall in the 1500s and whose marriage, into the Howard family, is filled with sadness, intrigue and revenge.
There is a good sense of history and the author has obviously taken the time and care to make everything feel authentic especially as Anne Howard’s intriguing story is not a well known one. The dual time aspect is imaginatively done, with seamless transitions which bring both past and present to life. I enjoyed Sarah’s modern day story, her sadness is palpable, as is her need to put the trauma of the past behind her. Anne’s story is particularly intriguing especially her uneasy relationship with her father-in-law, and her need to seek vengeance for the death of her younger brother. Throughout it all, the house, with its mysterious shadows, very quickly, becomes another character in the story, especially as it gives up its secrets slowly.
The Shadow on the Bridge is a fascinating glimpse into the complex lives of two strong young women whose voices are very clearly heard throughout the whole of this intriguing dual time story.
March 17, 2025
An absorbing dual timeline, set in Elizabethan times and present day. Anne Dacre lives with her 2 younger sisters and young brother, George Baron Greystoke, at Barnhamcross Hall in Norfolk under the guardianship of the Duke of Norfolk. Whilst the Duke is visiting the family George’s rocking horse collapses whilst he is on it and he falls to his death. Something Anne sees convinces her that the Duke has planned George’s death to gain tighter control over the family’s wealth.
In the present day Sarah is summoned to visit her ill godmother, Cordelia, who is the present owner of Barnhamcross Hall. She very reluctantly agrees as she never wanted to visit the house again after the events of the last summer that she and her family spent there 20 years ago.
A really absorbing story where the tension fairly crackles as Anne risks her life to bring ruin to the Duke as retribution for her brother’s death Meanwhile, as Sarah begins dealing with cataloguing the content of the house for Cordelia, she becomes involved in transcribing a book of poetry that she’s found, wondering if it will solve the mystery behind the house’s motto and help her lay her ghosts to rest.
This author is new to me, and I really enjoyed reading this book, it’s fast paced, tense, easy to read, interesting characters and an absorbing story. I’ll certainly look for others by this author.
Thanks to NetGalley and Boldwood Books for a review copy for my honest review.
In the present day Sarah is summoned to visit her ill godmother, Cordelia, who is the present owner of Barnhamcross Hall. She very reluctantly agrees as she never wanted to visit the house again after the events of the last summer that she and her family spent there 20 years ago.
A really absorbing story where the tension fairly crackles as Anne risks her life to bring ruin to the Duke as retribution for her brother’s death Meanwhile, as Sarah begins dealing with cataloguing the content of the house for Cordelia, she becomes involved in transcribing a book of poetry that she’s found, wondering if it will solve the mystery behind the house’s motto and help her lay her ghosts to rest.
This author is new to me, and I really enjoyed reading this book, it’s fast paced, tense, easy to read, interesting characters and an absorbing story. I’ll certainly look for others by this author.
Thanks to NetGalley and Boldwood Books for a review copy for my honest review.
April 5, 2025
I have finally read one of Clare Marchant’s historical books and it certainly won’t be the last. A dual time novel, we are given two empathetic stories. In the present day we meet Sarah, a successful book illustrator, who hides from real life after a tragedy in her youth. Reluctantly she returns to the Norfolk house of her beloved godmother in spite of the terrible memories. Given the task of cataloguing the contents of her godmother’s ancient house she finds a handwritten book of poems dating from Tudor times.
The poems link us to a previous resident, Anne Howard, who in 1571, at the age of 14, had been officially married to the son of the notorious Duke of Norfolk. Believing he was responsible for the death of her brother she determines to find evidence of Norfolk’s treachery to the Queen but in doing so she puts herself into great danger.
Anne’s story is tense and thrilling. She shows amazing strength and bravery and I resisted looking up historical events until I had finished reading the story. Sarah’s story is less dramatic though revelations about her parents explain why she is reluctant to participate in emotional contact with others. Investigating Anne’s story reminds Sarah of her fondness for the house and she begins to befriend the housemaker’s son and his children. A real-page turner!
The poems link us to a previous resident, Anne Howard, who in 1571, at the age of 14, had been officially married to the son of the notorious Duke of Norfolk. Believing he was responsible for the death of her brother she determines to find evidence of Norfolk’s treachery to the Queen but in doing so she puts herself into great danger.
Anne’s story is tense and thrilling. She shows amazing strength and bravery and I resisted looking up historical events until I had finished reading the story. Sarah’s story is less dramatic though revelations about her parents explain why she is reluctant to participate in emotional contact with others. Investigating Anne’s story reminds Sarah of her fondness for the house and she begins to befriend the housemaker’s son and his children. A real-page turner!
June 26, 2025
In this dual-timeline historical fiction novel, readers alternate between the present day, where Sarah travels to rural Norfolk where she discovers a ghost of a little boy whose presence reminds her of a past event she wants to forget, and 1571, where Countess Anne Howard of Arundel has been forced to leave Norfolk for London and the intrigue of Elizabeth I’s court where her manipulative father-in-law Thomas Howard controls Anne and many secrets. Sarah’s discovery of Anne’s mysterious book of poems brings the two stories together as both women, at different times, learn to cope with their losses and uncover secrets that might need to stay hidden. The two timelines are packed with details, and the historical intricacies and characters in the 1571 timeline really add to the depth and intensity of her struggles. The different character and internal conflicts add drama and tension to the two narratives, and the emotional storylines and throughline of tragic secrets really allow readers to sympathize with Anne and Sarah. The two protagonists, of course, share similarities, but they have enough differences to stand out and make the two timelines distinct; both narratives, characters, and perspectives balance each other incredibly well, which makes this a fantastic read.
Thanks to NetGalley and Boldwood Books for the advance copy.
Thanks to NetGalley and Boldwood Books for the advance copy.
March 19, 2025
This is such a beautifully written story, steeped with emotions and captivating characters. The lives of two women linked to the house in Norfolk are intertwined perfectly to tell their individual stories, and despite the years between them both stories are equally intriguing and fascinating.
Anne Howard in 1571 is reeling from the sudden death of her little brother, her life changes forever with the actions of her father in law, her only desire is for retribution for George and fearlessly she endeavours to reveal his actions to the Royal Tudor court and to see him punished severely for his actions.
Sarah in the present time also has much emotional baggage from her time spent in this home as a child. Her life changed drastically and caused a huge ruck between her parents that is still ongoing. Only the love for her Godmother has allowed her to return and to face the difficult memories of her last visit.
These stories were so compelling to read, my imagination was captured instantly and I adored watching these women overcome the obstacles set before them. The poetry book was a marvellous way to link these two women, and gave another level of depth to the book.
A wonderful historical novel that appears to be incredibly well researched, I enjoyed every single page.
Anne Howard in 1571 is reeling from the sudden death of her little brother, her life changes forever with the actions of her father in law, her only desire is for retribution for George and fearlessly she endeavours to reveal his actions to the Royal Tudor court and to see him punished severely for his actions.
Sarah in the present time also has much emotional baggage from her time spent in this home as a child. Her life changed drastically and caused a huge ruck between her parents that is still ongoing. Only the love for her Godmother has allowed her to return and to face the difficult memories of her last visit.
These stories were so compelling to read, my imagination was captured instantly and I adored watching these women overcome the obstacles set before them. The poetry book was a marvellous way to link these two women, and gave another level of depth to the book.
A wonderful historical novel that appears to be incredibly well researched, I enjoyed every single page.
February 22, 2025
Excellent dual-time narrative set against the backdrop of the Elizabethan court and a quiet former monastic building in Norfolk - and I love that Clare has used a real-life legend about George Dacre and the nuns' bridges in Thetford so well.
Both the present day and the historical tale are based around girls who were helpless in the face of a tragedy and then come to terms with what happened as adults. Anne Howard wants to avenge her brother George's death and bring her father-in-law to justice, and Sarah needs to come to terms with her grief when she returns to help her terminally-ill godmother.
Sarah's aware of the legends and also feels that the house is haunted; when she finds a mysterious handwritten book of poetry, it helps her unlock the past and solve a mystery.
In the sixteenth century, Anne discovers the plots of the Duke of Howard and her friendship with Lady Walsingham helps her to bring him to justice.
Very atmospheric; the history is spot on; and you really feel for both Sarah and Anne as they come to terms with their grief. Both strands are well balanced and interwoven - a thoroughly enjoyable read.
Both the present day and the historical tale are based around girls who were helpless in the face of a tragedy and then come to terms with what happened as adults. Anne Howard wants to avenge her brother George's death and bring her father-in-law to justice, and Sarah needs to come to terms with her grief when she returns to help her terminally-ill godmother.
Sarah's aware of the legends and also feels that the house is haunted; when she finds a mysterious handwritten book of poetry, it helps her unlock the past and solve a mystery.
In the sixteenth century, Anne discovers the plots of the Duke of Howard and her friendship with Lady Walsingham helps her to bring him to justice.
Very atmospheric; the history is spot on; and you really feel for both Sarah and Anne as they come to terms with their grief. Both strands are well balanced and interwoven - a thoroughly enjoyable read.
March 13, 2025
I'm reviewing this via NetGalley, as part of a tour with Rachel's Random Resources.
I really enjoyed the last book that I read by this author, so I was looking forward to this. This is a historical novel with a split narrative. In the present day, we follow Sarah, who goes to Barnhamcross Hall to visit her godmother, Cordelia. In the 1500s, we follow Anne, who becomes the Countess of Arundel.
Sarah's return to Barnhamcross Hall brings back memories from her childhood, some of which are very painful. Exploring the beautiful Tudor house, she discovers a mysterious parcel which sparks her interest.
This story swept me away, as Barnhamcross Hall came to life in my mind. I found it easy to engage with both parts of the narrative, connecting with both Sarah and Anne. I was excited to see how the two characters’ lives may be linked. This was a beautifully written book, and it helped me to escape for a while.
Thank you to NetGalley, Rachel's Random Resources, Boldwood Books, and to the author, for the opportunity to read and review this.
I really enjoyed the last book that I read by this author, so I was looking forward to this. This is a historical novel with a split narrative. In the present day, we follow Sarah, who goes to Barnhamcross Hall to visit her godmother, Cordelia. In the 1500s, we follow Anne, who becomes the Countess of Arundel.
Sarah's return to Barnhamcross Hall brings back memories from her childhood, some of which are very painful. Exploring the beautiful Tudor house, she discovers a mysterious parcel which sparks her interest.
This story swept me away, as Barnhamcross Hall came to life in my mind. I found it easy to engage with both parts of the narrative, connecting with both Sarah and Anne. I was excited to see how the two characters’ lives may be linked. This was a beautifully written book, and it helped me to escape for a while.
Thank you to NetGalley, Rachel's Random Resources, Boldwood Books, and to the author, for the opportunity to read and review this.
February 26, 2025
***I received an ARC from Net Galley in exchange for my honest review
This was a dual-timeline story. The first timeline took place in present day. where Sarah’s summoned by her godmother to remote Norfolk. She has designated that the house should go to Sarah when she passes, but Sarah has bad memories from there and wants no part of it. When she was young, her sister drowned in the river there, and Sarah has never gotten over it. The other timeline takes place in 1571, where Anne Howard lives in that same home in Norfolk. Her little brother dies a tragic death, and her stepfather marries her off to his eldest son, so he can have control of her fortune. Knowing that her stepfather caused his death, Anne vows to avenge George's death, if it is the last thing she does.
I have only read one other book by this author, and I had really enjoyed that one, so I was excited to read this one as well. Although this one was good, it wasn't as good as the previous book I read. I enjoyed the 1571 timeline a lot more than I did the present day timeline. Sarah just felt one-dimensional to me. I did really get invested in Anne's story, however, and was interested to see how it would play out. Overall, this is a solid 4 out of 5.
This was a dual-timeline story. The first timeline took place in present day. where Sarah’s summoned by her godmother to remote Norfolk. She has designated that the house should go to Sarah when she passes, but Sarah has bad memories from there and wants no part of it. When she was young, her sister drowned in the river there, and Sarah has never gotten over it. The other timeline takes place in 1571, where Anne Howard lives in that same home in Norfolk. Her little brother dies a tragic death, and her stepfather marries her off to his eldest son, so he can have control of her fortune. Knowing that her stepfather caused his death, Anne vows to avenge George's death, if it is the last thing she does.
I have only read one other book by this author, and I had really enjoyed that one, so I was excited to read this one as well. Although this one was good, it wasn't as good as the previous book I read. I enjoyed the 1571 timeline a lot more than I did the present day timeline. Sarah just felt one-dimensional to me. I did really get invested in Anne's story, however, and was interested to see how it would play out. Overall, this is a solid 4 out of 5.
March 18, 2025
I love all Clare Marchant’s books. This latest one didn’t disappoint. It is historical fiction and a dual timeline, which works perfectly. It is set around 1570 and in the present day. In the Elizabethan era, Anne, step daughter of the Duke of Norfolk, sets to seek revenge for the death of her brother. In the present day, Sarah is visiting her godmother and has just been told she is to inherit her house. Sarah is very reluctant as something bad happened to her here in 2004. Sarah find an ancient poetry book, well hidden under two steps on the staircase. She is intrigued and is determined to find out who wrote it. As the story progresses the similarities between Anne and Sarah become apparent. What will be the outcome?
Clare. Marchant is a fantastic story teller. I do hope she will have another book to offer us very soon. Thank you to NetGalley, Boldwood books and Clare Marchant for an arc of this fabulous book.
Clare. Marchant is a fantastic story teller. I do hope she will have another book to offer us very soon. Thank you to NetGalley, Boldwood books and Clare Marchant for an arc of this fabulous book.
February 8, 2025
Thank you to NetGalley and Boldwood Books.
A mansion and two women separated by centuries. When, in the present day, Sarah finds a small book of poems, she sets out to translate it as a way of getting away from her problems and the tragedy that has weighed on her since she was a child. During the Elizabethan era, the author of the poems, Anne, has also suffered losses and seeks to avenge them with the help of her writing.
Throughout the novel, the voices of two courageous women alternate, and despite the struggles they face, they manage to overcome the obstacles that they and others put in their way.
A novel of history, mystery and a spark of romance that makes for an interesting and inspiring read.
A mansion and two women separated by centuries. When, in the present day, Sarah finds a small book of poems, she sets out to translate it as a way of getting away from her problems and the tragedy that has weighed on her since she was a child. During the Elizabethan era, the author of the poems, Anne, has also suffered losses and seeks to avenge them with the help of her writing.
Throughout the novel, the voices of two courageous women alternate, and despite the struggles they face, they manage to overcome the obstacles that they and others put in their way.
A novel of history, mystery and a spark of romance that makes for an interesting and inspiring read.
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