Hilaire Belloc’s cautionary verses probably seemed even funnier in his days since they offered a parody of 19th century cautionary tales that offered solemn moral advice. We miss this dimension, but can still enjoy Belloc’s work as a set of nonsense verses, albeit with a cruel streak.
Did Belloc like children? He certainly enjoyed assigning terrible fates to children who behaved with even mild disobedience. In exchange for running away from his nurse, Jim is eaten by a lion. Belloc is sure to tell us that the lion starts with his feet and works its way up.
Henry King suffers the effect of chewing string. Matilda offers a variant of the cry wolf story. Her prank calls to the fire service end badly when nobody comes to her house during a real fire.
The original tales sought to reinforce narrow societal values designed to make children obedient and conformist, but Belloc takes these inane banalities to such a level of extremity that we see how foolish such homilies are.
Belloc also throws in some nonsense verse about animals, reminding us of a time when people really did not know much about animals, leading to some of those awful artist renderings of creatures that almost but not quite bore no resemblance whatsoever to the beast portrayed.
People knew better in Belloc’s day of course. This still allows for the presentation of absurd ‘facts’ about animals, and even a description of the teeth of a microbe.
Belloc’s darkly ironic humour is entertaining, but his verses are not as entertaining as the best works by Edward Lear or Lewis Carroll. They work well on their own level, but they are short, and the book is soon over. The subject is also limited, with the stories playing on one note.