Сдвигология русского стиха

by Aleksei Kruchenykh, Алексей Кручёных

Серия "Репринты Своего издательства" - коллекция репринтных изданий книг, которые оставили замет­ный след в истории русской литературы. Мы стремим­ся к тому, чтобы но возможности точно воспроизвести известные книги XIX и начала XX века и представить их широкому кругу читателей в том виде, в котором они впервые были прочитаны современниками.
В этом выпуске представлено репринтное издание книги известного русского футуриста А.Крученых СДВИГОЛОГИЯ РУССКОГО СТИХА (Москва: МАФ, 1923).

48 pages, Paperback

First published January 1, 2013

About the author

Aleksei Yeliseyevich Kruchyonykh (Russian: Алексе́й Елисе́евич Кручёных; 9 February 1886 – 17 June 1968). Original name at birth (Ukrainian: Олексій Єлисейович Кручений)[1] also romanized Kruchenykh due to confusion about ⟨ё⟩, was a poet, artist, and theorist, perhaps one of the most radical poets of Russian Futurism, a movement that included Vladimir Mayakovsky, David Burliuk and others. Born in 1886, he lived in the time of the Russian Silver Age of literature, and together with Velimir Khlebnikov, another Russian Futurist, Kruchenykh is considered the inventor of zaum, a poetry style utilising nonsense words. Kruchonykh wrote the libretto for the Futurist opera Victory Over the Sun, with sets provided by Kazimir Malevich. In 1912, he wrote the poem Dyr bul shchyl; four years later, in 1916, he created his most famous book, Universal War.

He is also known for his Declaration of the Word as Such (1913): "The worn-out, violated word "lily" is devoid of all expression. Therefore I call the lily éuy – and original purity is restored.