Dolly Lund, widow of a scrap metal merchant, may have been one of the wealthiest women on Mallorca, but she certainly wasn't one of the most popular. No one ever wanted to go to her flauntingly vulgar parties -though those invited always went, if only to ensure their share of her lavish hospitality. Then Dolly died unregretted after overindulging at one of her own extravaganzas. Her impecunious young lover inherited virtually everything, and that was the end of that. Or it would have been, if Inspector Alvarez hadn't discovered that Dolly did not die naturally.
Roderic Jeffries was born in London in 1926 and was educated at Harrow View House Preparatory School and the Department of Navigation, University of Southampton.
In 1943 he joined the New Zealand Shipping Company as an apprentice and sailed to Australia and New Zealand, but later transferred to the the Union Castle Company in order to visit a different part of the world.
He returned to England in 1949 where he was admitted to the Honourable Society of Gray's Inn and read for the Bar at the same time as he began to write. He was called to the Bar in 1953, and after one year's pupilage practiced law for a few terms during which time there to write full time.
His first book, a sea story for juveniles, was published in 1950. His books have been published in many different countries and have been adapted for film, television, and radio.
He lived for a time in the country in a 17th century farmhouse, almost, but not quite overlooking Romney Marsh before he and his wife moved to Mallorca. They have two children.
Leisurely Inspector Alvarez entry, the sixth in the series, featuring the Mallorcan detective investigating two murders, one of which–or both–may not be murders. Alvarez is an engaging and charming character, an antithesis to the brilliant detective type. He stumbles along in tentative fashion, flip-flopping on his deductions and enduring harassment and disrespect on the job and at home. He is persistent however, never allowing an opponent to push him around and he eventually ferrets out the solution to the mysteries surrounding the death of a particularly obnoxious member of the English expatriate community.
Unseemly End is a light entertainment murder mystery featuring gentle ironic humor. The story's resolution is more about justice based upon humanitarian issues than upon legal ones. The story is well-plotted: Alvarez bounces back and forth between suspects, but this is natural to the situation: situations change, newly emerge, or Alvarez has come to interpret them differently so he must revisit everyone and have another go at it. The dialogue is crisp and the characters are well-defined, each being easily distinguishable from both each other and common stereotypes. Unfortunately the book does not become all that intriguing until the end: 95% of the book is relatively transparent and it is too easy for the reader to be ahead of Alvarez until the very end when–as if out of a hat–the solution is revealed. Not fair play and neither entertaining nor exciting enough to get away with it.
I got unseemly end via NETGALLEY. The book was so boring. The story didn't interest me which shows how boring it was because there are a victim and a murder here. I should be very curious, right?! I was lost. I had to reread some pages to understand what they're talking about. The writer was jumping from one scene to another. He was describing many things that didn't matter to me like the garden and the name of the trees. I lost interest in the whole book.