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The Beat Interviews
The Beat Interviews collects John Tytell's interviews with Beat Generation luminaries Herbert Huncke, John Clellon Holmes, William S. Burroughs, Carl Solomon, and Allen Ginsberg. It also features essays that tell the story behind these interviews, and explores the philosophy and art of the Beat Generation.
200 pages, Paperback
First published September 1, 2014
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30 people want to read
About the author
John Tytell
21 books5 followersBorn in Antwerp, Belgium, John Tytell is an American writer and academic. He has been a professor of English at Queens College, City University of New York since 1977. He was nominated for a Pulitzer Prize for his Ezra Pound: The Solitary Volcano (1987), which is also his best known book along with Naked Angels, an early history of the Beats.
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Displaying 1 - 6 of 6 reviews
November 9, 2014
John Tytell’s revealing comments in his own essays, as well as his incisive interview questions, have given me a lot of information about the Beats that I not only did not know, but would not have learned in any other way. And this statement is a prime example: Ginsberg was “our zeitgeist poet in a particularly dark time.” One learns something new about every phase of the poet’s career. The first-hand account (not by Tytell, but stated in full) of Ginsberg’s last moments is nothing less than another comment—it made me jump in my chair-- on the phrase “zeitgeist poet.”
The interview with Ginsberg provides an excellent account of the relationship between the poet’s work and that of Burroughs, as well as the insight that not madness but “metamorphosis” is what Burroughs’ fiction is about. The madness is that of the supra-personal entities that benefit from the tyranny they have placed on words, a tyranny that all but a few of our “journalists” bow to. The escape from the madness is a kind of disappearance of the ego. The contrast between Ginsberg’s generous explanations and Burroughs’ terseness in his interview is oddly important.
The Carl Solomon interview places him in the context of 20th century modernism. Solomon plotted gratuitous anti-social acts that the viewers could not turn away from with just a sneer. He was inspired by Artaud, whom he heard lecture.
Anyone who wants to be emerged in the social milieu which the Beats absorbed in the 40s needs to read the interviews with Herbert Hunke, John Clellon Holmes, and Kerouac. If Kerouac has been a football player at Columbia in 1968, would he have joined the squad in blocking the protesters’ attempt to take over that construction site on the edge of the campus?
The interview with Ginsberg provides an excellent account of the relationship between the poet’s work and that of Burroughs, as well as the insight that not madness but “metamorphosis” is what Burroughs’ fiction is about. The madness is that of the supra-personal entities that benefit from the tyranny they have placed on words, a tyranny that all but a few of our “journalists” bow to. The escape from the madness is a kind of disappearance of the ego. The contrast between Ginsberg’s generous explanations and Burroughs’ terseness in his interview is oddly important.
The Carl Solomon interview places him in the context of 20th century modernism. Solomon plotted gratuitous anti-social acts that the viewers could not turn away from with just a sneer. He was inspired by Artaud, whom he heard lecture.
Anyone who wants to be emerged in the social milieu which the Beats absorbed in the 40s needs to read the interviews with Herbert Hunke, John Clellon Holmes, and Kerouac. If Kerouac has been a football player at Columbia in 1968, would he have joined the squad in blocking the protesters’ attempt to take over that construction site on the edge of the campus?
October 8, 2020
“Cool dies when it becomes a fashion adjective.”
The Beat Interviews by John Tytell is a collection of interviews and commentary on leaders of the beat generation. The interviews conducted in the 1970s include Allen Ginsberg, William S Burroughs, Carl Solomon, Herbert Huncke, and John Clellon Holmes. The interviews seem for the most part to be unscripted and unprepared. The transcripts are not the type you read in a glossy magazine. These seem to be raw interviews and there are even a few spelling errors interviews (but not the commentary). In today’s media of heavily scripted interviews this is refreshing.
The tone and the answers of those being interviewed add to the overall content. Huncke, for example, forgets people’s last names and seems to struggle at times, losing his train of thought. Burrough's comes across as being annoyed at the some of the questions and gives one word answers at times. You can almost hear Burroughs harsh voice give more than a few indignant retorts. Burroughs is also seen as the odd member of the group. Kerouac and Ginsberg, both from blue collar backgrounds, saw Burroughs as upper-class. John Clellon Holmes talks about Kerouac and his writing. Kerouac’s comment about writing fiction -- or lies as Kerouac called it is explained. Kerouac’s relationship with other beat members is also discussed. Carl Solomon met Ginsberg at Greystone Park Psychiatric Hospital. Ginsberg was serving his sentence for his part in an automobile theft and Solomon for treatment. Solomon would have a role in with Ginsberg and Burroughs as his uncle was the owner of Ace Books. Ginsberg dedicated “Howl” to Solomon and included Solomon in the poem. Tytell does an outstanding job with Ginsberg and in the commentary goes into detail of Ginsberg’s last public reading of “Howl”.
The Beat Interviews are a person look inside some key members of the movement in their own words and in the words of their contemporaries -- Neal Cassady and Jack Kerouac had already died at the time of the interviews. I enjoyed the unpolished style of the interviews; they seemed more honest. Although I only recently started reading any Kerouac, Burroughs, and Ginsberg, I can see the draw to Kerouac and Ginsberg. Burroughs give me difficulty, but in his time I believe he was more extreme and fitting than he is today. This is a great collection for beat fans and a personal look at, at the time, the surviving members.
The Beat Interviews by John Tytell is a collection of interviews and commentary on leaders of the beat generation. The interviews conducted in the 1970s include Allen Ginsberg, William S Burroughs, Carl Solomon, Herbert Huncke, and John Clellon Holmes. The interviews seem for the most part to be unscripted and unprepared. The transcripts are not the type you read in a glossy magazine. These seem to be raw interviews and there are even a few spelling errors interviews (but not the commentary). In today’s media of heavily scripted interviews this is refreshing.
The tone and the answers of those being interviewed add to the overall content. Huncke, for example, forgets people’s last names and seems to struggle at times, losing his train of thought. Burrough's comes across as being annoyed at the some of the questions and gives one word answers at times. You can almost hear Burroughs harsh voice give more than a few indignant retorts. Burroughs is also seen as the odd member of the group. Kerouac and Ginsberg, both from blue collar backgrounds, saw Burroughs as upper-class. John Clellon Holmes talks about Kerouac and his writing. Kerouac’s comment about writing fiction -- or lies as Kerouac called it is explained. Kerouac’s relationship with other beat members is also discussed. Carl Solomon met Ginsberg at Greystone Park Psychiatric Hospital. Ginsberg was serving his sentence for his part in an automobile theft and Solomon for treatment. Solomon would have a role in with Ginsberg and Burroughs as his uncle was the owner of Ace Books. Ginsberg dedicated “Howl” to Solomon and included Solomon in the poem. Tytell does an outstanding job with Ginsberg and in the commentary goes into detail of Ginsberg’s last public reading of “Howl”.
The Beat Interviews are a person look inside some key members of the movement in their own words and in the words of their contemporaries -- Neal Cassady and Jack Kerouac had already died at the time of the interviews. I enjoyed the unpolished style of the interviews; they seemed more honest. Although I only recently started reading any Kerouac, Burroughs, and Ginsberg, I can see the draw to Kerouac and Ginsberg. Burroughs give me difficulty, but in his time I believe he was more extreme and fitting than he is today. This is a great collection for beat fans and a personal look at, at the time, the surviving members.
November 14, 2020
As the title suggests, the book is a series of actual interviews with or about people who were a part of what is known as The Beat Generation. The original members of this elite company include Herbert Huncke, William Burroughs, Jack Kerouac and Allen Ginsberg.
In the first interview, Huncke explains that the word 'Beat' refers to being exhausted, beaten down. Those of us who see this 1950s term as a reference to bongos and Maynard G. Krebs have a lot of enlightenment to catch up on and this book provides the facts. Huncke speaks candidly about his experiences in prison and the drug underworld and refers to the "terrifying honesty" often found in these counter cultures. He also relates his adventures on a tanker ship and about his pet monkey while working on the ship.
He speaks of known figures wanting to be gangsters in the criminal underworld and of circus people and how their associations are similar to these societies. He goes on to tell us about Chicago hipsters and the 'hip' element of the early 1930s, as well as meeting Doctor Kinsey and his contributions to the Kinsey report.
Some of the history and relevance of the book, The Cool World by Glenn O'Brien is explained and ideas about what it is to be hip. The early beatniks, dubbed by a journalist in parody of the Sputnik space exploration happening at the time, embraced the idea of being beaten down, the drug culture and the effects of becoming a social pariah.
This counter-altruism was sometimes poetic in its romanticist ideals.
The next interview with John Clellon Holmes mostly talks about Jack Kerouac and his book, On The Road, which according to Holmes brought a certain celebrity status to Kerouac and began to affect how the author related to people.
The book as a whole is very informative and tells much about the lives of legendary figured from a generation that is frequently misunderstood. It is sometimes poignant, telling how Burroughs became a recluse and fell into alcoholism, detailing relevant histories of names you don't hear much about in history class.
There is an actual interview with William Burroughs, who among other things, studied Archaeology much to my surprise. Between morphine addiction and associating with other names from the beat generation, we learn that Burroughs was once a farmer and the legend begins to look like a real person behind the public perception of him. The Holmes interview tells how the cult around Burroughs came to be and is followed by an interview with Carl Solomon, the man whom the poem, Howl was dedicated to.
There is also an interview with Alan Ginsberg and a touching tribute at the end that could almost make me feel nostalgic for an era that happened long before I was born. Overall an excellent look inside a significant subculture that helped to shape the counter-culture of the 1960s that would follow and mark a place in history when Western culture was forever changed.
In the first interview, Huncke explains that the word 'Beat' refers to being exhausted, beaten down. Those of us who see this 1950s term as a reference to bongos and Maynard G. Krebs have a lot of enlightenment to catch up on and this book provides the facts. Huncke speaks candidly about his experiences in prison and the drug underworld and refers to the "terrifying honesty" often found in these counter cultures. He also relates his adventures on a tanker ship and about his pet monkey while working on the ship.
He speaks of known figures wanting to be gangsters in the criminal underworld and of circus people and how their associations are similar to these societies. He goes on to tell us about Chicago hipsters and the 'hip' element of the early 1930s, as well as meeting Doctor Kinsey and his contributions to the Kinsey report.
Some of the history and relevance of the book, The Cool World by Glenn O'Brien is explained and ideas about what it is to be hip. The early beatniks, dubbed by a journalist in parody of the Sputnik space exploration happening at the time, embraced the idea of being beaten down, the drug culture and the effects of becoming a social pariah.
This counter-altruism was sometimes poetic in its romanticist ideals.
The next interview with John Clellon Holmes mostly talks about Jack Kerouac and his book, On The Road, which according to Holmes brought a certain celebrity status to Kerouac and began to affect how the author related to people.
The book as a whole is very informative and tells much about the lives of legendary figured from a generation that is frequently misunderstood. It is sometimes poignant, telling how Burroughs became a recluse and fell into alcoholism, detailing relevant histories of names you don't hear much about in history class.
There is an actual interview with William Burroughs, who among other things, studied Archaeology much to my surprise. Between morphine addiction and associating with other names from the beat generation, we learn that Burroughs was once a farmer and the legend begins to look like a real person behind the public perception of him. The Holmes interview tells how the cult around Burroughs came to be and is followed by an interview with Carl Solomon, the man whom the poem, Howl was dedicated to.
There is also an interview with Alan Ginsberg and a touching tribute at the end that could almost make me feel nostalgic for an era that happened long before I was born. Overall an excellent look inside a significant subculture that helped to shape the counter-culture of the 1960s that would follow and mark a place in history when Western culture was forever changed.
February 4, 2023
Tries too hard
It seemed to me that the author spent as much time trying to prove that he, himself was beat as he actually spent on the interviewees. I could be wrong. I was lost throughout most of the book. I found myself skipping the author's blatant attempts to show that he was well-read and on the same intellectual level as the people he was interviewing. I wanted to read about Kerouac, Casady, Burroughs and Ginsberg.
It seemed to me that the author spent as much time trying to prove that he, himself was beat as he actually spent on the interviewees. I could be wrong. I was lost throughout most of the book. I found myself skipping the author's blatant attempts to show that he was well-read and on the same intellectual level as the people he was interviewing. I wanted to read about Kerouac, Casady, Burroughs and Ginsberg.
August 10, 2014
Most of these interviews revolves around Kerouac, who was not interviewed, and Burroughs, who is between those of the Beat Generation, one of the authors I like less. Some of the people interviewed, probably due to the continuous and persistent drug abuse, does not seem to be very clear in explaining the answers, others are not clear at all. The beat generation was interesting for me because I've read a few books and I did not like them, so I was hoping that by deepening the background a lot of things would become more clear. It did not work, but at least I tried.
La maggior parte di queste interviste ruota intorno a Kerouac, che non é stato intervistato, e a Burroughs, che é tra quelli della beat generation, uno degli autori che apprezzo di meno. Alcune tra le persone intervistate, probabilmente a causa del continuo e perdurante uso di sostanze stupefacenti, non sembra essere molto chiara nell'esposizione delle risposte, altri non sono chiari affatto. In tutto questo la beat generation mi interessava perché ho letto qualche libro e non mi sono piaciuti, speravo quindi che approfondendo il background avrei avute piú chiare molte cose. Non ha funzionato, ma almeno ci ho provato.
THANKS TO NETGALLEY AND DAVID WILLS FOR THE PREVIEW!
La maggior parte di queste interviste ruota intorno a Kerouac, che non é stato intervistato, e a Burroughs, che é tra quelli della beat generation, uno degli autori che apprezzo di meno. Alcune tra le persone intervistate, probabilmente a causa del continuo e perdurante uso di sostanze stupefacenti, non sembra essere molto chiara nell'esposizione delle risposte, altri non sono chiari affatto. In tutto questo la beat generation mi interessava perché ho letto qualche libro e non mi sono piaciuti, speravo quindi che approfondendo il background avrei avute piú chiare molte cose. Non ha funzionato, ma almeno ci ho provato.
THANKS TO NETGALLEY AND DAVID WILLS FOR THE PREVIEW!
January 28, 2015
Review to come soon...
Displaying 1 - 6 of 6 reviews