Although I absolutely adored the German translation of Jeremy Burnham and Trevor Ray's 1977 science fiction story Children of the Stones (which is a novelisation of a British television series which I have not watched but which I now want to since I have heard that the series is actually much better than the novelisation) when I read Im Bann der uralten Steine in 1983 (the year of its publication) during a summer visit to Germany, sorry, but reading, but encountering Children of the Stones for the first time in 2025 (on Open Library) has been more than a trifle disappointing and has been rather frustrating both thematics and contents wise (and as such is also not really all that nostalgic for me either, or rather is only very partially and sporadically so).
Now I do admit that I have indeed enjoyed the general British setting, the fictional town of Milbury with its circle of menhirs that are depicted by Burnham and Ray as being considerably older than Stonehenge as well as the main protagonists of widowed astrophysicist professor Adam Brake and his son Matthew as much in Children of the Stones as when I read Im Bann der uralten Steine as a teenager, with the plot for Children of the Stones still being engaging, mysterious and creepy without being too terrifying for older adult me. And yes, I also appreciate how Mr. Hendrick is (at least in my humble opinion) shown by Jeremy Burnham and Trevor Ray as villainous but actually seemingly a least to some extent having the villagers' best interests in mind no matter how misguided, dangerous and in fact horrifying and soul-killing his intentions and philosophies might be, and with a positive ending for the Brakes but also with a bit of a cliffhanger for Children of the Stones in so far that Milbury could actually be caught in a time loop and that the same scenario from Children of the Stones might be about to start, to happen again.
But my enjoyment of the setting and the general storyline of Children of the Stones notwithstanding, how Burnham and Ray combine astrophysics with paganism and magic does not really work all that well for me and is basically pretty ridiculously sillily fantastical, something that did not bother me in 1983 when I read Im Bann der uralten Steine but which does majorly frustrate me in 2025 (and that the ley lines combined with the black hole in the constellation Ursa Major wreaking continuous havoc and repetitive havoc in and for Milbury and its inhabitants is not textually interesting and is also neither good enough fantasy nor decent science fiction), and not to mention that how Jeremy Burnham and Trevor Ray in Children of the Stones have Milbury students suddenly transition from being really horrible at mathematics to being mathematical geniuses when they become "enlightened" and controlled by Mr. Hendrick, for me this is not only kind of strangely ridiculous but it also (at least in my opinion) hugely trivialises mathematics as a subject.
Not a bad story is Children of the Stones and to an extent decently fun and pleasantly creepy (even today, even in 2025), but well, the rather hokum science (combined with magical paganism etc.) truly does grate quite a bit, makes much of Children of the Stones rather tedious and annoying for me personally and as such only a low three star rating (and which I also think is pretty hugely generous for Children of the Stones).