"Freedom's Mirror" covers the impact of the Haitian revolution on Cuba, showing how the successful Haitian slave revolt led to Cuba stepping in to take a dominant role in sugar production and trade, and freedom in Haiti paradoxically allowing Cuba to expand and consolidate slavery. Cuba, along with Brazil and the U.S. South, is thus an example of a period of "second slavery," with consolidated, expanded, and even more extractive slave industries operating in an increasingly anti-slavery global environment.
Ferrer covers the expansion of slavery in Cuba alongside its opponents both in Haiti and in attempted Cuban-based revolts. She also explores how Cubans served in Spain's army under Spanish Santo Domingo, initially supporting the black rebels in their fight against France. Cuba also served as a refuge for planters from Haiti and supported Napoleon in reasserting control over Haiti. While Haiti likely did not actively promote antislavery abroad, Ferrer discusses the instances where it is thought they might have - and highlights how Haiti regardless served as an example and inspiration to slave revolts for decades to come.
My favorite chapter was the last one - this chapter being the reason for giving the book a 5 star rating (and not a 4). In this chapter, Ferrer provides an interpretation of the pictures of a lost book used by José Antonio Aponte in organizing an unfortunately unsuccessful slave revolt in Cuba. While we don't have the contents of the book, we do have the testimony of witnesses who saw it and asked Aponte questions about it. These pictures portrayed Black people throughout history, with Ethiopia being particularly highlighted but also including Egyptians and Black cardinals, demonstrating the political, military, and spiritual power that Black people had held and could hold again through the planned slave revolt. As Ferror explains, the term "Ethiopian" was often used by white writers as a synonym for Black people, but mostly in situations that conveyed a threat or a certain amount of autonomy. The invocation of Ethiopia was therefore consciously used to communicate the threat that Black people could pose and the power they could sway if they revolted. It is furthermore fascinating to see how Aponte demonstrated an understanding of history that the white witnesses, themselves not being attuned to the historical agency of Black people, were often quite unaware of.
While Aponte feigned a milder interpretation in his testimony, Ferrer convincingly demonstrates the coded messages of other images, including one with the planet Mercury being pulled in a carriage by two large birds, with a staff supposedly symbolizing the progress of commerce, and a guard trying to stop contraband and instead meeting his death. In the carriage, there was a picture of Spain's prime minister, with a falling feather symbolizing his fall from power during the crisis of 1808. While Aponte claimed that this picture celebrated the progress of commerce, Ferrer convincingly argues that it instead celebrates the END of a particular kind of commerce, namely that of enslaved people, with the inclusion of the warship San Lorenzo in the picture representing some of the actors who would bring about this end of slavery, since some of the members of the black militia who had served on this ship were in on the conspiracy.
An important book for showcasing how slavery not only persisted, but expanded, before its end was ultimately brought about-and a great example of how transnational history can help us reach a better historical understanding.