Emergency Medical services on the Moon present new challenges, not all of which come with the territory. Kristine is an EMT in the Lunar Ambulance Service. Budget cuts and inadequate equipment make it increasingly difficult for her to do her job. William Schneider is finding that some of his subordinates have ideas of their own, ideas contrary to the corporate philosophy he is building, ideas that lead to shortcuts and trading lives for money. They find themselves riding their problems on a collision course to avoid disaster.
David Burkhead's interests, based on this story, are very much in line with Jack Webb’s. He’s interested in How Things (Will) Work, and How To Fix Them When Something (Or Someone) Goes Very Wrong.
Furthermore, he expresses that interest in terms of an engaging, dramatic story that pointedly sidesteps the pitfalls of focusing too much on the “mystery” or the villain.
EMT takes place (almost entirely) on the Moon. We follow two characters who you might expect to be very different, but ultimately have the most important things in common.
Schneider is the CEO of a large corporation, who has come to the moon to track down the source of certain discrepancies between what his outfit has been reporting, and what the raw numbers are telling him. There is an accounting shell game going on, and he’s going to do more than stop it.
Kristine is an EMT on the moon, and coping with Things Gone Wrong is her entire job. Which is being made harder and harder by budget and staff cuts, meaning cheaper equipment, longer hours, fewer EMTs on duty, and just about everything else you don’t want for your emergency first responders.
If Burkhead had wanted to spin this out to novel length, he could have dug into the details of the “mystery”, added in more viewpoint characters, and made it all work.
But he’s not interested in the mystery or the villain. He’s interested in Process, in how things work, and how to get them working again after things have gone pear-shaped. There is little mystery in the cause of the problems, and even the details of how Schneider nails down the whole thing are basically in the background. What is important is that Schneider takes a look at the whole operation. He doesn’t just assume “it should work”, as many non-technical people assume these days. He cares about how.
And the story follows that theme.
It’s entirely entertaining, but you need to check some assumptions at the door. Don’t look for a mystery, or an obsession with villainy or human weakness. Don’t look for a shiny new, easy-to-render-with-CGI tech idea that you’ve never seen before.
What you will find, instead of those things, is a thoughtful look at how things can be made to work in a not-too-distant future on a private Moon colony.
I liked that. I liked it a lot. I was sorry there wasn’t more, but what is there is entirely entertaining and worthwhile.
---
This review is made available under a Creative Commons Attribution-Share Alike (CC BY-SA) 4.0 International License. It is adapted from a longer blog post available here:
I wish more writers would tackle this theme, this subject matter! Burkhead's FTI universe would make a wonderful TV series, the stories are self-contained but have enough continuity to draw you back. This is hard science with heart.