He graduated from Kyoto University with a degree in Economics. After working for a life insurance company for several years, Kishi started his writing career as a freelancer. He has twice won the Japan Horror Novel Award, and boasts bestselling status in Japan with multiple works adapted to the screen. The Crimson Labyrinth marks his American debut.
This is not Yusuki Kishi's best novel, but it is still a fun ride.
The plot is not very complicated. Yukari is a young girl with emphatic powers, which means she can read people's emotions to the point that when they are strong enough, it's like she was watching a movie or reading people's minds. Kishi tries to keep it realistic, but it is still a little bit of a silly concept. Kishi likes his horror plots to have a foot on reality, but this is stretching it. But let's accept that Yukari has a more developed empathy than your average Joe. She is working as a volunteer on a hospital after the Hanshin earthquake of 1995. There she meets a young girl, Chihiro, who has multiple personalities, 13, one of them having just appeared after the earthquake...
From now we have the typical Kishi novel were characters get to know each other, speak about psychology and psychiatry and were he shows a strong hand to create realistic characters to "empathize" with. He is as good as it as in his other novels, and you will feel Yukari is a real person, with fears, emotions and, well, powers. The story is good enough, but as said above, a little bit silly. On other hands it'd probably be horrible, but you can't but keep reading with Kishi's style. It makes you want to see with what will he come up next, and he has a couples of surprises up his sleeve, as with his other novels.
Good enough, but not very deep, not very realistic and, if you don't get involved with/like Kishi's style, probably very silly. Not his best. But that's not a bad thing when you are as good as he is.
I have known Yusuke Kishi as a writer who has originally written 'The Black House', one of the most creepiest movie which I have ever watched around 10 years ago. Because Isola is the first work of Yusuke Kishi's, I was intrigued more to this one, rather than 'Black House' for trial. The concept of many split personalities within one individual is not new. It was indeed a popular motif for many thriller novels. However, I like the way the writer's alluding to many psychological ideas and approaches which is easy to comprehend in general to follow the story. I was more curious about the origin of the name Isola, and it is one of the crucial factor to trace what has been happening to the girl. I didn't like how it ended, because it was far from happy endings, and I can see more threats of the character even if the story has ended. The writer seems to be not so generous about offering happy endings, but is more willing to leave the reader with questions.