I received a copy for review purposes. All opinions are honest and mine alone.
BROKEN FIELDS, by Marcie R. Rendon, is 4th in an ongoing series and easily read as a standalone. Rendon provides enough background for readers to understand what happened to lead character, Cash.
Cash is a complex, young indigenous woman who harbors an intense amount of anger, resentment and pain resulting from her life spent in the foster care system. The story takes place in the late 1970’s, (her having grown up in the 60’s-70’s) when Indigenous children were taken from their families and placed in “Christian” homes, many of them under horrendous, abusive conditions.
Shawnee is a 4 or 5 year old little girl who witnessed the death of her parent’s employer. Her parents are missing; folks assume they’re guilty - they’re Indians. Cash, after discovering the dead farmer whom she worked for, also found this little girl, shivering under a bed, too scared to speak. She brings her to town, to her good friend, Wheaton, the sheriff.
He transfers Shawnee to the county social worker’s care, the same woman who was responsible for Cash as a child. At this point, the rehashing and comparing of two storylines is prominent.
Also in abundance throughout the book are descriptions of, well, almost everything other than people and how they feel. Cash has a gift of intuition that helps her investigate for Wheaton. She sometimes dreams, gets a shiver or an out of body vision. This aspect is not well developed in her character, she’s not all together comfortable with it which makes it feel less contrived. I wouldn’t say it’s at a magical realism level. I wanted to know more about how Cash and Wheaton felt during many scenes.
There were stretches of time I found the prose to be frustrating. Rendon writes with lots of short, simple sentences and is repetitive to the point of frustration. She has some kind of preoccupation with saying the model of car Cash drives: Ranchero. Good grief, it must be stated over 100 times! In addition, there are many, many non sentences. It’s possible these will be edited, as I’m reading an eARC, but I suspect they are a stylistic choice. It’s one I find that when used for effect, it can be successful but in this case, it makes for choppy passages.
It was interesting to learn some unique Midwest words and usage, (ope, the tamarak, 3.2 beer), after researching them myself. Perhaps earlier books gave definitions but this one didn’t. Still, I enjoy learning new things. That’s not the case with political and social issues in this story. There are some mentions, mostly by Cash and her experiences that are now being compared to Shawnee’s, but there are no long diatribes or significant amounts of historical information detailed.
Violence and sexual content are at a PG-13 level without detailed descriptions. Language is R rated with a full complement of expletives, including f-bombs.
Recommended for those who like period fiction, domestic mysteries, small town stories with a limited cast of characters and series fiction that offers complete stories in a single volume📚
Read and Reviewed from a NetGalley eARC, with thanks.