At last, Fantagraphics presents Carl Barks’s very first Donald Duck stories! This is where it all started, as Carl Barks took control of Donald Duck’s comic book adventures and began a series of clever, creative, complex, and comedic stories that would continue under his cartooning brilliance for more than 20 years — and guarantee his place in comics history.Volume 1 in The Complete Carl Barks Disney Library is, naturally, filled with Barks’s first comic book story (starring Pluto), the first Donald Duck story created for an American comic book (and also the first to see Donald and his nephews go on a treasure hunt), Barks’s first Donald 10-pager, Barks’s first truly solo Donald Duck story, and Barks’s first solo longer-form Donald Duck adventure (“The Mummy’s Ring”). With more than 200 pages of story and art, each meticulously restored and newly colored, and the insightful story notes by an international panel of Barks experts, this long-awaited collection of stories makes clear what generations of Disney fans have always Carl Barks's work as The Good Duck Artist is some of the greatest American cartooning in the history of the medium.
Carl Barks was an American cartoonist, author, and painter. He is best known for his work in Disney comic books, as the writer and artist of the first Donald Duck stories and as the creator of Scrooge McDuck. He worked anonymously until late in his career; fans dubbed him "The Duck Man" and "The Good Duck Artist". In 1987, Barks was one of the three inaugural inductees of the Will Eisner Comic Book Hall of Fame. Barks worked for the Disney Studio and Western Publishing where he created Duckburg and many of its inhabitants, such as Scrooge McDuck (1947), Gladstone Gander (1948), the Beagle Boys (1951), The Junior Woodchucks (1951), Gyro Gearloose (1952), Cornelius Coot (1952), Flintheart Glomgold (1956), John D. Rockerduck (1961) and Magica De Spell (1961). He has been named by animation historian Leonard Maltin as "the most popular and widely read artist-writer in the world". Will Eisner called him "the Hans Christian Andersen of comic books." Beginning especially in the 1980s, Barks' artistic contributions would be a primary source for animated adaptations such as DuckTales and its 2017 remake.