“Once you’ve had a mental diagnosis, every time you’re a bit impulsive, a bit passionate, if you just raise your voice, people think it’s happening again. Everything’s a symptom.”
The Last Days Of Kira Mullan is the second book in the Maud O’Connor series by best-selling British writing duo, Nicci French. Less than a year after Nancy North opened her successful little restaurant in Stoke Newington, she’d been sectioned, spent time on a mental ward, and almost lost everything she cared about: her beloved restaurant, the friends who were drawn into her psychotic episode, her self-belief, her self-respect, her joy. She feels lucky and a little guilty that her partner, Felix Lindberg has stuck by her despite it all.
They can’t afford their cosy East End flat and make the move to a tiny, damp flat in a Victorian house in Harlesden, where Nancy knows no one. She meets the house and next-door neighbours, dismayed that Felix seems to have forewarned them about her mental health history, even though she has been diligently taking her medications under his constant surveillance, and feels fine.
A few days after the move, the body of their downstairs neighbour, Kira Mullan is found hanging from a beam, an apparent suicide. Nancy recognises the young woman’s boots through the open door: it’s the same person she encountered on the front path the day before, angry and afraid, but not, to Nancy’s eye, suicidal. It’s true, though, that Nancy had a minor episode, and Felix asks “Did you actually see her, or was she part of your episode? That’s why you didn’t tell me. Because you didn’t know if it was real or not.”
Having already chatted about Kira to some neighbours, when she meets Kira’s distressed mother, that impression of a young woman not the least bit suicidal is strengthened. Even though the police have ruled the death a suicide, Nancy demands to have her opinions heard, but DI Danny Kemp dismisses her concerns, and Felix warns her that her insistence is upsetting their neighbours.
It’s when Kemp is on annual leave and Nancy makes a last-ditch attempt to be heard in Kira’s behalf, before trying to quit the house, that DI Maud O’Connor takes a close look, notes anomalies, and gets her crime scene expert, Matt Moran to take a look. Nancy has told her she had “A very mild episode, but yes, and that’s why nobody takes me seriously. But it doesn’t make me wrong.” Turns out Nancy could well be right, and Maud’s CI reluctantly allows her to investigate further.
It’s quickly clear that Felix is aiming to subtly control Nancy: gaslighting, isolating, stalking, undermining her sanity with all those around her, removing her independence in every way possible. But is he a murderer?
The story demonstrates just how easily a woman becomes powerless against the system, how little it takes to be put into a mental health facility, how demoralised and desperate patients can be made to feel, and how it can be virtually impossible to negate the stigma of a mental health history. Luckily the authors do give gutsy Nancy the smarts to catch on quickly to how she needs to act to be discharged.
There are enough distractions, red herrings, and potential suspects to keep the reader guessing right up to the final reveal, and the authors also further develop the character of Maud. There is a third book in the series, Tyler Green Can Never Be Released which, so far, exists in Dutch translation, and fans can only hope the English version will soon be published, as more of Maud O’Connor is most definitely welcome. The writing talent of this duo is unmatched and they never disappoint.
This unbiased review is from an uncorrected proof copy provided by NetGalley and Simon & Schuster Australia.