2.5* because I do believe this author is talented. All the components of a great story were there; the execution just needed work. What this story needed was an editor, a good one. The typos start on page 1 (second paragraph) and the content is choppy at times.
Let me start by saying that I'm not a militant black woman; I've actually had friends joke about revoking my black card once or thrice. I believe everyone should be with whomever they please, regardless of race, religion, class or any other factor. I believe that people deserve a second chance - ex-cons, white supremacists, whomever AND I'm also a fan of this new trope, ex Supremacist/black woman, so none of these things were my issue with this book. Having said all that, this book stirred a lot of strong emotions in me, none of them good. As free-loving as I am, this book made me feel like I marched with Martin, read with Malcolm, sat on the bus next to Rosa and dined with Marcus Garvey. It just hit all the wrong notes and left me feeling this is exactly NOT the way to write this trope.
Whit and Bobby Jack meet because Jessi, Whit's neighbor, is arrested and begs Whit to take care of her son Isaac. Bobby Jack is Isaac's father, who Jessi believes is still incarcerated but who has made parole. Whit and BJ see each other across the way when he first gets off the bus from prison but, of course, at that point they don't know each other. They meet again in front of the prison where Jessi is doing her time and exchange words but still aren't aware of their common link (this is ridiculous as I'll later point out), then Whit is attacked by her racist boss and as she crawls to the road, broken and bleeding, BJ drives by. They recognize each other, he takes her home and at that point realizes that this is the 'Whit' taking care of the son he's been looking for.
Right! Let's start with Whit. I am yet to read one of these white supremacist/black woman books where the woman isn't somewhat stupid. They were all varying degrees of stupid - kinda dumb, hella stupid, too stupid to live and then there's Whitney, who trumped them all and crossed into 'you cannot be serious.' I respected her for getting herself off the streets, getting an apt and job, taking care of Isaac and getting her education, but when it came to Bobby Jack, her actions just defied logic. Yes, she waited to have sex with him.; yes she was mouthy, but when she made not a mention about BJ calling a black man a 'n*gger' , addressing him as 'boy' and telling him he was 'too dark to be any brother of his' in her presence; when her only rebuttal after he told her she was 'the only colored person he liked' (like that was a compliment) was that 'no one took a crayon to her skin', and when she took his side against the black man BJ had just verbally abused and physically threatened, truly, TRULY, all was lost. The black guy, thinking she was only with BJ under duress (because what sane black woman would actually be with a guy like that) finally realized she was taking BJ's side and asked her if she would choose white trash over him. Her response was, 'I'll stick with the devil I know.' Yes, folks, YES! She actually chose to walk out of there with Bobby Jack after all the things he'd just said, when he was the one who was treating her like owned her after one kiss; the black dude was just trying to holler. She let a white man berate a brother because he dared to talk to her, a black woman, and turned around and was ready to stand with BJ against his (racist) family over an issue that had nothing to do with her. ("Do you want me to come with you? I'll have your back"). Really???? Come on now. With us writing these books ourselves, who needs the Klan? Seriously. She was just everything that was wrong with a black woman trying to date one of these guys. Dag girl, can you have some pride? Can you at least stand up for your race? Can you check him when he does something crazy? Ok, forget checking him, can you at least acknowledge it?? At least the women in other books held the dude's feet to the fire sometimes. At least they didn't let a racist talk to non-white men crazy. I really like this trope, but I wish the women didn't all seem so desperate and weak just because the guy has a few muscles and 'oh my, his ink of lynching my people is so hot'.
Let's talk about their first in-person meeting. Jessi tells Whit that Isaac's father's name is Bobby Jack and that his family is racist, yet Whit speaks/flirts with a man a) named Bobby Jack, who b) has a tattoo of a noose on his neck next to the words 'The only good n*gger is a dead one', whom c) she overhears saying he needed to be on time to see JESSI because he needs to find out where his son ISSAC is, while d) standing in front of the prison where JESSI is incarcerated, and it only occurs to her as she's driving off that 'it must be a coincidence'. Really?? No, really??? An editor was needed here. And yet, with every clue short of a huge neon arrow and Maury Povich jumping out going, 'He IS the father', what makes her realize who he is, is because she's changing the baby the next day and realizes they 'have the same eyes'. *Pinches nose bridge*. *Loud sigh* The stupid hurts my brain. Whit dealing with a racist employer, who felt she owed him sex, made the likelihood that she would even remotely entertain BJ, with his blatantly racist tattoos, even more ridiculous. Yes, she didn't give him her name and only spoke to him briefly, but the thoughts that we were privy to betrayed her. Just once I would like to see these black women make these dudes work for it. Just because a racist has now deemed you worthy of his attention doesn't mean you need to swan dive into his arms. What makes him worthy of yours??
BJ - He was ok. He wasn't the most redeemed of the male supremacists I've read, and the attempt to show that he started having doubts about white supremacy before he met Whit was a little clunky in the beginning. He came off as confused/all over the place, rather than conflicted. He settled into things after that, and the author did well with how realistic it was for him to go from being totally racist to portraying him giving things a go, but things weren't explored long/deeply enough to flesh out his character. At no point does he even acknowledge his actions/racism to Whit with any remorse/agreement to change. At no point do he and Whit even remotely have a serious conversation about him being a racist. It's just mentioned jokingly by her a time or two in passing, and by the other residents ("Where is our resident Aryan?") Ha ha hee hee. His sole attraction to Whit is based on the fact that she's a good mother to his son. A bit more story and just a little tightening and accountability with his character would have gone a long way.
An editor was also needed in terms of positioning of the story eg. One minute BJ is all crazy trying to find his son, but in the next scene he's at his dad's house hanging out, waiting to talk to him. I'm sitting here like ummm shouldn't you be out looking for your kid?? Then we find out he'd memorized the address wrong so he hasn't been able to find him, but you've already spent three pages thinking, hmmm guess his kid isn't that important. Editing/placement.
The build up to the 'romance' between these two is non existent. I get falling in love quickly but we, the readers, need to be able to follow along! BJ meets Whit, thinks she's a nice 'colored girl', and that she's sexy. Whit, meanwhile, is having her 'he has a noose tattooed on his neck, and insults my people, WHY, OH WHY do all the hot ones have to be bad?' moment (rolls eyes HARD). The only reason that BJ even goes to her apartment the first night is because he'd had a fight with his dad, it was raining and he had nowhere else to go. Yet, we're supposed to think (with ZERO prior evidence - oh wait, he sat up with her while she was injured; it must be true love!) that 'all BJ could think about that night when there was a chance he might be arrested was that he hadn't kissed her.' WHAT???? I almost fell off my bed, that's how 'out of nowhere' that was. That scene laid the (non existent) foundation for a 'relationship' that made me cringe every time they tried to get sexy. I think I read their sex scenes with one eye closed, praying for them to be over quick o'clock!
The secondary characters, while entertaining, also kind of rubbed me the wrong way. I loved Ms. Mays (at least she threatened BJ and meant it, even though she was willing to accept him with open arms so easily; really, is no one concerned about the horrible tats?) I also loved the queens. Maurice was the only person who wasn't rolling out the welcome mat. With the exception of Maurice, everyone was too happy to shove Whit into the arms of this guy. This brings me to the fact that the only black men in the book are the one Whit spurned for BJ, and two drag queens. That kind of didn't sit well with me. I loved that Maurice was bad ass and no nonsense, but we could have at least made the drag queen couple interracial or something. It just felt weird that the three black males in the book were either a jilted love interest, or comic relief. Ugh. The scene with the black guy at the courts was even more distasteful because it almost sends the message that even a white, racist ex-con gets more respect and loyalty from a black woman than a hard working black man in a suit. Just sad. And again, I'm so not militant! But some of these messages are so blatant, whether it is the author's intent or not.
Sigh, so why 2.5 stars and not one? The author has a clear writing style that I liked and the characters are funny. Like I said, all the ingredients were there for a five star read; the story was just badly executed. Because I like this trope, you really start out ahead of the game with me and then have to really mess up to bring the stars down. This is my first book by this author. I'm going to press on and read Riley's book and I hope I like it better than this one. Because he walked away from the family on his own, he's already starting out in a better position than BJ did.