Another solid, if not spectacular, mystery in this series. Despite having read books 1, 2, and 4 in this series, I somehow skipped this third entry, so I'm finding it a bit out of order, but I'm pretty sure that most of the comments I've had for the other books in this series also apply to this one (and since #4 is a prequel set before Marston gets to Paris, I think I'm still reading things in roughly chronological order). This was a decent read for fans of standard police-procedural stories set in foreign countries, but not a stellar example of the genre.
The third in the Hugo Marston series finds the main character, the Chief of Security at the US Embassy in Paris, having to chaperone a US Senator (with aspirations for the Presidency) in France to attend summit talks with French officials on the minor subject of the possible change of allegiance of the Caribbean island of Guadeloupe from France to the USA, an odd task for the isolationist conservative politician only there as a last-minute replacement for a more senior Senator who was threatened into cancelling his trip. The talks begin with a formal dinner at a country estate outside Paris owned by a noble and politically connected French family, and the Senator wakes up the next morning feeling that he had been drugged and that someone had entered his room the night before. No one is certain whether it is just the Senator's paranoia and mistrust of foreigners, or whether there was an actual intruder, so Marston engages his friends on the Parisian police force to assist him with a good show of an investigation to allay everyone's fears. The investigation uncovers property stolen at another family's country estate, sparking a more official inquiry from the American and French authorities. When multiple murders occur, including that of a friend of Marston, he enlists the help of his CIA agent friend, Tom, and finds additional help from Parisian police and maybe an old love interest. The investigation explores American and French politics, the history of France dating to before the Revolution, genealogy, and the extent to which people will go to avoid scandal.
As I noted above, I have similar comments about the plot of this book as I had for the others in this series, first among them being that the pacing is so slow in the middle third that the author often appears more interested in describing restaurants, cafes, and historical sites of Paris than he is in advancing the plot. This leads to a complete lack of urgency in the main characters to move forward in the investigation, who suffer setbacks, then instead of immediately redoubling their efforts, take a few hours to have a relaxed meal and wallow in their morose situations. I'm pretty sure you could take the middle 90 pages out of this book without much damage to the actual plot of the novel, other than avoiding some emotional exposition. Second among the running complaints in this series is the fact that Marston regularly does things that seem like bad ideas for experienced law enforcement officers, like telling the cop he's with that he won't touch anything at a crime scene, then literally in the next paragraph riffling through the entire crime scene; or identifying suspects early on that aren't followed or otherwise monitored; or walking everywhere (instead of taking a car or a taxi, in a big city like Paris) in the middle of an active and time-sensitive investigation. While the plot had some satisfying waypoints with clues that advanced the search for whodunit, there weren't a ton of them, and when they did come they weren't horribly surprising. As I've noted before in this series, it's like a regular episode of a solid cop show on TV -- nothing terribly inventive or filled with twists, but nothing that was horribly wrong, either (other than the pacing). It was just sort of "OK."
As for the edit on the book, I'm afraid it hit many of my personal pet peeves. The author seems to use commas in every possible place (even when not needed), except when there's a change of subject between two independent clauses in a sentence (when they're actually needed). The syntax was not monitored well, as there were a few "who's/whose" mistakes or similar misspellings or misuses of words. And, for the nails down the chalkboard of my inner grammarian, Pryor uses "try and" EVERY SINGLE TIME he means "try to" (as in "let's try and find out who the killer is"), even when a French person is talking (who would never think of translating the infinitives that way). Like the plot, the edit is not the worst I've seen, but far from the best.
So, in sum, I give this a mild recommendation for fans of standard cop stories set in foreign countries, but not a resounding "read this now" yawp over the rooftops of the world.
Thanks to Seventh Street Books (and my Queen of the Book Fairies) for either providing me a copy of this book, or providing me copies of enough of the others in this series that I feel compelled to finish the missing ones.