In The Dark Time of Angels, Pier Giorgio Di Cicco continues the exploration of spiritual themes that he began in the critically acclaimed The Honeymoon Wilderness, which Michael Redhill in The Globe and Mail called, 'a startling and beautiful work.' Personal yet universal, Di Cicco's poetry is marked by a lyricism that is unflinching in the face of chaos and contradiction. In a world of suffering, he identifies faith in the oddest places and joy in the smallest things. The Dark Time of Angels is a powerful testament of hope, by one of our finest writers.
gabriel in the dark, blowing your horn what do you say to me in fanfare, dropped pencils, birds arraigned on eaves, news of the dead, your notes, how I have heard you all my life corralling the stars and things, inaugurating cities, dreams, installments of illusion. you would I were deaf for all the mistaken; tireless trumpeter, whom I wear on my arm like a hawk, whom I blast in my head like foreboding, saving that great tune for last, the gatherer of all contralto, my grief, my bad conscience, my sublime. you will weave them all into a meaning that wakes God, and he will put his hand on my neck, and bid me sleep out of my mournful life.
- Gabriel, pg. 11
* * *
you want me to talk about my faith and I come out sounding like the catacombs. alright;
I collect things, like blood and tears.
I live where wine becomes blood and bread, flesh.
it's fantastic, not as preposterous as having an idea of who I am. I was spared that when I learned to beg;
so many voices without interpretations.
we all drink with one tongue warbling the foul note of need.
reduced to thirst,
like a soul scratching to be let in.
to live or die; that's about it.
and I have dreams in which I find you, your weak heart shouting love me for who I am; and that sounds fair enough, like a balloon of words above your slender and forsaken arms my wife, my lovely world, you.
- Ad Hominum, pg. 30-31
* * *
look, exchanged for, blood and muse. dead, for life, love for fathering.
look, so much exchanged for - hanging face for spirit, sex for animus, dawn for heartache.
exchanged so much for Him, cool afficionado, limb-taker, cup-savager, my very own dandy locks for leave-taking. anointer. fear Him. He knows and loves you cooingly, rips open stars and entrails, like a music. you will not hear this making of you. you will not hear the soul branded, what flower you will be, awakened.
- Supplanting, pg. 89
* * *
Here are two stars, in different colours. Here are the northern lights, opening and shutting their lattices. Here is warm snow, and stones in the wavelets, trees lit and unlit. My hands unlatch the night. I walk through to the altar, the madonna on my right, in the chapel breath.