I went searching for my first Alisa Valdes book after reading her account of her experience with Junot Diaz. I was--am--hungry for Latinx voices, and the way she wrote about herself as an author made me feel like she was a writer who deserved my precious reading time. She wrote, "I was also pissed off that the Pulitzer committee rewarded Diaz with a prize for a book that, in many ways, wasn’t that different from my own debut novel...I was pissed because I knew the same committee would never even consider a 'chica lit' book for the prize, no matter how well written, because my writing did not adhere enough to the 'downtrodden immigrant' paradigm so beloved by white liberals." I liked the way she challenged tastes, I liked her style, and I loved that she is from New Mexico.
This book, as she explains in a note in the beginning, is sort of self-published, and is the original version of a YA book that she sold to the highest bidder and was completely reworked, maybe ruined, in the editing process. I haven't read the reworked version and I probably won't. I bought this book as a special treat to myself, and I made it a few pages in at first, but just felt like it was missing an editor; the details meant to reveal character were too hackneyed; the style was a bit canned. I put it aside for a few weeks, but once I picked it up again, I barely put it down.
Yes, the beginning is a little rough. Yes, it's outside my normal genre, even for YA. I still thought it was super cool and really fun. It made me hungry for Dion's pizza (even though I never really got what the fuss was about when I lived in Albuquerque).
I felt it captured New Mexico in a fundamental sort of way. There were the normal, social references, like the characteristics of neighborhoods, the aforementioned Dion's after a dance competition, but also deeper characteristics that wove themselves deeply into the story, like how much more fun it is to drive along Route 14 than to take I-25 up to Santa Fe. The Mexican-influenced folklore is the main backbone of the story, making The Temptation of Demetrio Vigil a story that couldn't take place anywhere else. It's one of the most place-specific books I have ever read. Most of what I love about being in New Mexico is that feeling of its ancientness, feeling connected to all the spiritual people who have been there before you, and this book captures that within a plot-focused, fast-moving story.
I liked how there never seemed to be a wasted character or a wasted plot element. Most everything mentioned has its place in the story somehow, and part of the fun as a reader was wondering how some detail would fit in later. It's a romance story and a ghost story, but also hinges a lot on the struggles between good and evil and the path to truth, which is definitely cool for a YA book.
Even though this book would not be something I would ordinarily seek out, I felt like I was in some way its perfect reader. I appreciated the spirituality tied into science and folklore, the gorgeous homage to New Mexico, the strong Latina lead. I'm glad I had the chance to read this.