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232 pages, Hardcover
Published October 1, 2025
There is something beautiful in the way parents give more than they seem capable of, responding to the immediate reality of the baby's need and hoping to be met by the compassionate care of others. It reminds me of how musician Brian Eno responds to the expressive power of distortion and noise in music. As he sees it, most new musical media are marked by their limitations ("CD distortion, the jitteriness of digital video, the crap sound of 8-bit"), which gradually become familiar and beloved. The flaws of the early form even wind up replicated in higher-fidelity media where they could be avoided. He thinks these sounds of strain hold power not just because of nostalgia but because they represent a kind of wild, passionate hope.
"It's the sound of failure: so much of modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them."
Our full-hearted love is almost always too much for our bodies to carry alone. [...] I ask to change, to become bigger or more permeable, so that I may grow into being able to bear the burden of love.