Simón López Trujillo’s “mind-blowing” (Gabriela Cabezón Cámara) debut takes readers into a dry and degraded, fire-prone landscape where humanity has encroached a step too far into the natural world, and a deadly fungus mounts its own resistance . . .
In the disorienting, devastatingly tense world of López Trujillo, a eucalyptus farm worker named Pedro starts coughing. Several of his coworkers die of a strange fungal disease, which has jumped to humans for the first time, but Pedro, miraculously, awakes. His survival fascinates a foreign mycologist, as well as a local priest, who dubs his mysterious mutterings to be the words of a prophet. Meanwhile Pedro's kids are left to fend for themselves: the young Cata, whose creepy art projects are getting harder and harder to decipher, and Patricio, who wasn't ready to be thrust into the role of father. Their competing efforts to reckon with Pedro’s condition eventually meet in a horrifying climax that readers will never forget.
For readers of Jeff Vandermeer and Samanta Schweblin, López Trujillo is a next-generation Bolaño with a fresh, speculative edge and a mind that's always one step ahead of us.
“There are things we carry inside us that no one else can see, and they grow quietly until they become everything.”
Okay, this one… wow. This book completely crawled under my skin in the best (and slightly unsettling) way.
Pedro the Vast, translated by Robin Myers, feels like stepping into something you don’t fully understand, but can’t look away from. It’s eerie, philosophical, and quietly intense, like it’s asking you questions you didn’t realise you were avoiding. The writing is hypnotic (truly, that word gets thrown around a lot but it fits here), and there’s this constant sense of unease that lingers the whole time.
It’s not a fast paced, plot heavy read, it’s more about atmosphere and ideas. You kind of drift through it, piecing things together, and then suddenly you’re like… wait… what just happened to me?
What I loved most is how it doesn’t spoon feed you anything. It trusts you to sit in the discomfort, to interpret, to feel. I finished it with that slightly haunted, contemplative feeling that only certain books manage to leave behind.
If you like your reads a little strange, a little existential, and beautifully written, this is absolutely one to pick up.
I Highly Recommend
Thank you Scribe Publications for my early readers copy.
Simón López Trujillo's debut novel, “Pedro the Vast,” presents an intense and atmospheric narrative that merges eco-horror, speculative fiction, and sharp social commentary. The work is set in rural Chile, centering on the themes of corporate exploitation and a rapidly accelerating climatic shift.
The plot revolves around Pedro, a worker at a Curanilahue eucalyptus farm. He awakens from a coma after four of his colleagues die from a mysterious fungal disease, believed to be Cryptococcus gatti, which has jumped to humans. Pedro's post-coma recovery is marked by enigmatic pronouncements. Local priest Balthazar interprets these mutterings as prophecy, compiles them into The Compendium of Pedro the Vast, and subsequently sees Pedro hailed as "a miraculous Christ."
The story is structured around three key narratives. One follows the transformation of Pedro, beginning with him as a victim of a disease and continuing with him as a prophet. A second storyline is provided by Giovanna Oddo, the mycologist, who is called in to study the lethal mushroom, revealing the remarkable intelligence of the species. The third plot thread focuses on Pedro's two abandoned children and how they cope with the events.
The book delves into the complex interplay between human structures—specifically religion, family, and commerce—and the natural environment, focusing on the pervasive eucalyptus monoculture and various fungi. Through this sharp contrast, the narrative ultimately examines humanity's environmental footprint and the profound, fungi-like interconnectedness that binds people, events, and the planet itself.
“If a mushroom were to colonize a human brain, would it think the same things as we do?”
The narrative style uses scientific language, often reinforced with footnotes, to lend realism to the fantastical elements. In addition to these fantastic aspects, the story critiques real-world problems in Chile, including the inherent instability of life in the provinces and the exploitation of forestry resources.
Simón López Trujillo showcases commendable imagination and creativity. "Pedro the Vast" is a challenging but ultimately rewarding read that compels readers to confront humanity’s treatment of the earth. I particularly valued the eco-horror motif, which centers on the environment retaliating against its abuse. However, the narrative could sometimes be confusing. Furthermore, a more comprehensive development of Giovanna’s character arc would have strengthened the story.
Thank you to Algonquin Books and NetGalley for providing an advance reader copy in exchange for an honest review. #PedroTheVast #NetGalley
Me alegra mucho que novelas como esta, dígase ficciones propiamente tal, vuelvan a tener el espacio que se merecen. Me entretuve mucho durante la lectura, creo que el comentario cultural es acertado y las imágenes bonitas. También la sentí muy comercial, lo que es un piropo, en realidad. Sí me quedé con gusto a poco: la novela construyó un mundo muy interesante que no alcanzó a abarcar en su breve extensión. Una pena, pero así son las cosas.
Un gran debut en narrativa. Dos capítulos divididos justo cuando se desenfunda el secreto de la novela. Escrito a buen pulso, con cuidada y rica prosa. Utiliza un lenguaje científico para construir la verosimilitud de lo fantástico, se apoya en notas al pie que se vuelven cada vez más extensas, como si la omnisciente se desdoblara. Mucha metáfora con los árboles, mucha presencia de la flora y lo fungi. Hay caramelos de eucalipto, collares de coquito de eucalipto, té de eucalipto, vapor pal resfrío de eucalipto. Ese detalle me recordó un pelín a Paltarrealismo, de Cristóbal Gaete. Critica a las forestales en Wallmapu, sin necesariamente narrar desde la mapuchada. Bellas las descripciones de la conciencia de las plantas que se toman las manos debajo de la tierra. Gracias a Francisca Palma, que me prestó este libro cuando le conté que ando inventando realismo mágico en el sur.
La verdad? Prefiero jugar de nuevo a the last of us o mirar la serie. Una falta de originalidad que encima, para mi gusto, esta mal ejecutada. Idea trillada, trama desordenada, y una acumulacion de comparaciones totalmente al pedo. Una desilucion...
Somewhat interesting ideas about symbiotic mycological relationships, profit-driven ag-corporations, and climate change thrown together in a blender with the result being a chaotic jumble of narratives that never cohere into anything interesting or meaningful. I floated above the story, trying at so many points to dive in, to break into the book and feel immersed in the weirdness, to let the different elements wash over me, but I was blocked at every turn. There's such a distance from the characters that I never cared one way or the other what was happening to them. Trujillo is ambitious in his storytelling, but in my view the execution does a disservice to the plot and ideas he's trying to explore.
I never came to understand what the addition of footnotes added to the story, the information given there often ended up being information that should have just been incorporated into the main story or entirely extraneous. The worst offender being an overly long footnote in the second to last paragraph of the book inserted right in the middle of the climax. I struggled with the pacing without the footnotes, but their addition only added to my sluggish reading of these mere 140 pages.
There's a lot of potential and creativity here and I'd try Trujillo's next book, but I unfortunately found my experience with this endeavor to be tedious and unrewarding.
I read this book cover to cover in my antilibrary while snowmageddon 2026 continues to whollop us. Even though it's the wrong time of year for fungus to live 'amongus', it was a great excuse to sit in one place and just read... without any guilt.
Pedro the Vast follows three groups of people that are intimately connected to a forest worker who becomes infected by mushroom spores and survives, or appears to survive, because it's kind of hard to tell how much of Pedro is actually still in there... There's a religious group that basically kidnaps him once he awakens from his coma and treat him like a prophet, his son and daughter who are learning to deal with his absence, and a mycologist who is briefly called upon to consult on Pedro's case and its potential for additional contamination.
Trujillo’s writing has such softness to it, a musicality and a melancholy that feels distinctly, beautifully Spanish. The prose stays tender and attentive, lingering on small gestures, quiet moments, and the natural world with a reverence that makes the whole novel feel alive.
As the three storylines work together, the novel becomes less about the horror of Pedro’s infection and more about the ways life insists on continuing, reshaping itself, adapting, pushing forward. It’s quiet, contemplative eco‑fiction with a speculative shimmer, and it will have me thinking about the resilience of living things long after I move on from this book.
Mycohorror for the Anthropocene. Or, rather, the Plantationocene. A short novel well worth your time—whether you’ve heard of Donna J. Haraway or not, but are aware of the wholesale environmental destruction all around us. I only wish it were longer, with a bit more fungal meat, so to speak. The fungal–human symbiont and its quasi-religious discourse are absolutely fascinating.
South America does it again with Chilean author Lopez Trujillo and this slim novel of weird climate fiction, exploitative and corrupt agro-corporations, and adaptive mushrooms. As soon as I finished the book, I wanted to read it again. It's strange, sometimes hallucinatory, and I felt as if I were an observer peering in until the cataclysmic ending, and then I needed to go back and capture it all once more.
Very strange, because for the first 3/4 of the book, I wasn't sure I was understanding what was going on, and thus, I wasn't sure that I liked the novel. Until, of course, everything came together at the end. Well done, and kudos to the author!
My thanks to Netgalley, the pub and author for an early chance to read this book. My opinions are my own.
Marqué varias cosas para investigar de este libro, sé poco y nada sobre el mundo fungi y el 'idioma chileno'🤭
Me gustó más la segunda que la primera parte pues, fan del drama. Dejando eso de lado, esta distopía plantea un tema interesante del que no he visto mucho. Me gustó esa mezcla entre realismo mágico y ciencia ficción.
Se nos plantean dos líneas narrativas principales, la que sigue a Pedro y sus hijos, y la de Giovanna y su pareja. Ambas muy distintas, pero se terminan uniendo por algo que sucede y que deberían descubrir por sí mismos, es lo más loco de esta historia👀
Lectura Conjunta de Club La Delicia de @holadelibooks Pendiente desde: septiembre 2023.
Weird lit meets spore horror. At the beginning I didn’t understand enough of what was going on to appreciate the flow elements. At the end it all came together and I wanted more of the novella and more of the sermon. It’s the kind of thing you want to read twice because you didn’t fully appreciate what you were reading until the second half. I wished it was longer!
Great for fans of weird lit (which I am). But if you need everything in a plot to make sense right away, the first half of the novella may challenge your brain.
Thank you to NetGalley and the publisher, all opinions are my own.
Sobre empresas madereras, hongos, trabajadores y cultos religiosos, esta novela de López Trujillo se mueve con una prosa poética bien ágil que va dando cuenta de la complejidad de sus personajes. Aprovecha muy bien la plasticidad de la novela para incluir hartos registros y eso lo valoro un montón porque tenían sentido dentro del libro.
Me gustó mucho la novela, harto, pero creo que al personaje de la micóloga le hubiera dado más fuerza, creo que su parte quedó coja.
Muy recomendado para leer algo de las nuevas generaciones de las letras chilenas 🪵.
This feels like bits and pieces from a novel/novella rather than something coherent and fully realized. It very much reads like a rough draft filled with a bunch of freeform interconnected short stories.
I like The Last of Us-esque fungus human infection idea, but at halfway through the book, it feels like a very prolonged setup instead of an actual story. The POVs are supposed to be emotional, but it feels too detached.
Thank you to Algonquin Books and NetGalley for this arc.
Disfruté mucho esta lectura, me pareció sobre todo un libro inteligente, no en el sentido de hacerte sentir tonta como lectora, si no que lleno de ideas en torno al lenguaje y la trama. Entra en una mirada vegetal/fungí muy curiosa. Usa varios temas potentes sin ser panfletario, pero me hubiera gustado un poco más de desarrollo hacia el final, más páginas, que fuera un tanto más largo.
For the seriously weird mushroom girls. Like Fever Dream with a dash of Our Share of Night and so much fungus and lichen. Delicious writing. Satisfying.
Lo consiglio a chi vuole un romanzo dalla costruzione fuori dall'ordinario, dalle atmosfere weird, grottesche, con una trama e uno svolgimento molto particolari e originali. Sicuramente un lavoro interessante di un autore che va tenuto d'occhio.
Ne capisco l'intento e le potenzialità, purtroppo però non l'ho trovato proprio un genere di libro in grado di catturarmi. Ma è puramente una questione soggettiva in questo caso.
Cada escritora o escritor tiene una primera novela. Puede ser la única o ser una entre tantas pero lo que distingue a esa obra —la primera— de las demás es precisamente esa singularidad que solo sucede una vez para cada autora o autor. Para Simón esa primera novela es “El vasto territorio” y las palabras se quedan cortas…
“El vasto territorio” —merecidamente galardonado con el Premio Municipal de Literatura de Santiago— es una novela que habita en el terreno de lo distópico pero se desmarca de las temáticas habituales que aborda este tipo de literatura y se decanta por una historia donde un hongo amenaza con provocar un desastre ecológico en el sur de Chile.
Ustedes se estarán preguntando ¿qué tiene esto de original? Es legítimo hacerse la pregunta: tanto el cine y los videojuegos —“The Last of us”— como la literatura —“Melanie. The Girl With All the Gifts”— ya han incursionado en el tema de los hongos como amenaza biológica pero Simon nos ofrece una mirada diferente. Después de todo, un buen escritor o escritora se nutre de lo que ya hay para crear algo nuevo, diferente.
El valor de esta novela reside en la capacidad de Simon para traer algo nuevo a la escena literaria. “El vasto territorio” tiene apenas algunas notas distópicas, porque a su autor no le interesa ahondar en las infinitas posibilidades que le otorga la ciencia ficción, sino muy por el contrario, hurgar en conflictos vigentes en Chile —la explotación forestal, la precariedad de los pueblos de provincia, el conflicto mapuche— y explorar las emociones humanas a través de Pedro que trabaja en una forestal en Curanilahue, Patricio y Catalina —hijos de Pedro— y Giovanna, una doctora en micología.
Un gran debut para este autor y una forma diferente de aproximarse a la ciencia ficción. Lo que ha hecho Simón, en definitiva, es escribir una buenísima primera novela y ofrecer algo nuevo al género distópico.
Sinceramente lo disfrute, no lo puedo negar. Pero el final fue una total decepción, esperaba algo mucho más creíble dentro de una ficción que pudo haber sido totalmente fascinante, pero que a final de cuentas, fue bastante plana. Destacó lo versado que es Simón, el autor. Siento que en su mente albergan conocimientos sobre diversos temas e índoles. También, muy bien escrito, daba mucho gusto leerlo. 3.5
Una historia que pudo ser mucho mejor si tuviese las ideas más claras. Durante la primera parte no hay mucho que decir más que elementos repartidos que no parecen llegar a ningún lugar. Sin embargo, el final de este libro hace que retome el interés y demuestre que en el fondo si es un buen relato, solo que no tan bien ejecutado.
A mysterious illness of a worker who cuts down trees mystifies a scientist and medical workers and kicks off an odd chain of events.
I don't mind my horror a little mysterious and gross. I liked learning about the job site and workers, the tree cutting and various job descriptions. I liked how fast the story was, the science that was added and the way the story told us about mushrooms, other various parasites that use hosts, and the kids left to wonder what was going on.
But the animal violence (especially house pets) was terrible. It was shocking each time it was popped up and I was left wondering how it added to the story. It ramped up the horrors of life and people, sure, but we already know those.
Otherwise, this was an interesting, quick read.
A huge thank you to the author and publisher for providing an e-ARC via Netgalley. This does not affect my opinion regarding the book.
Pedro è un taglialegna abituato a sostenere le dure prove che la vita gli mette puntualmente davanti. In Cile vive e lavora con la sua famiglia che lo affianca in tutto. La fatica è tanta ma lo spirito di sopravvivenza lo è di più.
Ha un animo sensibile che lo porta ad interrogarsi su questioni esistenziali, ma anche sulla natura.
Dopo un’esperienza traumatica di tipo onirico vedrà le cose con occhi diversi, più critici e con maggiore attenzione all’ambiente.
Un libro particolare che attraverso un evento “surreale” spinge il lettore ad interrogarsi sull’effetto del disboscamento e sulle conseguenze della crisi ecologica.
Un epilogo triste che lascia punti interrogativi. E l’immagine di Patricio e Catalina resta impressa negli occhi, spingendo il lettore a delle riflessioni.
Exactly up my alley. Beautifully written, stream-of-concious-like, while still being intentional and impactful. The exploration of death, destruction, and ecological and interpersonal connection. Fungi.
This book seems to be advertised as speculative fic/thriller but to me reads from a much more literary angle.
Short enough where I think it could and should warrant another read from me.
It was intriguing at first, but the book keeps you as such a distance from the narrative and it's characters that I really really struggled to care. The footnotes added nothing apart from making the whole thing feel even more clunky. We've got to stop comparing books to Jeff Vandermeer purely because they have spores in. I'm so glad it was only 130 pages.
Como dicen los españoles, este libro es “una pasada”. Se lee con tanta soltura y, sin embargo, es una historia intensa que deja espacio a todos los personajes para desarrollar sus arcos. Muy recomendable.
Esta nouvelle, entre una indescifrable y ligerísima mistura de ciencia ficción y fantasía, reta al lector con sus palabras. Y es que sus voces son palabras habladas en un interesante español de Chile. Esta oralidad, junto a una descripción sensacional, juega con los personajes para contagiar al lector del mismo hongo de este artefacto literario.