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Notebook Magazine #6
Notebook 6: In the Moment of Match-Strike
--no ISBN--
Ah, to be young! Issue 6 is dedicated to different expressions of youth in cinema, a time of surprise, invention, rebellion, and hope for the future. In a cross-generational feature, a group of parents curate a short film program and share the reactions (and drawings) of their own children. Plunging bravely into the madcap “microcinematic” world of videos found across TikTok, YouTube, and Instagram feeds, filmmaker Nikita Lavretski provides a critical guide to one day’s intense viewing; in another artist contribution, Fox Maxy handwrites an inspiring letter to her younger self. Other features include academic Christopher Holliday on digital de-aging, visual artist Jonas Staal on product placement’s childhood targets, critic Philippa Snow on teenage fascination with visual extremity, and writer Adam Wray on bootleg movie merchandise. In a roundtable feature, the makers and voices of the animated series Daria tell Claire Marie Healy how they channeled teenage disaffection, and participants and teachers share photographs and memories from New York’s impactful Young Filmaker’s Foundation. Writer and director Durga Chew-Bose pinpoints cinematic moments that evoke a timeless childhood, and a selection of poems by avant-gardist Shūji Terayama, written when he was a young adult in mid-century Japan, further attest to the enduring fire of youth. Elsewhere in the magazine, Amalia Ulman and Payal Kapadia continue our multi-issue series “Things a Filmmaker Should Know,” the revelation of rare and restored imagery marks the centennial of Sergei Parajanov’s birth, and an unsung but brilliant special effects pioneer is given his due.
42000 parole; 155 immagini; 128 pagine; ISSN: 2769-7681
Ah, to be young! Issue 6 is dedicated to different expressions of youth in cinema, a time of surprise, invention, rebellion, and hope for the future. In a cross-generational feature, a group of parents curate a short film program and share the reactions (and drawings) of their own children. Plunging bravely into the madcap “microcinematic” world of videos found across TikTok, YouTube, and Instagram feeds, filmmaker Nikita Lavretski provides a critical guide to one day’s intense viewing; in another artist contribution, Fox Maxy handwrites an inspiring letter to her younger self. Other features include academic Christopher Holliday on digital de-aging, visual artist Jonas Staal on product placement’s childhood targets, critic Philippa Snow on teenage fascination with visual extremity, and writer Adam Wray on bootleg movie merchandise. In a roundtable feature, the makers and voices of the animated series Daria tell Claire Marie Healy how they channeled teenage disaffection, and participants and teachers share photographs and memories from New York’s impactful Young Filmaker’s Foundation. Writer and director Durga Chew-Bose pinpoints cinematic moments that evoke a timeless childhood, and a selection of poems by avant-gardist Shūji Terayama, written when he was a young adult in mid-century Japan, further attest to the enduring fire of youth. Elsewhere in the magazine, Amalia Ulman and Payal Kapadia continue our multi-issue series “Things a Filmmaker Should Know,” the revelation of rare and restored imagery marks the centennial of Sergei Parajanov’s birth, and an unsung but brilliant special effects pioneer is given his due.
42000 parole; 155 immagini; 128 pagine; ISSN: 2769-7681
128 pages, Paperback
Published January 1, 2025
1 person is currently reading
13 people want to read
About the author
Mubi
8 books17 followersMU•BI [mōō'bē] Adjective, verb, noun.
1. An online movie theater where you watch, discover, and discuss auteur cinema
2. A city in Nigeria
Five things that were on our minds when we first dreamt up MUBI in the early 2000’s:
1. Why can’t you watch In the Mood for Love in a café in Tokyo?
2. Why is it so hard to meet people who share the same love for Antonioni?
3. Wouldn’t it be great to instantly send Tati’s Playtime to a friend if you think they needed it? (There’s nothing like film therapy!) Why do films on the Internet just look awful (circa 2000’s it was truly bad)?
4. Why do films on the Internet just look awful?
5. Why are we talking as if we were John Cusack in High Fidelity?
And that was that. We simply couldn’t resist the idea of everyone having their own film library… Your own little cinema, anytime, anywhere.
After all, not everyone can make it to the Cannes Film Festival – especially if you are a school teacher or you live in Winnipeg (or both) – but that doesn’t mean you can’t recite all of Kubrick’s films in reverse chronological order, or that you are not desperate to watch the latest Kelly Reichardt film that’s definitely not going to be released in your local multiplex.
And that’s our point: Popular doesn’t always mean good.
MUBI is brimming with visionary films that wouldn’t fill a single cinema in Belgium for a week – not even a day. But if you searched the world (all of it), you might just find an audience of a thousand for these rare cinematic masterpieces. And we don’t think a thousand people should be ignored just because they happen to live in different time zones or far away from Belgian cinemas. If someone needed to make such a precise film, it means that someone, somewhere needs to watch it. More importantly, that someone might be you. Or Martin Scorsese (he happens to be a member too.) You’ll also find Hollywood favorites, from No Country for Old Men to The Royal Tenenbaums, or even The Substance. At the end of the day, it doesn’t matter where films come from, as long as they come from someone’s mind.
MUBI is not just about discovering wonderful new cinema or classic masterpieces. It’s also about discussing and sharing these discoveries – which makes us like a small coffee shop... a place where you can gather and talk about alternative endings, directors’ cuts, and whatever those frogs in Magnolia meant. Heated debates and passionate arguments are welcome.
Are you in the mood for cinema? Welcome to MUBI.
P.S. By the way, we’ve worked hard on the quality of the streaming and we are very proud of it... just wanted to let you know...
What is MUBI
A streaming service? A curator? A publisher? A distributor? A cinema lover? Yes.
Now Showing on MUBI
A place to discover ambitious films by visionary filmmakers. From iconic directors to emerging auteurs. All carefully chosen by our curators.
MUBI Releases
We believe cinema should be viewed on screens of all shapes and sizes. Our curators scour film festivals for the most exciting and original new films, which we bring to the big screen with the same care and attention we give to our curated platform.
Collections
Our hand-picked line-up includes double features, filmmaker retrospectives, spotlights on major film festivals and more.
Notebook
Go deeper into the world of contemporary and classic cinema with Notebook.
The latest news, interviews and criticism.
Community
Rate, review, discuss and you’ll find out very quickly you’re part of a global community of people who love cinema as much as you do.
1. An online movie theater where you watch, discover, and discuss auteur cinema
2. A city in Nigeria
Five things that were on our minds when we first dreamt up MUBI in the early 2000’s:
1. Why can’t you watch In the Mood for Love in a café in Tokyo?
2. Why is it so hard to meet people who share the same love for Antonioni?
3. Wouldn’t it be great to instantly send Tati’s Playtime to a friend if you think they needed it? (There’s nothing like film therapy!) Why do films on the Internet just look awful (circa 2000’s it was truly bad)?
4. Why do films on the Internet just look awful?
5. Why are we talking as if we were John Cusack in High Fidelity?
And that was that. We simply couldn’t resist the idea of everyone having their own film library… Your own little cinema, anytime, anywhere.
After all, not everyone can make it to the Cannes Film Festival – especially if you are a school teacher or you live in Winnipeg (or both) – but that doesn’t mean you can’t recite all of Kubrick’s films in reverse chronological order, or that you are not desperate to watch the latest Kelly Reichardt film that’s definitely not going to be released in your local multiplex.
And that’s our point: Popular doesn’t always mean good.
MUBI is brimming with visionary films that wouldn’t fill a single cinema in Belgium for a week – not even a day. But if you searched the world (all of it), you might just find an audience of a thousand for these rare cinematic masterpieces. And we don’t think a thousand people should be ignored just because they happen to live in different time zones or far away from Belgian cinemas. If someone needed to make such a precise film, it means that someone, somewhere needs to watch it. More importantly, that someone might be you. Or Martin Scorsese (he happens to be a member too.) You’ll also find Hollywood favorites, from No Country for Old Men to The Royal Tenenbaums, or even The Substance. At the end of the day, it doesn’t matter where films come from, as long as they come from someone’s mind.
MUBI is not just about discovering wonderful new cinema or classic masterpieces. It’s also about discussing and sharing these discoveries – which makes us like a small coffee shop... a place where you can gather and talk about alternative endings, directors’ cuts, and whatever those frogs in Magnolia meant. Heated debates and passionate arguments are welcome.
Are you in the mood for cinema? Welcome to MUBI.
P.S. By the way, we’ve worked hard on the quality of the streaming and we are very proud of it... just wanted to let you know...
What is MUBI
A streaming service? A curator? A publisher? A distributor? A cinema lover? Yes.
Now Showing on MUBI
A place to discover ambitious films by visionary filmmakers. From iconic directors to emerging auteurs. All carefully chosen by our curators.
MUBI Releases
We believe cinema should be viewed on screens of all shapes and sizes. Our curators scour film festivals for the most exciting and original new films, which we bring to the big screen with the same care and attention we give to our curated platform.
Collections
Our hand-picked line-up includes double features, filmmaker retrospectives, spotlights on major film festivals and more.
Notebook
Go deeper into the world of contemporary and classic cinema with Notebook.
The latest news, interviews and criticism.
Community
Rate, review, discuss and you’ll find out very quickly you’re part of a global community of people who love cinema as much as you do.
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