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Utterly Lazy and Inattentive: Martin Parr in Words and Pictures
One of the most popular photographers on the planet recounts his life and art
When Martin Parr was fourteen, his teacher wrote that he was ‘utterly lazy and inattentive’ in a school report. He went on to become one of the most successful and sought-after photographers in the world. Martin has published over one hundred photobooks on many different subjects, from seaside resorts to smoking, over his career. Now, for the first and only time, Martin has produced a book about himself, telling his own story, in his own words.
This autobiography combines over 150 of Martin’s photographs – from his earliest snapshots to the work he is doing today – with his recollections and reflections on each image. We meet a boy growing up in suburbia, who collects obsessively and notices everything. We see him exploding into the public consciousness in the late eighties with a series of startling, ultra-saturated colour images of the British seaside – and scandalising the photography establishment in the process. We see society changing over the decades, from the demise of steam trains, through the opening of the first McDonald’s in Moscow, to the transformations of the post-pandemic world.
As Martin shares his story, his distinctive voice delicately captured by his friend, the writer Wendy Jones, he also reveals his approach to work and commissions; his tricks for gaining access and getting the shot; and he divulges his particular for crowds and queues, fetes and placards, bad weather on beaches, and more.
This is the definitive account of a great photographer’s career, curating the work that has defined his life. By looking at the world through his eyes and his lens, we come away seeing Martin Parr – and ourselves – a little differently.
When Martin Parr was fourteen, his teacher wrote that he was ‘utterly lazy and inattentive’ in a school report. He went on to become one of the most successful and sought-after photographers in the world. Martin has published over one hundred photobooks on many different subjects, from seaside resorts to smoking, over his career. Now, for the first and only time, Martin has produced a book about himself, telling his own story, in his own words.
This autobiography combines over 150 of Martin’s photographs – from his earliest snapshots to the work he is doing today – with his recollections and reflections on each image. We meet a boy growing up in suburbia, who collects obsessively and notices everything. We see him exploding into the public consciousness in the late eighties with a series of startling, ultra-saturated colour images of the British seaside – and scandalising the photography establishment in the process. We see society changing over the decades, from the demise of steam trains, through the opening of the first McDonald’s in Moscow, to the transformations of the post-pandemic world.
As Martin shares his story, his distinctive voice delicately captured by his friend, the writer Wendy Jones, he also reveals his approach to work and commissions; his tricks for gaining access and getting the shot; and he divulges his particular for crowds and queues, fetes and placards, bad weather on beaches, and more.
This is the definitive account of a great photographer’s career, curating the work that has defined his life. By looking at the world through his eyes and his lens, we come away seeing Martin Parr – and ourselves – a little differently.
- GenresPhotographyNonfiction
303 pages, Kindle Edition
Published September 4, 2025
8 people are currently reading
94 people want to read
About the author
Martin Parr
195 books63 followersMartin Parr was born in Epsom, Surrey, UK in 1952. When he was a boy, his budding interest in the medium of photography was encouraged by his grandfather George Parr, himself a keen amateur photographer.
Parr studied photography at Manchester Polytechnic, from 1970-1973. Since that time, Martin Parr has worked on numerous photographic projects. He has developed an international reputation for his innovative imagery, his oblique approach to social documentary, and his input to photographic culture within the UK and abroad.
In 1994 he became a full member of Magnum Photographic Corporation. In recent years, he has developed an interest in filmmaking, and has started to use his photography within different conventions, such as fashion and advertising.
In 2002 the Barbican Art Gallery and the National Media Museum initiated a large retrospective of Parr's work. This show toured Europe for the next 5 years.
Parr was appointed Professor of Photography in 2004 at The University of Wales Newport campus. He was Guest Artistic Director for Rencontres D'Arles in 2004. In 2006 he was awarded the Erich Salomon Prize and the resulting Assorted Cocktail show opened at Photokina. In 2008 he was guest curator at the New York Photo Festival, curating the New Typologies exhibition. At PhotoEspana, 2008, he won the Baume et Mercier award in recognition of his professional career and contributions to contemporary photography.
Parr studied photography at Manchester Polytechnic, from 1970-1973. Since that time, Martin Parr has worked on numerous photographic projects. He has developed an international reputation for his innovative imagery, his oblique approach to social documentary, and his input to photographic culture within the UK and abroad.
In 1994 he became a full member of Magnum Photographic Corporation. In recent years, he has developed an interest in filmmaking, and has started to use his photography within different conventions, such as fashion and advertising.
In 2002 the Barbican Art Gallery and the National Media Museum initiated a large retrospective of Parr's work. This show toured Europe for the next 5 years.
Parr was appointed Professor of Photography in 2004 at The University of Wales Newport campus. He was Guest Artistic Director for Rencontres D'Arles in 2004. In 2006 he was awarded the Erich Salomon Prize and the resulting Assorted Cocktail show opened at Photokina. In 2008 he was guest curator at the New York Photo Festival, curating the New Typologies exhibition. At PhotoEspana, 2008, he won the Baume et Mercier award in recognition of his professional career and contributions to contemporary photography.
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Displaying 1 - 7 of 7 reviews
July 27, 2025
Very funny + iconic pictures
October 12, 2025
A delight from start to finish. I'm not sure there are many insights into the psyche of Parr (I guess he'd tell us to look at his photos for that). It does feel like having the photographer chatting with you while you have a cup of tea and browse through some of his work.
November 26, 2025
Excellent and inspiring - an essential collection for anyone interested in photography.
December 29, 2025
(Not Kindle)
Martin Parr died whilst I had this on reserve from the library. It's clear how much he loved the title - his big riposte to the teacher who wrote that in his school report, the rest of his life paying testament to its very specific inaccuracy. The book starts wry and continues such, as perhaps do the photos.
This isn't the first Wendy Jones facilitated auto-ish biography of an artist... and she's good. The mechanism which she came up with to 'unlock' him was, so obviously really, to get him looking through and choosing photographs and talking about them. I have the impression it works really well as a way of bringing in aspects of his life with a light touch rather than them being included in a dull and dutiful way and you can see what does and doesn't interest him.
I do think it is interesting how there is so very little about the teaching work he did and how he felt about it - being academic staff in a Scandinavian university for example. Given his school experience, and perhaps to some extent his higher education experience as a student, it would have been interesting to have his reflections on being on 'the other side' He does make it clear that the family often relied largely on the income from his wife's speech therapy career.
Martin Parr died whilst I had this on reserve from the library. It's clear how much he loved the title - his big riposte to the teacher who wrote that in his school report, the rest of his life paying testament to its very specific inaccuracy. The book starts wry and continues such, as perhaps do the photos.
This isn't the first Wendy Jones facilitated auto-ish biography of an artist... and she's good. The mechanism which she came up with to 'unlock' him was, so obviously really, to get him looking through and choosing photographs and talking about them. I have the impression it works really well as a way of bringing in aspects of his life with a light touch rather than them being included in a dull and dutiful way and you can see what does and doesn't interest him.
I do think it is interesting how there is so very little about the teaching work he did and how he felt about it - being academic staff in a Scandinavian university for example. Given his school experience, and perhaps to some extent his higher education experience as a student, it would have been interesting to have his reflections on being on 'the other side' He does make it clear that the family often relied largely on the income from his wife's speech therapy career.
November 5, 2025
As Parr himself states, it makes sense for an (auto)biographical account of his life to be based around a selection of photographs. The author/photographer comes across as quite down to earth and refreshingly clear and matter of fact about his work - photography suffers from a lot of really bad pseudish writing which tries to elevate crap photos with flowery figurative language - but there’s none of that here, thank goodness.
Parr obviously enjoys the social aspect of his art and there’s elements of imposter syndrome in his confessions, which makes this a satisfying read in that the subject is easy to like.
Parr obviously enjoys the social aspect of his art and there’s elements of imposter syndrome in his confessions, which makes this a satisfying read in that the subject is easy to like.
December 26, 2025
It’s called a biography but it’s mainly a chronological selection of photos with Martin Parr’s commentary. Beautifully laid out on heavy paper with text and pic facing each other, it’s a kind of Greatest Hits. He called himself a promiscuous photographer and he is like a magpie. He is detached like any photographer but his pics seem like shy affection rather than mockery. Perhaps they coexist, tenderly, despite the hyper-real sheen of the flashlit super saturated colour. Bit like Alan Bennett.,
December 7, 2025
Qué bien lo pasé viéndolo/leyéndolo. Personal y jocoso. Una pequeña muestra de una vida extraordinaria. Ideal para los fans acérrimos de Parr como yo.
Displaying 1 - 7 of 7 reviews