The Beach

by Cesare Pavese, Ben Sharafski (translator)

Doro, now married and living in Genoa, hasn't seen his old friend — an unmarried high school teacher in his thirties — for far too long. Eager to rekindle their friendship, they decide to spend the summer holidays together in a small village on the Italian Riviera. They are joined by Doro's wife, Clelia, a captivating and unpredictable woman — perhaps too much so for their marriage to endure.
What unfolds is a wry comedy of manners, filled with vignettes of life at a seaside resort. Light and airy on the surface, the novella gradually reveals its deeper insights, sneaking up on the reader with the subtlety of an ambush.

"There can be no excuse for not reading Pavese, one of the few essential novelists of the mid-twentieth century." — Susan Sontag

"Pavese's short novels constitute the densest, most dramatic and homogeneous narrative cycle of modern Italy... above all they are works of extraordinary depth, in which one never ceases to discover new levels, new meanings." — Italo Calvino

110 pages, Paperback

Published March 15, 2025

About the author

Cesare Pavese was born in a small town in which his father, an official, owned property. He attended school and later, university, in Turin. Denied an outlet for his creative powers by Fascist control of literature, Pavese translated many 20th-century American writers in the 1930s and '40s: Sherwood Anderson, Gertrude Stein, John Steinbeck, John Dos Passos, Ernest Hemingway, and William Faulkner; a 19th-century writer who influenced him profoundly, Herman Melville (one of his first translations was of Moby Dick); and the Irish novelist James Joyce. He also published criticism, posthumously collected in La letteratura americana e altri saggi (1951; American Literature, Essays and Opinions, 1970).
A founder and, until his death, an editor of the publishing house of Einaudi, Pavese also edited the anti-Fascist review La Cultura. His work led to his arrest and imprisonment by the government in 1935, an experience later recalled in “Il carcere” (published in Prima che il gallo canti, 1949; in The Political Prisoner, 1955) and the novella Il compagno (1947; The Comrade, 1959). His first volume of lyric poetry, Lavorare stanca (1936; Hard Labour, 1976), followed his release from prison. An initial novella, Paesi tuoi (1941; The Harvesters, 1961), recalled, as many of his works do, the sacred places of childhood. Between 1943 and 1945 he lived with partisans of the anti-Fascist Resistance in the hills of Piedmont.
The bulk of Pavese's work, mostly short stories and novellas, appeared between the end of the war and his death. Partly through the influence of Melville, Pavese became preoccupied with myth, symbol, and archetype. One of his most striking books is Dialoghi con Leucò (1947; Dialogues with Leucò, 1965), poetically written conversations about the human condition. The novel considered his best, La luna e i falò (1950; The Moon and the Bonfires, 1950), is a bleak, yet compassionate story of a hero who tries to find himself by visiting the place in which he grew up. Several other works are notable, especially La bella estate (1949; in The Political Prisoner, 1955).
Shortly after receiving the Strega Prize for it, Pavese took his own life in his hotel room by taking an overdose of pills.