Blade Runner 2019: The Complete Series Omnibus

by Michael Green, Mike Johnson, Andres Guinaldo (illustrator)

Genres: Graphic Novels, Comics, Science Fiction, Cyberpunk, Fiction

336 pages, Hardcover

Published September 2, 2025

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Reviews

[Kevin E Dailey · Rating 4.5 out of 5]

Blade Runner 2019: The Complete Omnibus does an exceptional job expanding a beloved cinematic universe without losing the DNA that made the original film a masterpiece. Michael Green and Andres Guinaldo capture the rainy, neon-drenched, dystopian squalor of Los Angeles with absolute precision. The artwork feels lived-in and heavy, perfectly matching Ridley Scott's iconic visual language—down to the oppressive architecture, towering digital billboards, and perpetual gloom that swallows the lower city whole.

What truly elevates the book is its seamless continuity with the 1982 movie. The comic treats the source material with immense reverence, weaving familiar landmarks and figures naturally into the narrative. You get a strong sense of the ecosystem under the shadow of the Tyrell Corporation, featuring the iconic pyramid structure standing as a monument to corporate hubris. Familiar elements like Eldon Tyrell himself and his genetically engineered owl make direct appearances, bridging the gap between the film's background lore and active storytelling. It treats the world not just as a backdrop, but as a living, breathing ecosystem that feels entirely authentic to the movie's timeline.

Beyond the visuals, the core narrative follows Aahna "Ash" Ashina, a veteran LAPD Blade Runner dealing with heavy personal trauma, chronic physical pain, and severe cynicism. Unlike Deckard, Ash is hiding a massive secret: she sympathizes with the Replicants and eventually goes rogue to rescue a powerful, high-ranking industrialist's kidnapped wife and child—both of whom are Replicants—smuggling them toward safety off-world.

This journey transforms the story into a profound exploration of empathy and humanity. The narrative continuously subverts the idea that empathy and a soul are tied strictly to biological DNA, showing that artificial beings are capable of genuine love, loyalty, and self-sacrifice while the powerful humans above them remain cold and hollow. Through Ash's evolution, the book delivers a powerful message about finding redemption through rebellion, proving it is never too late to break free from a corrupt system to reclaim a lost sense of purpose. Ultimately, in the brutal ecosystem of 2019 Los Angeles where everyone is forced into moral compromises, the story serves as a stark reminder that surviving a broken world requires choosing which parts of your humanity you are willing to fight to keep.

An incredible read for any fan of sci-fi or the franchise.

[Jordan Anderson · Rating 4 out of 5]

Blade Runner 2019: The Complete Omnibus stands as a surprisingly strong expansion of the Blade Runner mythos. Written by Michael Green (co-writer of Blade Runner 2049) and Mike Johnson, it feels both faithful to the tone of Ridley Scott’s original vision and bold enough to forge its own path. The story doesn’t just mimic the films — it deepens the world, exploring new corners of Los Angeles through fresh characters and moral questions that feel right at home amid the rain and neon. Green and Johnson craft a narrative that manages to feel original while still steeped in the familiar existential gloom that defines Blade Runner. The artwork by Andres Guinaldo complements the storytelling well, striking a balance between cinematic flair and comic-book dynamism. Guinaldo’s cityscapes shimmer with the glow of holographic ads and polluted light, while his character work captures the loneliness and grit that define the series’ tone. Still, I found myself wishing for something a touch darker and grittier — the world of Blade Runner thrives on grime and shadow, and at times the art feels a bit too clean and digitally smooth. A heavier use of shadow or texture might have pushed it closer to the oppressive noir aesthetic fans love. That said, the collaboration between Green, Johnson, and Guinaldo clearly shows respect and understanding for the source material. The writing is layered, human, and occasionally philosophical — exactly what Blade Runner should be — though it’s not without flaws. A few plot points resolve themselves too neatly, leaning on convenient twists and small deus ex machina moments that undercut some of the tension. These rushed resolutions keep the omnibus from achieving true greatness. Even so, the series remains an engaging and visually appealing journey through a future that feels both alien and eerily familiar. For anyone who’s ever wanted to return to the shadowed streets of Los Angeles 2019, this collection offers a worthy, if slightly imperfect, chance to do so.

[Charlie Moe · Rating 4 out of 5]

That was decent. I enjoyed the characterization of the lead, Ash. She wasn't the most likeable person, but I still cared for her and was excited to see where she'd go next and what would happen to her. I would describe the story as a simplified version of Saga, which I feel worked well enough. There were definitely some odd moments and strange character beats, but on the whole it was enjoyable. The art was solid, in particular the covers. Idk if this is a story I'll revisit a lot, but I am really curious where they take it from here. I would recommend this one, but only if you're really into the Blade Runner universe.

[Shannon Appelcline · Rating 4 out of 5]

A compelling core character and a compelling core story that nicely dovetails into Bladerunner plotlines (albeit, with just a little too much assumption that the reader knows all the backstory). I did feel like the main story dragged 2-3 issues too long, with just a bit too much back-and-forth on Cleo, but there were also some magnficient standalone issues, like the one set out on the maining colony.

Glad to have finally been able to read this. The huge mishmash of Bladerunner comics had confused me before this omnibus finally came out.

[Sean Leonard · Rating 4 out of 5]

Accidentally started this series with the middle chapter and still loved it. Going back and reading 2019 an it’s a wonderful start an perfectly captures the feeling of the films. Just incredible art too, one of the most beautiful sci fi series.

[Alex Matzkeit · Rating 3 out of 5]

The first volume was the best, it lost a little plot-steam in the repeated confrontations from Ramujala forward. Gorgeous art, though, interesting noir characters, and a world that felt very consistent.

[Stephen Rice · Rating 5 out of 5]

The action and scenery is cinematic. I found the character of Ash engrossing. This is well done.