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El cuaderno azul
160 pages, Paperback
Published February 6, 2025
1 person is currently reading
8 people want to read
About the author
Emmanuil Kazakevich
25 books4 followersEmmanuil Genrikhovich Kazakevich (Russian: Эммануи́л Ге́нрихович Казаке́вич, Yiddish: עמנואל קאַזאַקעװיטש; February 24, 1913 – September 22, 1962) was a Soviet author, poet and playwright of Jewish extraction, writing in Russian and Yiddish.
Kazakevich was born at Kremenchuk in Ukraine (then part of Imperial Russia) in 1913 and received training as an engineer at Kharkiv. In the early 1930s he moved to the Jewish autonomous region of Birobidzhan on the Amur River, where he became the chairman of a local kolkhoz and also ran a theatre. During these years he began writing and publishing poems and stories in Yiddish. In 1941 he was in Moscow, taking part in the defence efforts of the capital and later joining the regular Red Army for frontier service. His war service brought him close to some of the major battles of 1943-45 and finally into the battle for Berlin; by this time he had become assistant director of intelligence in one of the armies involved.
After 1945 Kazakevich began writing in Russian, and his debut short story Zvezda ("The Star", 1947, adapted into a film in 1949 (remake - film 2002)) was an instant success and awarded a Stalin Prize for literature. The story describes an army intelligence unit during WW2 and their raid behind enemy lines. It showcases some of his later recurrent traits: the sharp, lyrical evocation of nature, the interest in moral conflicts and ambiguities, often relating to the transition between war and peace, the sense of humour and psychological observation. Many of his later stories are set during or shortly after the Second World War. Kazakevich's 1948 story "Dvoe v stepi" ("Two in the Steppe", adapted into a 1964 film and a 2015 remake "On the Road to Berlin"[1]), was fiercely criticized in the Party press[2] but that did not prevent his next story "Vesna na Odere" ("Spring on the Oder River," 1949) from being awarded a second Stalin Prize.[3] The novella "In the Light of Day" (1960) explores ambiguities of guilt, bravery and memory as a soldier makes a visit to the widow of his fallen friend and unit officer.
During the fifties, Kazakevich reached high positions in the Soviet Association of Writers and was aligned with the efforts of de-Stalinization. He kept picking up potentially sensitive subjects, and during his last years may have been working on a major novel about Lenin during the revolutionary years. The short novel Sinyaya tetrad (The Blue notebook) appeared in 1961; it is set during Lenin's stay on the Karelian isthmus in the summer of 1917 and brings Lenin face to face both with ordinary people and with Grigory Zinovyev, who was still considered a traitor or at best a dubious figure at the time of writing. While Kazakevich, in the end, makes Lenin refute Zinovyev's fears and allegations, there is no attempt to show the latter as an evil or insincere person, which would have been a given for most Soviet writers at the time.
Kazakevich continued with Lenin as a main character in another story, "Enemies", written in his last year, and it is likely that he was planning to bring them together within a larger novel about Lenin. However, his sudden passing away in the summer of 1962 meant that those plans were left unfulfilled.
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Эммануил Генрихович Казакевич (идиш. עמנואל קאַזאַקעװיטש, среди близких известный как Эмма Казакевич; 24 февраля 1913, Кременчуг Полтавской губернии — 22 сентября 1962, Москва) — русский и еврейский советский писатель. Прозаические произведения писал преимущественно на русском языке, поэзию — на идише. Лауреат двух Сталинских премий второй степени (1948, 1950).
Эммануил Казакевич родился 24 февраля 1913 года в Кременчуге (ныне Полтавской области Украины) в семье еврейского публициста и литературного критика Генеха Казакевича (1883—1935). В 1930 году окончил Харьковский машиностроительный техникум и в следующем году переехал с родителями в Биробиджан, где была организована Евре
Kazakevich was born at Kremenchuk in Ukraine (then part of Imperial Russia) in 1913 and received training as an engineer at Kharkiv. In the early 1930s he moved to the Jewish autonomous region of Birobidzhan on the Amur River, where he became the chairman of a local kolkhoz and also ran a theatre. During these years he began writing and publishing poems and stories in Yiddish. In 1941 he was in Moscow, taking part in the defence efforts of the capital and later joining the regular Red Army for frontier service. His war service brought him close to some of the major battles of 1943-45 and finally into the battle for Berlin; by this time he had become assistant director of intelligence in one of the armies involved.
After 1945 Kazakevich began writing in Russian, and his debut short story Zvezda ("The Star", 1947, adapted into a film in 1949 (remake - film 2002)) was an instant success and awarded a Stalin Prize for literature. The story describes an army intelligence unit during WW2 and their raid behind enemy lines. It showcases some of his later recurrent traits: the sharp, lyrical evocation of nature, the interest in moral conflicts and ambiguities, often relating to the transition between war and peace, the sense of humour and psychological observation. Many of his later stories are set during or shortly after the Second World War. Kazakevich's 1948 story "Dvoe v stepi" ("Two in the Steppe", adapted into a 1964 film and a 2015 remake "On the Road to Berlin"[1]), was fiercely criticized in the Party press[2] but that did not prevent his next story "Vesna na Odere" ("Spring on the Oder River," 1949) from being awarded a second Stalin Prize.[3] The novella "In the Light of Day" (1960) explores ambiguities of guilt, bravery and memory as a soldier makes a visit to the widow of his fallen friend and unit officer.
During the fifties, Kazakevich reached high positions in the Soviet Association of Writers and was aligned with the efforts of de-Stalinization. He kept picking up potentially sensitive subjects, and during his last years may have been working on a major novel about Lenin during the revolutionary years. The short novel Sinyaya tetrad (The Blue notebook) appeared in 1961; it is set during Lenin's stay on the Karelian isthmus in the summer of 1917 and brings Lenin face to face both with ordinary people and with Grigory Zinovyev, who was still considered a traitor or at best a dubious figure at the time of writing. While Kazakevich, in the end, makes Lenin refute Zinovyev's fears and allegations, there is no attempt to show the latter as an evil or insincere person, which would have been a given for most Soviet writers at the time.
Kazakevich continued with Lenin as a main character in another story, "Enemies", written in his last year, and it is likely that he was planning to bring them together within a larger novel about Lenin. However, his sudden passing away in the summer of 1962 meant that those plans were left unfulfilled.
--------------------------------------------------------
Эммануил Генрихович Казакевич (идиш. עמנואל קאַזאַקעװיטש, среди близких известный как Эмма Казакевич; 24 февраля 1913, Кременчуг Полтавской губернии — 22 сентября 1962, Москва) — русский и еврейский советский писатель. Прозаические произведения писал преимущественно на русском языке, поэзию — на идише. Лауреат двух Сталинских премий второй степени (1948, 1950).
Эммануил Казакевич родился 24 февраля 1913 года в Кременчуге (ныне Полтавской области Украины) в семье еврейского публициста и литературного критика Генеха Казакевича (1883—1935). В 1930 году окончил Харьковский машиностроительный техникум и в следующем году переехал с родителями в Биробиджан, где была организована Евре
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Displaying 1 - 7 of 7 reviews
February 12, 2025
Es un fanfic de Lenin pero con reflexiones políticas guays. El "Larry" de los comunistas
July 23, 2025
Tras haberlo dejado por qué tenía que estudiar (y ser olvidado después btw), lo he retomado y acabado. Simplemente wow. De mayor quiero ser Lenin, de momento voy empezando por el pelo
February 15, 2025
Una historia poco conocida de Lenin en los tiempos previos a la revolución bolchevique. Lectura ligera, muy animada y entretenida, con importante carga política.
Por otra parte, muy bueno el trabajo de la Editorial Tinta roja con la maquetación y la increíble calidad de los materiales e ilustraciones. Un 10.
Por otra parte, muy bueno el trabajo de la Editorial Tinta roja con la maquetación y la increíble calidad de los materiales e ilustraciones. Un 10.
June 1, 2025
Inexplicablemente este little librito me ha dao bastante paz
La tapa está llena de marcas de los dedos pringosos por crema solar, supongo que tener tiempo pa leerlo en una piwi pública de Madriz mientras Lau dormita a mi lado también tiene que ver 🫂
La tapa está llena de marcas de los dedos pringosos por crema solar, supongo que tener tiempo pa leerlo en una piwi pública de Madriz mientras Lau dormita a mi lado también tiene que ver 🫂
August 5, 2025
Una obra muy desconocida en España y que gracias a la Ediciones Tinta Roja he podido descubrir.
Es una pequeña novela muy ligera que narra el verano que estuvo Lenin escondido a escasos kilómetros del bullicio revolucionario de Petrogrado, meses previos a la Revolución de Octubre.
Más allá de que sea una novelización y quizá cierta romantización de los hechos, retrata la figura del tipo de persona militante a la que debe aspirar todo comunista.
Es importante recuperar este tipo de obras, y por tanto nuestra tradición y nuestra historia.
PD: Te quiero mucho Lenin
Es una pequeña novela muy ligera que narra el verano que estuvo Lenin escondido a escasos kilómetros del bullicio revolucionario de Petrogrado, meses previos a la Revolución de Octubre.
Más allá de que sea una novelización y quizá cierta romantización de los hechos, retrata la figura del tipo de persona militante a la que debe aspirar todo comunista.
Es importante recuperar este tipo de obras, y por tanto nuestra tradición y nuestra historia.
PD: Te quiero mucho Lenin
July 25, 2025
Lectura bonita y (curiosamente) relajante/ tranquilizadora. Combina macro (días pre revolución) con lo micro (detalles entre Lenin y sus acompañantes, descripción del paisaje, etc.)
La edición es buena y la lectura, que he combinado con "Diez días que estremecieron al mundo" de John Reed, ha servido como paréntesis en esta gran novela histórica para hacer un stop en Finlandia y meternos dentro de la cabeza de Lenin, pero también de Zinoviev y de los amigos que lo acogieron y escondieron.
La edición es buena y la lectura, que he combinado con "Diez días que estremecieron al mundo" de John Reed, ha servido como paréntesis en esta gran novela histórica para hacer un stop en Finlandia y meternos dentro de la cabeza de Lenin, pero también de Zinoviev y de los amigos que lo acogieron y escondieron.
February 25, 2025
de mayor quiero ser lenin
Displaying 1 - 7 of 7 reviews