Note: This review is based on a copy I received from the publisher. There was no expectation of a positive review.
R. M. Ridley's TOMORROW WENDELL is a gripping supernatural detective story. It stands out amongst similar novels (such as the inevitable comparison of the Dresden Files series) mostly in the crispness of the writing and the thought given to the detailed magic system Ridley has devised. Ridley's setting of New Hades (a thinly disguised Detroit, Michigan, I believe) is sparsely described as a whole, but this lends narrative power to the areas of the setting that Ridley does decide to explore. His protagonist, Jonathan Alvey, meanwhile, has earmarks of other more established characters (John Constantine from HELLBLAZER and CONSTANTINE leaped immediately to mind for me) while maintaining enough nuance to be a fleshed out, interesting character all on his own.
In short, TOMORROW WENDELL is a stand-out first novel from a talented author. It rises above the majority of its competition handily, carving a place out for itself in an already crowded sub-genre. Though there are echoes of other works here, they disappear quickly as Ridley puts all of his pieces in place to reveal a tightly plotted story propped up with a strong foundation of world-building. I mentioned the magic system in the paragraph above, and it deserves to be discussed again: Ridley devoted a significant amount of development to his thaumaturgy, and it shows - to its advantage. The supernatural elements of the White Dragon Black series is complex, complicated, and uniquely peppered with heretofore little-known creatures and ritual aspects. Whereas in other series magical elements require suspension of the reader's disbelief in order to function, here the depth of his metaphysics actually adds to the realism - even the verisimilitude - of the whole.
I had to reach to think of criticisms of Ridley's novel, and as a result the two I could come up with are more than a bit nit-picky. The first is that most of Ridley's paragraphs are very short (as in, two or three sentences at most). I found this less than optimum simply because it does not give Ridley's prose room to breathe. His writing is, as I've said, crisp and engaging - I often wanted him to slow down and spend more time moving through particular sections! This is, again, remarkably nit-picky, and the fact remains that Ridley's writing - short in places as it is - does move the plot along at a rapid pace sure to keep the reader turning pages. Even if the speed left me breathless I still couldn't wait to get to the next page.
My second criticism, and it is just as petty as the first, is that TOMORROW WENDELL seemed, to me, to spend too much time establishing a series and not enough time just being a novel. That is, many of the locations and characters - interesting as they are - have little to do with the plot on hand, and seem predesigned to only relate to future works. While it's great that Ridley obviously has many more stories to tell within the White Dragon Black universe, it would have been more enjoyable if elements important to future texts were given slightly more connection to THIS text.
All of that being said, TOMORROW WENDELL is a cracking good read for fans of urban fantasy, supernatural detective fiction, and even (I would say) supernatural fiction and detective fiction in general. With a solid universe to support his works, well-drawn characters to inhabit that universe, and a tense plot to give those characters motivation, Ridley has delivered a solid, entertaining book. I can honestly say that I am eagerly awaiting the next entry in his series, and trust that I will be able to leave my pettiness at the door when it comes around.