A disappointing fae/elf king, paranormal romance
I won't repeat the setup of the story because the publisher's blurb does that pretty well.
First, let me say that up until this moment I have been a big fan of this author. I have really enjoyed almost every one of her science-fiction romances. And I will admit up front that I am not a fan of either traditional high fantasy or traditional sword-and-sorcery fantasy (SAS). But if SAS is done extremely well with a main focus on romance between two highly sympathetic MCs, such as The Rising Wave by Michelle Diener, which is fabulous, I can really enjoy it. But though this author has provided a romance element, it is, sadly, poorly done.
Other readers have noticed what I did, that this is just another fae/elf king romance, and giving these magical creatures another name, Etheri, doesn't change that or make this story more original. Unfortunately, I don't like fae/elf king romances in general. I don't like the SAS part of them, and I don't like the romance part due to the unequal power dynamics leading far too often to Stockholm syndrome substituted for healthy love and passion.
The first part of this book in the castle of the MMC, Garrick, is a badly done homage to the wonderful young-adult fantasy novel from 1978, Beauty by Robin McKinley, a retelling of the fairytale, Beauty and the Beast (BATB). But unlike that version and the Disney movie from 1991, Garrick is imprisoned in his castle for 100 years, due to an unexplained curse, with no one but a wolflike magical creature, Grim, as his companion. This type of isolation would be enough to drive anyone insane from loneliness and boredom. It also makes him come off like a very passive protagonist, because after all this time, he has made zero progress toward liberating himself and reuniting with his subjects, who are at some unknown location.
Of course, the entire setup of the original fairytale dooms the Beast to passively wait for a very special woman to show up and love him in spite of himself, in order to release him from his curse. For that reason alone, unless it's written extremely well, with all the focus on a very active FMC in the form of Beauty, any retelling inevitably bogs down into a stalemate, as it does for far too long in the case of this story.
Because the parameters of this fairytale setup are so limited, all that exists to fill the pages, when love as a release for the curse is eliminated, is a great deal of aggravating redundancy. Garrick vacillates again and again between feeling like the FMC Riela might be the solution to his curse problem or an evil plant from his enemy. And Riela acts like an immature teenager, oscillating between sexual attraction to Garrick, wanting him to be her mentor, and arrogantly demanding he treat her as his equal. The latter attitude in particular made me start to despise her after a while. How can she possibly be the equal of a humanoid magical creature who is at least 100 years older than her, apparently immortal, and a far more powerful mage than she is? Yes, he keeps insisting that she is far more magically gifted than she knows, but given that she has no training and doesn't have a clue what to do with her magic, there is no question of magical equality.
I also found it hard to enjoy the performative artistic inclusion of Riela as a bisexual who receives zero blowback from her small, inevitably conservative village for having casual sex with both men and women. It's awfully convenient as well that she has never gotten pregnant, even though she doesn't learn about using her magic to prevent conception until she has sex with Garrick. It's good to be inclusive, but it's better to do it well.
Having said all that, my main problem with this book is that there is nowhere in this world that seems worth vicariously living in.
The SAS genre, in general, is basically the European Middle Ages with magic on top in a fictional universe in which the human race never evolves beyond the year 1200, with zero in the way of technology (except for magical substitutions), sanitation (unless living inside a magic castle), basic healthcare (other than magical healers), and nearly universal illiteracy (unless, with zero believable justification, the FMC knows how to read and owns her own books). In traditional SAS, it gets pretty gritty, but for the most part, SAS romance, similar to historical romance, avoids grittiness by introducing modern conveniences. In SAS it is done by magic, and in historical romance by huge influxes of social prestige and cash. In both cases, which makes it difficult for me personally to suspend disbelief and mindlessly enjoy them, these romance genres are basically costume dramas about as realistic as cliche, modern billionaire romances.
In any romance, but especially an SAS romance, there has to be something very special about the FMC and the MMC that makes us want to know them and vicariously live through them. Not so with this story. Both Garrick and Riela are alienated individuals with no human or humanoid allies. For any type of SAS novel to fulfill a basic expectation of that genre, even in the first book in a series, which this book obviously is, it is crucial for the MC, or MCs in the case of SAS romance, to quickly start gathering allies. One of the main things that makes an MC sympathetic is their ability to accrue allies because they are positive warriors who use their powers to defend others.
There is a little bit of that protective dynamic going on with Garrick and Riela in their relationship with each other. But whatever good that might do in terms of making them sympathetic is immediately washed away by their boringly redundant, petty quarrels in the castle. And during the first 50% of the book, the only exciting action, in which they can physically save each other's lives, occurs when Riela stupidly puts herself in danger of inevitable death in the magical forest.
The introduction of a potential romantic triangle late in the book did nothing to lessen my dismay with this novel. I am not a fan of romantic triangles even if it's clear who the ultimate winner in the contest for the heart of the FMC is going to be.
In short, this is barely a 2-star read for me, and I will not be going on with this series.