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Rope
"Rope" by Patrick Hamilton is a gripping psychological thriller that delves into the complexities of morality, obsession, and human nature. Set in a confined, claustrophobic space, the play centers around two young men, Brandon and Philip, who commit a chilling murder as an intellectual exercise, inspired by their fascination with Nietzsche’s concept of the "superman." After strangling their former friend, they hide his body in a trunk, hosting a dinner party just above the crime scene, as a disturbing challenge to their own audacity and beliefs.
As the evening progresses, the tension escalates, with their guests unaware of the sinister crime lurking beneath them. Brandon revels in the power and thrill of his actions, while Philip becomes increasingly uneasy, struggling with guilt and fear of being caught. The suspense builds as a series of psychological games unfold, driven by the men’s desire to test the limits of their own beliefs and the boundaries of society's moral codes.
Hamilton masterfully explores themes of guilt, the nature of evil, and the dark side of intellectualism. The claustrophobic setting and sharp dialogue heighten the suspense, making "Rope" a truly intense experience. It questions the morality of actions and the consequences of intellectual arrogance, offering a chilling exploration of human nature when it is stripped of ethical constraints.
This play, which was later adapted into a famous Alfred Hitchcock film, is a timeless classic of suspense and psychological drama. With its taut pacing, memorable characters, and relentless tension, "Rope" is a compelling read for anyone intrigued by the darker side of human behavior and the limits of intellectual experimentation. A must-read for lovers of thrilling dramas with profound psychological depth.
ABOUT THE AUTHOR
Patrick Hamilton (1904–1962) was a British playwright and novelist, celebrated for his dark, psychological dramas and his sharp exploration of human relationships. Best known for his plays "Rope" and "Gas Light", Hamilton created works that delved into tension, manipulation, and emotional complexity. His novel "Hangover Square" is a standout example of his talent for blending suspense with deep character study. His atmospheric writing, often laced with themes of obsession and psychological turmoil, continues to captivate readers and audiences alike, leaving a lasting impact on British literature and theatre.
As the evening progresses, the tension escalates, with their guests unaware of the sinister crime lurking beneath them. Brandon revels in the power and thrill of his actions, while Philip becomes increasingly uneasy, struggling with guilt and fear of being caught. The suspense builds as a series of psychological games unfold, driven by the men’s desire to test the limits of their own beliefs and the boundaries of society's moral codes.
Hamilton masterfully explores themes of guilt, the nature of evil, and the dark side of intellectualism. The claustrophobic setting and sharp dialogue heighten the suspense, making "Rope" a truly intense experience. It questions the morality of actions and the consequences of intellectual arrogance, offering a chilling exploration of human nature when it is stripped of ethical constraints.
This play, which was later adapted into a famous Alfred Hitchcock film, is a timeless classic of suspense and psychological drama. With its taut pacing, memorable characters, and relentless tension, "Rope" is a compelling read for anyone intrigued by the darker side of human behavior and the limits of intellectual experimentation. A must-read for lovers of thrilling dramas with profound psychological depth.
ABOUT THE AUTHOR
Patrick Hamilton (1904–1962) was a British playwright and novelist, celebrated for his dark, psychological dramas and his sharp exploration of human relationships. Best known for his plays "Rope" and "Gas Light", Hamilton created works that delved into tension, manipulation, and emotional complexity. His novel "Hangover Square" is a standout example of his talent for blending suspense with deep character study. His atmospheric writing, often laced with themes of obsession and psychological turmoil, continues to captivate readers and audiences alike, leaving a lasting impact on British literature and theatre.
99 pages, Kindle Edition
Published February 14, 2025
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About the author
Patrick Hamilton
88 books288 followersLibrarian Note: There is more than one author in the Goodreads database with this name.
He was born Anthony Walter Patrick Hamilton in the Sussex village of Hassocks, near Brighton, to writer parents. Due to his father's alcoholism and financial ineptitude, the family spent much of Hamilton's childhood living in boarding houses in Chiswick and Hove. His education was patchy, and ended just after his fifteenth birthday when his mother withdrew him from Westminster School.
After a brief career as an actor, he became a novelist in his early twenties with the publication of Monday Morning (1925), written when he was nineteen. Craven House (1926) and Twopence Coloured (1928) followed, but his first real success was the play Rope (1929, known as Rope's End in America).
The Midnight Bell (1929) is based upon Hamilton's falling in love with a prostitute, and was later published along with The Siege of Pleasure (1932) and The Plains of Cement (1934) as the semi-autobiographical trilogy 20,000 Streets Under the Sky (1935).
Hamilton disliked many aspects of modern life. He was disfigured badly when he was run over by a car in the late 1920s: the end of his novel Mr. Stimpson and Mr. Gorse (1953), with its vision of England smothered in metal beetles, reflects his loathing of the motor car. However, despite some distaste for the culture in which he operated, he was a popular contributor to it. His two most successful plays, Rope and Gas Light (1938, known as Angel Street in the US), made Hamilton wealthy and were also successful as films: the British-made Gaslight (1940) and the 1944 American remake, and Alfred Hitchcock's Rope (1948).
Hangover Square (1941) is often judged his most accomplished work and still sells well in paperback, and is regarded by contemporary authors such as Iain Sinclair and Peter Ackroyd as an important part of the tradition of London novels. Set in Earls Court where Hamilton himself lived, it deals with both alcohol-drinking practices of the time and the underlying political context, such as the rise of fascism and responses to it. Hamilton became an avowed Marxist, though not a publicly declared member of the Communist Party of Great Britain. During the 1930s, like many other authors, Hamilton grew increasingly angry with capitalism and, again like others, felt that the violence and fascism of Europe during the period indicated that capitalism was reaching its end: this encouraged his Marxism and his novel Impromptu in Moribundia (1939) was a satirical attack of capitalist culture.
During his later life, Hamilton developed in his writing a misanthropic authorial voice which became more disillusioned, cynical and bleak as time passed. The Slaves of Solitude (1947), was his only work to deal directly with the Second World War, and he preferred to look back to the pre-war years. His Gorse Trilogy—three novels about a devious sexual predator and conman—are not generally well thought of critically, although Graham Greene said that the first was 'the best book written about Brighton' and the second (Mr. Stimpson and Mr. Gorse) is regarded increasingly as a comic masterpiece. The hostility and negativity of the novels is also attributed to Hamilton's disenchantment with the utopianism of Marxism and depression. The trilogy comprises The West Pier (1952); Mr. Stimpson and Mr. Gorse (1953), dramatized as The Charmer in 1987; and in 1955 Hamilton's last published work, Unknown Assailant, a short novel much of which was dictated while Hamilton was drunk. The Gorse Trilogy was first published in a single volume in 1992.
Hamilton had begun to consume alcohol excessively while still a relatively young man. After a declining career and melancholia, he died in 1962 of cirrhosis of the liver and kidney failure, in Sheringham, Norfolk.
He was born Anthony Walter Patrick Hamilton in the Sussex village of Hassocks, near Brighton, to writer parents. Due to his father's alcoholism and financial ineptitude, the family spent much of Hamilton's childhood living in boarding houses in Chiswick and Hove. His education was patchy, and ended just after his fifteenth birthday when his mother withdrew him from Westminster School.
After a brief career as an actor, he became a novelist in his early twenties with the publication of Monday Morning (1925), written when he was nineteen. Craven House (1926) and Twopence Coloured (1928) followed, but his first real success was the play Rope (1929, known as Rope's End in America).
The Midnight Bell (1929) is based upon Hamilton's falling in love with a prostitute, and was later published along with The Siege of Pleasure (1932) and The Plains of Cement (1934) as the semi-autobiographical trilogy 20,000 Streets Under the Sky (1935).
Hamilton disliked many aspects of modern life. He was disfigured badly when he was run over by a car in the late 1920s: the end of his novel Mr. Stimpson and Mr. Gorse (1953), with its vision of England smothered in metal beetles, reflects his loathing of the motor car. However, despite some distaste for the culture in which he operated, he was a popular contributor to it. His two most successful plays, Rope and Gas Light (1938, known as Angel Street in the US), made Hamilton wealthy and were also successful as films: the British-made Gaslight (1940) and the 1944 American remake, and Alfred Hitchcock's Rope (1948).
Hangover Square (1941) is often judged his most accomplished work and still sells well in paperback, and is regarded by contemporary authors such as Iain Sinclair and Peter Ackroyd as an important part of the tradition of London novels. Set in Earls Court where Hamilton himself lived, it deals with both alcohol-drinking practices of the time and the underlying political context, such as the rise of fascism and responses to it. Hamilton became an avowed Marxist, though not a publicly declared member of the Communist Party of Great Britain. During the 1930s, like many other authors, Hamilton grew increasingly angry with capitalism and, again like others, felt that the violence and fascism of Europe during the period indicated that capitalism was reaching its end: this encouraged his Marxism and his novel Impromptu in Moribundia (1939) was a satirical attack of capitalist culture.
During his later life, Hamilton developed in his writing a misanthropic authorial voice which became more disillusioned, cynical and bleak as time passed. The Slaves of Solitude (1947), was his only work to deal directly with the Second World War, and he preferred to look back to the pre-war years. His Gorse Trilogy—three novels about a devious sexual predator and conman—are not generally well thought of critically, although Graham Greene said that the first was 'the best book written about Brighton' and the second (Mr. Stimpson and Mr. Gorse) is regarded increasingly as a comic masterpiece. The hostility and negativity of the novels is also attributed to Hamilton's disenchantment with the utopianism of Marxism and depression. The trilogy comprises The West Pier (1952); Mr. Stimpson and Mr. Gorse (1953), dramatized as The Charmer in 1987; and in 1955 Hamilton's last published work, Unknown Assailant, a short novel much of which was dictated while Hamilton was drunk. The Gorse Trilogy was first published in a single volume in 1992.
Hamilton had begun to consume alcohol excessively while still a relatively young man. After a declining career and melancholia, he died in 1962 of cirrhosis of the liver and kidney failure, in Sheringham, Norfolk.
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Displaying 1 of 1 review
July 17, 2025
Dated, but still an engaging drama. The dialog between Brandon and Cadell in the third act is still moving. However, comparing the play to Hitchcock’s film version places the play at a disadvantage. Although the setting is changed from 1929 London to post-World War II New York, the plot and time span are the same. In the film, the characters are more developed.
The Kindle version has a few typos.
The Kindle version has a few typos.
Displaying 1 of 1 review