This was my first foray into this series, picked up after seeing Christina Koning speak on a couple of panels at CrimeFest earlier this year in Bristol. Murder in Oxford stood out at the festival, and I’m glad - it’s an atmospheric, slow-burn mystery that reads like a BBC period drama.
Set during WWII, the novel blends espionage with traditional detective work, offering a thoughtful, almost meditative pace that allows the setting and characters to take center stage. Koning excels at creating the moody, quietly tense atmosphere so particular to British spy fiction - subtle, restrained, yet layered with intrigue.
One particularly compelling element is the protagonist’s blindness. All action, whether subtle tension or bursts of violence, is filtered through the perspective of a man without sight. It’s a bold narrative choice. The action sequences are especially interesting to read, as they rely on sound, movement, and intuition rather than visual cues. I'd find myself visualizing the scenes, nonetheless.
Although this is part of an ongoing series, I found it entirely readable as a standalone. That said, there are frequent references to earlier cases, and while these help flesh out the backstory and relationships, I occasionally wished they had been kept more ambiguous. I’d have liked the chance to discover those earlier investigations for myself.
Still, the strength of Koning’s writing and the rich period detail more than made up for that. Perfect for fans of classic espionage stories, or anyone who enjoys a more cerebral approach to the atmosphere of British crime fiction.