The Devil in the Belfry" is a satirical short story by Edgar Allan Poe. It was first published in 1839. In an isolated town called Vondervotteimittis (wonder-what-time-it-is), the punctilious inhabitants seem to be concerned with nothing but clocks and cabbage. This methodical, boring and quiet little borough is devastated by the arrival of a devilish figure playing a big fiddle who comes straight down from a hill, goes into the belltower, brutally attacks the belfry-man and rings thirteen o'clock, to the horror of the town's inhabitants. The devil character can be seen as the bringer of chaos to an ordered system. In the context of the story, the devil is a troublemaker who destroys the serenity of tradition. However, in that Poe mocks the town's ridiculous traditions, it can be interpreted that the devil is a violent force of change, originality and creativity in an otherwise stagnant environment. Some have claimed the story to be political satire making fun of the United States President Martin Van Buren who was of Dutch descent like the inhabitants of Vondervotteimittis. However, aside from Dutch caricatures used for humor, the story does not seem to mock any particular target. In A Companion to Poe Studies it is noted, "Poe introduced numerous details to make contemporaries think of the president. But the story is not therefore a political satire, for Poe said such stories hit out in all directions ... Moreover, Poe's literary play, his pleasure at creating connections, seems more important than is any single 'target' of satire." Critics often compare the tale to another New York satire, A History of New-York written by Washington Irving under the pseudonym "Diedrich Knickerbocker.
The name Poe brings to mind images of murderers and madmen, premature burials, and mysterious women who return from the dead. His works have been in print since 1827 and include such literary classics as The Tell-Tale Heart, The Raven, and The Fall of the House of Usher. This versatile writer’s oeuvre includes short stories, poetry, a novel, a textbook, a book of scientific theory, and hundreds of essays and book reviews. He is widely acknowledged as the inventor of the modern detective story and an innovator in the science fiction genre, but he made his living as America’s first great literary critic and theoretician. Poe’s reputation today rests primarily on his tales of terror as well as on his haunting lyric poetry.
Just as the bizarre characters in Poe’s stories have captured the public imagination so too has Poe himself. He is seen as a morbid, mysterious figure lurking in the shadows of moonlit cemeteries or crumbling castles. This is the Poe of legend. But much of what we know about Poe is wrong, the product of a biography written by one of his enemies in an attempt to defame the author’s name.
The real Poe was born to traveling actors in Boston on January 19, 1809. Edgar was the second of three children. His other brother William Henry Leonard Poe would also become a poet before his early death, and Poe’s sister Rosalie Poe would grow up to teach penmanship at a Richmond girls’ school. Within three years of Poe’s birth both of his parents had died, and he was taken in by the wealthy tobacco merchant John Allan and his wife Frances Valentine Allan in Richmond, Virginia while Poe’s siblings went to live with other families. Mr. Allan would rear Poe to be a businessman and a Virginia gentleman, but Poe had dreams of being a writer in emulation of his childhood hero the British poet Lord Byron. Early poetic verses found written in a young Poe’s handwriting on the backs of Allan’s ledger sheets reveal how little interest Poe had in the tobacco business.
Vondervotteimittiss, el lugar más espléndido de una ficticia Holanda. Allí es donde se desarrolla la trama de esta obra, en un pueblo bastante pintoresco, que parece mantenerse atrapado en el tiempo, con una población bastante peculiar, muy recelosa y llena de hermetismos.
Pero, bueno, así como El gato negro fue el relato encargado de iniciar las Narraciones extraordinarias que estoy leyendo, El diablo en el campanario tiene una responsabilidad todavía mayor: darles fin. Así que, este relato tiene la misión de dejarnos con buen o mal sabor la culminación de este tan célebre recopilatorio.
Pasando al título como tal, los pueblerinos anfitriones están obsesionados con el campaneo diario del mediodía: esperan dicho momento de forma casi religiosa. Aparentemente, el orden y funcionalidad de ese lugar se debe a esto. Incluso, tengo total certeza sobre una teoría personal, con respecto a lo que insinué acerca de que el tiempo pareciera no transcurrir en aquel extraño lugar y, puede que de algún modo eso se deba al acontecimiento del mediodía. Además, al ser un pueblo rodeado de montañas, queda completamente aislado. Este aislamiento —probablemente también por algún grado de superstición local— es lo que los ha llevado a tener cierto repelús con los foráneos. De hecho, tienen un refrán que reza lo siguiente: «nada bueno puede venir desde el otro lado de las colinas». Sea como sea, estaban en lo correcto: de allí, desde las alturas, , el cual alterará completamente el orden de este tan remoto y tranquilo confín, . Y, en este punto, yo me pregunto, ¿cómo es que se le ocurrían estas clases de cosas tan ingeniosas a Poe?
No obstante, si bien esta es una lectura muy concisa, simpática y agradable, no es para que sea la última del recopilatorio, que por lo menos concluye de manera positiva gracias a El diablo en el campanario. Pero, a pesar de tener una propuesta interesante, es una obra muy básica, que no da para comentarle más al respecto. Esto último tiene una excepción, que es lo que ya he mencionado: sobre el tema de que quizá el tiempo no pasa en aquel lugar, por algo las antiguas infraestructuras se mantienen en tan buen estado, sin mostrar el deterioro normal que hay con el paso de los años. Ahora, con los acontecimientos , ¿podrá ser que este pueblo por fin comience a mostrar señales del paso del tiempo? No lo descarto.
Finalizando, doy fe de que esta obra tiene su gracia y es disfrutable, pero se siente más como una curiosidad dentro de la bibliografía de su autor que como una fuente literaria para leer por cuenta propia o por lo que pueda aportarnos; por ende, mi calificación es de 2.5 estrellas.
Para no perder el hilo con las demás reseñas que he hecho sobre las obras de Edgar Allan Poe:
Relato irregular sobre un extraño pueblo llamado Vondervotteimittis y sus extraños pobladores, obsesionados por los relojes y el repollo. Este pueblo está ubicado en un hermoso valle, todas sus casas son iguales y sus vecinos visten de manera rara y fuman en pipa. Un día, llegó un pequeño visitante que tenía la intención de acabar con esta forma de vida.
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An irregular tale about a strange village called Vondervotteimittis and its strange inhabitants, obsessed with clocks and cabbage. This village is located in a beautiful valley, all its houses are the same and its neighbours dress strangely and smoke pipes. One day, a small visitor arrived with the intention of putting an end to this way of life.
An audiobook in Portuguese. A very interesting, ironic and creative short story about a "perfect" city inhabited by methodical and perfectionist people, which is disturbed because the devil advances the belfry's clock.
A cautionary tale about the dangers of fiddling with time and an urgent message for all people to stay the hell away from silly inventions like DST. Short. Hillarious. Loved it.
These two sum up pretty well the be-all and end-all of philistine life – and there seems to be no other – in the Dutch town of Vondervotteimittis, which Poe invites us to explore with him in his little grotesque satire The Devil in the Belfry. The people in that town life by the clock, which they adore because of the regularity it instils in their lives and the surprises it prevents, and they also indulge in the simple creature comforts of life, namely cabbage – in the more refined form of sauerkraut, of course – and a bowlful of tobacco after lunch. The clock and the cabbage – this would have made a wonderful title for this story, by the way, since it evokes memories of The Pit and the Pendulum – not only make life reliable and easy for these prim people but they also encourage them in their time-honoured belief that beyond the confines of their town, there is nothing really worth seeking or contemplating or wondering about.
Now that I have finished my previous sentence, I may just as well jump back to my mention of The Pit and the Pendulum in the parentheses: In my edition of Poe’s tales, the Pit story is immediately followed by The Devil in the Belfry, and it’s quite interesting that in both tales, a clock, or a part of it, the pendulum, are instruments in the destruction of life – either by a pendulum threatening to cut into a human body or by the regiment of clocks depriving life of its spontaneity, its sense of wonderment and its magic.
Still, for all the justified criticism Poe voices in this satire, his rather verbose introduction is, to my taste, not exactly well-balanced with the rather unspectacular ending.
A note aside: Poe might have been inspired by Dickens’s novel Nicholas Nickleby, which was published in 1838 and 1839, the latter the year when The Devil in the Belfry was completed because one of the names he uses, Grogswigg, reminds me of Dickens’s Baron of Grogzwig. But that’s neither here nor there, and as such an apt final remark to my review of this rather flat story.
3.5 Stars rounded up to 4 Stars. "The tale is by Poe's admission a true grotesque that deals comically with the German intellectualism of his day and which also satirizes the credulity and conventionality of the mob. In the first publication of the story Poe provided a footnote to the name 'Vondervotteimittiss' to pronounce the town name as 'Vonder vatt time it is,' to make certain that his readers understood the target of his satire. The tale might be seen as a variation of the theme of too much timekeeping and reliance on rationality, which Poe also handled in A Predicament and The Pit and the Pendulum. Sova, Dawn B. (2001). Edgar Allan Poe, A to Z : the essential reference to his life and work. New York: Checkmark Books. (68)
Poe gives the reader a treat with a very silly humorous story about a town very stuck in their ways, one in which the Town Council has adopted these three important resolutions: 1. "That it is wrong to alter the good old course of things:" 2. "That there is nothing tolerable out of Vondervotteimittiss:" and— 3. "That we will stick by our clocks and our cabbages." [Yep, sounds like a real fun town]. All is as it always was until one day the devil comes to town and sets it on its ear by stirring up the pot with some chaos when he has the town clock in the belfry strike thirteen strikes at noon instead of twelve. Well to say the least all hell breaks loose and the town is unable to cope. Moral of the story is don't get too stuck in your ways or else when something happens out of the ordinary you won't be able to cope with the change.
Until I read this short, I hadn’t realised how good Poe was at comic writing. This is a tongue-in-cheek dig at the horror genre that had me laughing out loud. Although some of the constructed names are a little juvenile, I suspect they would have been thought quite revolutionary at the time. The story, inasmuch as there is one, is very simple. It’s the descriptions of locations and characters that most deserve comment. There’s great detail, almost pedantic attention to the smallest features, all edged with a sarcastic tone that makes the reader smile. A fun short read, and one I’m glad I came across.
Los habitantes de Vondervotteimittiss, tan acostumbrados estaban a regular sus vidas gracias al campanario de su pueblo y la sincronización con sus relojes, que cuando llega un bromista y les cambia las reglas del juego entran en el pánico y la desesperación total. El reloj es un objeto habitual en los cuentos de Poe. Poe se rie de aquellos hombres que creen que la vida debe ser rígidamente organizada y estructurada. Este cuento oficia a modo de lección.
Another reason for me to love Poe. His ability to give us a humor filled silly story with the subtlest of his signature sinister flair is outstanding. The moral of the story is very deep and something everyone should be mindful of i.e. one should refrain from being too set in their ways that even a little bit of something out of the ordinary pushes them into chaos and havoc.
The Devil in the Belfry was a story that came close to receiving a three-star rating, but I couldn’t quite bring myself to round my rating up. It was a simple story, one that hooked, but it didn’t quite pack the punch I had hoped for.
All in all, a decent quick read from Poe but not one of his best.
This short story was a turning point in my life. I think I have always been afraid to start some thing new and to try a different life style. Now I'm ready for any change and I won't mind trying any thing unknown from now on. "What clock is it?" old saying my favorite quote.
fajne, ciekawe, abstrakcyjne, inne - ale bez fajerwerków
[kryteria oceny dla „opowiadania”] 0,5/2 fabuła 0,2/1 logiczność i ciągłość wydarzeń 0,8/1 płynność, spójność i przyjemność w odbiorze 0,4/0,5 „sedno”/ cel/ morał 0,2/0,25 styl pisania autora 0/0,25 wyjątkowość
Siento que el autor no supo introducir al lector bien en el relato o la historia, yo mientras leía andaba toda desperdigada sin saber que onda con esto
*Read in an Edgar Allan Poe"Tales of Horror" collection* It took me longer than I want to admit to realise what the town name "Vondervotteimittiss" was supposed to be 😆 Mostly a cute description of a quaint little town, just not enough creepiness for me 🙈
nie wiem, czy to dlatego że to pierwsze opowiadanie poego które przeczytałam po polsku czy to po prostu kwestia tego opowiadania ale nie ogarniam co tu się działo.
...for time out of mind, the carvers of Vondervotteimittiss have never been able to carve more than two objects - a time-piece and a cabbage. But these they do exceedingly well, and intersperse them, with singular ingenuity, wherever they find room for the chisel.
One of Poe's comedic stories. As I was reviewing it I found myself liking it even better the second time through. I love the quirkiness of the carved cabbages. It's so random. It speaks to me.
This random little cabbage-carving town with the ridiculously long name is happily going about it's clock business when a strange fellow arrives from "over the hills" where the villagers have always known no good could come from.
The first sign of distress comes from the clock.
Mein Gott, it is Dirteen o'clock!!"
It's delightfully odd and short. We normally don't think of Poe as a comedy writer, but he definitely has his moments.
Shiarros, mi mala suerte con los cuentos de terror nunca se va a acabar verdad? Creo que dejaré los cuentos por un tiempo y lo intentaré ahora con una novela (a ver si la mayor extensión que presentan estás, ayudan a mejorar estos burdos intentos de crear un ambiente de miedo)
Específicamente hablando de este libro solo diré que NO ENTENDI absolutamente nada, todo carecía de coherencia y sentido y nunca me enteré que es lo que me estaban contando.
Para efectos prácticos y rápidos (por qué no merece ni la pena dedicarle un segundo más a este?... Relato). Se me hizo igual que un capítulo más de La Casita del Horror de"Los Simpson", pero un capítulo de los malos 🤦🏼♂️
Baaah! En fin... A seguir buscando algo que esté a la altura, para está temporada de Halloween #OctubreEscalofriante
Although this is really one of Poe's humor pieces, its spoofing of the tone of parable prefaces Kafka quite well! It would seem to be about the stuffiness of order versus the demonic glee of chaos--with a running joke about cabbages, which, let's face it, are inherently funny.