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The Maltese Falcon

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Dashiell Hammett's The Maltese Falcon is a classic noir detective novel that brings to life the legendary private detective Sam Spade. In 1920s San Francisco, Spade is drawn into a complex of deception, intrigue, and murder after a mysterious lady, Brigid O'Shaughnessy, enters his office asking him to assist her in retrieving a priceless relic—the Maltese Falcon. While Spade winds his way through the seedy underbelly of criminals, cheats, and double-crosses, he is determined to uncover the secret about the falcon that everyone is clamoring for but nobody actually comprehends. Guided by an astute intuition for deceit and a robust moral sense, Spade engages deadly enemies and crosses the moral border between good and evil to grasp the alluring treasure.

229 pages, Kindle Edition

Published February 15, 2025

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Profile Image for Larry Carr.
297 reviews4 followers
February 17, 2026
Dashiell Hammett’s Maltese Falcon was first serialized in Black Mask magazine 1929-1930, then published later in 1930 in book form. Hammett is often considered the granddaddy of noir, and many think MF to be the best mystery ever written. I don’t know why it took me so long to read it? I did see the movie a time or two, but that was 40-50 years ago. Thanks to the late great Donald Westlake, reading The Getaway Bus, finally gave me the right shove, to get the read done. Hammett, as well as an excellent writer, was once a Pinkerton detective, and he truly knew the nature of the hardboiled dick. He also was able to combine in Sam Spade, a nasty, cynical, untrusting and self serving anti-hero, who possessed however a personal moral code, and backbone that reflected the hard ass detective of those times.

Hammett with the creation of Sam Spade, the west coast private eye, then spawned Raymond Chandler’s Philip Marlowe, who beget Ross Macdonald’s Lew Archer, and so on. All somewhat different, but honoring the tradition of the detective code of honor… willing to cross many lines, but staying mostly faithful to the rules of their trade. —Back to Hammett, a master writer and storyteller, depicting the time, place and the characters of it, with originality and authenticity. Nearly a century later, it still rings true. But perhaps, beyond story, was his masterful ability to deliver a line. And the lines in Maltese Falcon are plentiful —ranging from shocking to lol… This reader heard the lines delivered in the the voices of Bogie, Lorie, and Greenstreet… I confess to failing to recall Mary Astor’s Brigid, Effie’s, the kid Wilmer’s, or the coppers’ voices. I must correct that with another film viewing. Here though follows some highlights, and many of those great lines.

“Samuel Spade’s jaw was long and bony, his chin a jutting v under the more flexible v of his mouth. His nostrils curved back to make another, smaller, v. His yellow-grey eyes were horizontal. The v motif was picked up again by thickish brows rising outward from twin creases above a hooked nose— He looked rather pleasantly like a blond satan. He said to Effie Perine: “Yes, sweetheart?” “a girl wants to see you. Her name’s Wonderly.” “she’s a knockout.” “Shoo her in, darling,” said Spade. “Shoo her in.” She was tall and pliantly slender, without angularity anywhere. Her body was erect and high-breasted, her legs long, her hands and feet narrow. “Now what can I do for you, Miss Wonderly?” “Could you—? I thought—I—that is—” “Suppose you tell me about it, from the beginning, and then we’ll know what needs doing. Better begin as far back as you can.” “That was in New York.” “She’s five years younger than I—only seventeen—and Mama and Papa are in Europe. It would kill them. I’ve got to get her back before they come home.” “They’re coming home the first of the month.” Spade’s eyes brightened. “Then we’ve two weeks,” —“ went there again this morning, and still didn’t see Corinne, but I saw Floyd Thursby.” “He wouldn’t tell me where Corinne was,” she went on, hopelessly. “He wouldn’t tell me anything” —“It’s all right, Miles,” Spade told him. “Come in. Miss Wonderly, this is Mr. Archer, my partner.” —Spade & Archer are on the case, and each pocket $100. Archer is interested in Miss Wonderly -volunteers to handle the first night shift…

Spade awakens to a phone call… and heads out into… “San Francisco’s night-fog, thin, clammy, and penetrant, blurred the street. Spade crossed the sidewalk —opened above bare ugly stairs, went to the parapet, and, resting his hands on the damp coping, looked down into Stockton Street. Lights flickered on the sidewall, and the shadows of men moving among lights. — “What do you want here?” “I’m Sam Spade. Tom Polhaus phoned me.” “Well, they’re back there.” He jerked a thumb over his shoulder. “Bad business.” —In the notch between boulder and slope Miles Archer lay on his back. One of them hailed Spade. -barrel-bellied tall man with shrewd small eyes, a thick mouth, and carelessly shaven dark jowls. “I figured you’d want to see it before we took him away,” “Got him right through the pump—with this.” He took a fat revolver from his coat-pocket and held it out to Spade. “A Webley. English, ain’t it?” “That’s it. Thirty-eight, eight shot. They don’t make them any more.” “He was shot up here, huh? Standing where you are, with his back to the fence. The man that shot him stands here.” —“nobody didn’t come out of here while he was coming down from Powell or he’d’ve seen them. The only other way out would be under the billboard on Stockton.— fog’s got the ground soggy, and the only marks are where Miles slid down and where this here gun rolled. “Coming down for a look at him before he’s moved?” Spade said: “No.” “Was he working Sam?” “He was supposed to be tailing a fellow named Floyd Thursby,” “What for?” “He was an Englishman, maybe. I don’t know what his game was, exactly. We were trying to find out where he lived.” —Sam took a hand from his pocket to pat Tom’s shoulder. “Don’t crowd me.” He put the hand in his pocket again. “I’m going out to break the news to Miles’s wife.”

Well that’s the setup, to get you into, or for a revisit, to the search for the black bird. But will tease you with a few more highlights and choice lines…

“What do you want, Dundy?” he asked in a voice hard and cold as his eyes. Lieutenant Dundy’s eyes had moved to maintain their focus on Spade’s. —Spade, ignoring Tom, said to Dundy: “Well, what do you want? Talk turkey. Who in hell do you think you are, coming in here trying to rope me?” What are you sucking around for? Tell me, or get out and let me go to bed.” “Who’s Thursby?” Dundy demanded. “I told Tom what I knew about him.” “You told Tom damned little.” —“here’s something for you to not forget, sweetheart. I’ll tell it or not as I damned please. It’s a long while since I burst out crying because policemen didn’t like me.” He turned his face around to Tom and asked with great carelessness: “What’s itching your boy-friend now?”

“Help me. I’ve no right to ask you to help me blindly, but I do ask you. Be generous, Mr. Spade. You can help me. Help me.” “You won’t need much of anybody’s help. You’re good. You’re very good. It’s chiefly your eyes, I think, and that throb you get into your voice when you say things like ‘Be generous, Mr. Spade.’ — “I deserve that,” she said. “I deserve it, but—oh!—I did want your help so much.” — “It is my own fault that you can’t believe me now.” Spade’s face reddened and he looked down at the floor, muttering: “Now you are dangerous.”

“Mr. Spade to see you, Mr. Wise.” She looked up at Spade. “Go right in.” “So Miles got the big one last night?” “Uh-huh, that’s what I came in about.” “I think I’m going to have to tell a coroner to go to hell, Sid. Can I hide behind the sanctity of my clients’ secrets and identities and what-not, all the same priest or lawyer?” “Why not? An inquest is not a court-trial. You can try, anyway.” “Get your hat, Sid, and we’ll go see the right people. I want to be safe.”

“Effie Perine was sitting at Sam’s desk. Spade sat on the desk and asked: “Anything stirring?” “Not here. You look like you’d swallowed the canary.” He grinned contentedly. “I think we’ve got a future. How’s your woman’s intuition today?” “Why?” “What do you think of Wonderly?” “I’m for her,” the girl replied without hesitation. “She’s got too many names,” Spade mused, “Wonderly, Leblanc, and she says the right one’s O’Shaughnessy.” “Anyway she’s given up seven hundred smacks in two days, and that’s all right.” — “Sam, if that girl’s in trouble and you let her down, or take advantage of it to bleed her, I’ll never forgive you” — Effie Perine rose and went into the outer office. —returned with an engraved card—Mr. Joel Cairo. “This guy is queer,” Mr. Joel Cairo was a small-boned dark man of medium height. His features were Levantine. A square-cut ruby, its sides paralleled by four baguette diamonds, gleamed against the deep green of his cravat. — The fragrance of chypre came with him. “Now what can I do for you, Mr. Cairo?” “I am trying to recover an—ah—ornament that has been—shall we say?—mislaid. I thought, and hoped, you could assist me. The ornament is a statuette, the black figure of a bird.” —Cairo smiled and took a short compact flat black pistol out of an inner pocket. “You will please,” he said, “clasp your hands together at the back of your neck. -I intend to search your offices, Mr. Spade. I warn you that if you attempt to prevent me I shall certainly shoot you.” —Spade’s elbow went on past the astonished dark face and straightened when Spade’s hand struck down at the pistol. Cairo let the pistol go the instant that Spade’s fingers touched it. The pistol was small in Spade’s hand.— Cairo’s face was twisted by pain and chagrin. There were tears in his dark eyes. The fist struck Cairo’s face, covering for a moment one side of his chin, a corner of his mouth, and most of his cheek between cheek-bone and jaw-bone. Cairo shut his eyes and was unconscious. — When the last pocket had been turned out he returned to his own chair, rolled and lighted a cigarette, and began to examine his spoils. —Cairo said through his teeth, painfully: “I could have shot you, Mr. Spade.” “You could have tried,” “Then why did you strike me after I was disarmed?” “Sorry,” Spade said, and grinned wolfishly, showing his jaw-teeth, “but imagine my embarrassment when I found that five-thousand-dollar offer was just hooey.” “You are mistaken, Mr. Spade. That was, and is, a genuine offer.” “You could come in and say you’d pay me a million for a purple elephant, but what in hell would that mean?” “I see, I see,” — “You wish some assurance of my sincerity. A retainer, would that serve? … “You will take, say, a hundred dollars?” Spade picked up the wallet and took out a hundred dollars. Then he frowned, said, “Better make it two hundred,” and did.”

“We won’t have to make anything public that hasn’t already been made public.” “The police won’t have to know about me?” “No.” “However did you manage it?” she asked more in wonder than in curiosity. “Most things in San Francisco can be bought, or taken.” “And you won’t get into trouble?” “I don’t mind a reasonable amount of trouble,” he said with not too much complacence. —He looked at her with eyes that studied, weighed, judged… She flushed slightly under the frankness of his stare. “You aren’t,” he asked as he sat down, “exactly the sort of person you pretend to be, are you? — “Schoolgirl manner,” he explained, “stammering and blushing and all that.” “I told you this afternoon that I’ve been bad—worse than you could know.” “That’s what I mean,” “same words, same tone. It’s a speech you’... — Spade grinned sidewise at her and said: “You’re good. You’re very good.” —She suddenly moved close to him on the settee and cried angrily: “Can I buy you with my body?” Spade took her face between his hands and he kissed her mouth roughly and contemptuously. “I’ll think it over.”

“Her right hand went out and cracked sharply against his cheek, leaving the imprint of fingers there. Cairo grunted and slapped her cheek, staggering her sidewise… Spade caught Cairo by the throat and shook him. Cairo gurgled and put a hand inside his coat. Spade grasped the Levantine’s wrist, wrenched it away from the coat, forced it straight out to the side, and twisted it until the clumsy flaccid fingers opened to let the pistol fall… “This is the second time you’ve put your hands on me.” His eyes, though the throttling pressure on his throat made them bulge, were cold and menacing. “Yes,” Spade growled. “And when you’re slapped you’ll take it and like it.”

First time, or revisited ‘you’ll take it and like it.’ Or, as you choose my 10 pgs. of highlights are visible.

https://www.goodreads.com/notes/22806...
Profile Image for Nelson Pyles.
Author 21 books25 followers
April 28, 2025
I'm glad to have read it, but frankly, there really isn't a single character in the book that was remotely likeable. Sam Spade is to be fair, an asshole. I was rooting for a secondary character to gun him down abruptly with little fanfare and hide the body in an alley.

Seriously.

I liked the writing and if the goal was to create a character that was really just an asshole, success but I didn't have any fun with it. Spade isn't a man's man, or anything admirable. In the end, he was the whiniest of all of them; the sap he said he would play for nobody.
138 reviews
May 20, 2025
I know that at the time it was probably suspenseful and gripping - and not that it isn't today - but I laughed most of my way through The Maltese Falcon.

The author was a master at setting up risky situations, simply by playing chess games with characters. If this one leaves the room with that one, what information could they spill that could put Sam Spade (the lead character) in hot water? Spade, it turns out, plays that game better than all of the rest combined, including the damsel in distress, the money man, the gunslinger, the local cops, all of them.

This book just oozes everything there is to love about the noir detective genre and it feels to me like it may well have been the standard. Spade is a tough bastard who is living the single life, even playing his women off each other like the crooks he works with for a living. He plays the long con with the criminals with whom he comes in contact while searching for the famed falcon statuette. He'll take a punch if he has to, to get to the bottom of a case. And he never, ever, shows his hand.

The story is full of twists, turns and cliffhangers, hinting at a follow-up volume until the final words play out. For me, one of the most fun connections I see is a potential tie-in to the FX TV animated spy series Archer. In that show one of the long-running subplots is the main character's constant search for the identity of his father. He grows up alone with his mother (and forms an unnatural attachment to her) and in flashbacks to his youth, life is depicted in a noir-like world. Sam Spade's partner in the detective agency was Miles Archer. Sam was having an affair with Archer's wife. Could Sam Spade have been Archer's father?

We will never know.
1 review1 follower
August 24, 2025
Fast engaging read

I liked how quickly the book moved. The character of Sam Spade was very colorful. I cannot wait to see the movie.
Profile Image for Stephanie Kesler.
62 reviews1 follower
December 27, 2025
Gads…well written, great use of language. BUT, the women - I couldn’t stand how they were portrayed. Simpering little fools - even the murderer. Oh, and our gay characters didn’t come out well either. I understand, books and their times, but good grief….
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