Search and Destroy Vol. 3

サーチアンドデストロイ [Search and Destroy] #3

by Atsushi Kaneko, Osamu Tezuka, Ben Applegate (translator)

Manga creator Atsushi Kaneko (EVOL, Bambi and Her Pink Gun) concludes his cyberpunk retelling of the timeless, Eisner Award–winning Dororo by “God of Manga” Osamu Tezuka (Astro Boy, Buddha).

The broken and discarded creatures of the city have had enough of the caste system that keeps them servile, and they rise up to strike… Doro the little thief must confront their past and make impossible decisions about their future... And Hyaku? Hyaku’s quest to retrieve the stolen pieces of her body is nearly at an end, and her path of righteous and bloody vengeance leads directly to the great betrayer, her father. Robots, humans, creatures, monsters: no one will survive unscathed.

Final conflicts rage in this spectacular conclusion to Atsushi Kaneko’s epic cyberpunk masterpiece! Featuring stunning and visceral artwork and a story that is startlingly relevant to today's audiences, deeply intertwined with the work of Osamu Tezuka's classic samurai manga masterpiece, Dororo.

Genres: Manga, Science Fiction, Comics, Graphic Novels, Japanese Literature, Fiction

328 pages, Paperback

First published March 27, 2020

About the author

Atsushi Kaneko (カネコアツシ, Kaneko Atsushi) es un mangaka japonés nacido en Sakata, prefectura de Yamagata.

Reviews

[Urbon Adamsson · Rating 5 out of 5]

PT Um final épico para uma série verdadeiramente épica.

Se apreciaram a série até aqui, este desfecho não vos irá desiludir.

Trata-se de uma obra repleta de ação e suspense, sustentada por uma história sólida, bem construída e genuinamente interessante.

--

EN An epic conclusion to an epic series.

If you have enjoyed the series so far, this finale will not disappoint.

It is a work full of action and suspense, supported by a solid, well-crafted, and genuinely engaging story.

[emily · Rating 4 out of 5]

4.5/5 stars. Review for the entire series:
Search and Destroy is incredibly fun, fast-paced, and satisfying to read. I had no prior experience with or much knowledge about Dororo, so I can't speak for how repetitive this adaptation/reimaginging might be for Tezuka readers. However, given the present-day contextualization and Kaneko's afterword, I really liked how he made this story his own while re-fitting Dororo's themes for a cyberpunk setting. The characters are compelling, the plot is engaging, and the writing is some of the best I've seen in a current manga serialization. I can't wait to read more Kaneko--and Tezuka!

[Sarah AK · Rating 4 out of 5]

What excites me most about this book is the insane art and the fact that after 55 years, Dororo finally has a conclusion (even if it wasn't what Tezuka may have imagined). I'm not quite sure I understood everything in the end, and it may not be a perfect landing, but we got there.

[Somnium · Rating 4 out of 5]

So… dirty things really do look dirty.

Ovu priču možete interpretirati i doživeti na više načina. Neću se time baviti. Samo ću pomenuti neke od aktera ovih stranica:

Hyaku - devojka kojoj su po rođenu hirurški odstranjeni delovi tela (i to njih 48) i koja pokušava da ih vrati kako bi se osetila "celom". Na početku mange podseća na kiborga, da bi do kraja pomalo poprimila obrise ljudskog bića.





Doro - na oko devojčica, ali ipak dečak, da bi se ispostavilo da može biti i jedno i drugo. Za razliku od Hyaku koja želi natrag svoje ljudske delove, Doro želi da svoje ljudske delove zameni mehaničkim kako bi bio brži, bolji, ubitačniji, jednom rečju - napredniji.



komunistička/brutalistička arhitektura - izbija skoro sa svake druge strane. Na prvim stranama ćete odmah prepoznati Buzludžu, pa potom i spomenik ispred Muzeja kosmonautike u Moskvi, pa onda spomenike iz Treptover parka iz Berlina, Majku Otadžbinu iz Volgograda, Branioce iz Stare Zagore itd. Njihova impozantnost umnogome doprinosi atmosferi u mangi. Osetićete se brutalno mrvišnim, nebitnim i nevidljivim.



bes - najčešće jedina stvar koja vas održava u tom surovom okruženju među robotima i ljudima koji se po surovosti i (ne)empatiji od robota gotovo ne razlikuju. Pored pohlepe i besa, malo šta je ostalo u ljudima, čak i među krvnim srodnicima.



Creechs (roboti) bi da budu prihvaćeni međ' ljudima, da okuse, vide, osete isto što i oni, dok bi ljudi da iskoriste robote za ostvarenje svojih ciljeva. Pojedinci i jedne i druge vrste žele prevlast po svaku cenu, dok im većina "naroda" grca u bedi, blatu, rupama... sa tek ponekim snom o slobodi.

[Travis Duke · Rating 4 out of 5]

The final volume for Search and Destroy. I wish there was more because i liked this series and it felt rushed a bit in vol.2-3. Hyaku fights her way to the mayor, who surprise, she knows. Doro takes up half of this story and to be honest, it was just OK. Too much crammed into vol.3 left me wishing either leave out the Doro story or develop it more. The Doro story sort of came out of nowhere and while it does parallel Hyaku's story I just didnt need it getting ramped up during the climax really. It diminished the impact I felt toward Hyaku getting her revenge. The fight Kyaku had against the kretch business partner was even left totally out, all you see is his body. Look I loved this series especially for the art but maybe 4 volumes. I loved connecting the last bits with the doctor and her father, it was brutal. Volume 1 still stands out as the best and I wish the momentum stayed. Still worth reading just for the art, it is phenomenal.

[Cochon Truffier · Rating 5 out of 5]

Une série pleine de rage, contre l'oppression, le capitalisme, le sexisme; et de ce fait, avoir une heroïne dépossédée de son corps dans une société patriarcale qui verse dans le totalitarisme est une excellente idée (dans le contexte d'une réecriture de Dororo, d'Osamu Tezuka, ou le protagoniste était un homme), l'univers cyberpunk est aussi extrêmement pertinent pour évoquer un état d'inégalités sociales extrêmes et d'une révolution imminente.
Les décors empruntent à l'imagerie sovietique voir parfois Nord-coréenne, dans un climat sibérien, le tout servi par un trait absolument irréprochable, et achèvent une ambiance topissime, et participent encore à moderniser les thèmes que Tezuka évoquait en 1967, et à en apporter de nouveaux, dans une défense des opprimés qu'il n'aurait certainement pas renié.

[Philip McCarty · Rating 5 out of 5]

As a huge fan of Dororo, I can happily say that this series is a wonderful rewriting of it for modern times. I really like the way that this series explored identity, our relationships with technology, and most importantly, the power of rage and anger to help us keep going in times when things are hard (like nowadays). This volume is a cathartic and intense read that offers up a powerful finish to the series. The way in which the lives of Doro and Hyakku cross and drive each other forward amid their pain is a surprisingly uplifting side to what is a very dark story. I'd highly recommend this to anyone who loves a gritty sci-fi or revenge story.

[Gautier Langevin · Rating 5 out of 5]

Chef d’oeuvre de Kaneko. Mes attentes étaient très élevées suite aux deux premiers tomes et je n’ai pas été déçu. L’actualité de ce récit de Tezuka est déconcertante. Kaneko dépeint de main de maître l’absurdité de la guerre, de l’exploitation des masses, des inégalités qui l’accompagne, et de l’enrageante impuissance qui s’ensuit.

[Clint · Rating 4 out of 5]

A spectacular and fittingly bittersweet climax to Hyaku’s journey to reclaim her missing pieces, with Doro stealing the spotlight for an extended period to reveal their own backstory. I’m glad to see this wrap up so satisfyingly, but I’m sad to know this is the end of Kaneko’s visual exploration of this gorgeously realized cyberpunk world.

[Kat · Rating 5 out of 5]

"Die Wut as Tezukas Manga lebt in mir weiter und verleiht mir heute den Mut, meine Werke uu zeichnen. Wenn mein Manga die Kräfte besäße, jemandem da draußen die Einsamkeit zu nehmen und die Wut am Leben zu erhalten, dann könnte ich nicht glücklicher sein."

[Vinayak Hegde · Rating 3 out of 5]

A fitting conclusion to the trilogy. The best part is how nicely the backstories of Hyaku and Doro come together. The author has channeled his anger into the deeply unequal dystopian world and paid tribute to the master Osamu Tezuka's Dororo.

[Monif Chowdhury · Rating 2 out of 5]

Mixed feelings. I have read three works from the author so far and "soil" is still my favourite. Didn’t like this very much.

[Mike · Rating 5 out of 5]

I haven’t read a lot of manga, but I discovered this book on Hoopla. Absolutely loved the series, and this final chapter wrapped everything up nicely.


⭐️🌟⭐️🌟⭐️

[Sam Hayes · Rating 3 out of 5]

The art was impeccable don’t get me wrong but it felt like a forgettable 2017 Image book towards the end, and I don’t mean that as a compliment.

[Aimee · Rating 5 out of 5]

Well that was a fun ride. I enjoyed every moment.

[Ian · Rating 5 out of 5]

Good action-packed stuff

[Chad · Rating 3 out of 5]

This last volume isn't quite as good as the first two. Lost the thread a bit of this woman out for revenge and to retrieve the body parts that had been stolen from her. All the ancillary stuff going on felt unnecessary and detracted from the rest.

[Peter Drummond · Rating 4 out of 5]

Cede no ground to the oppressor, and stay angry, the manga!

[Mee Too · Rating 4 out of 5]

Well, the whole “keep raging “ thing was not a slogan i would live by, and this was a fun rip of a classic.

Cool art and some decent writing imo. Im also very happy that this has come to a conclusion.

3.6🌟