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The Final Score
#1 internationally bestselling author Don Winslow—America’s King of Crime Fiction—is back and he’s better than ever in this intense, deeply felt, gripping collection of six all-new, never-before-published short novels.
In six all-new short novels written with the trademark literary style, trenchant wit, and incisive characterization that have made Don Winslow “America’s greatest living crime writer” (Providence Journal), this repeat New York Times bestselling author serves up a collection of tales sure to delight Winslow’s most devoted fans and first-time readers.
The multi-million-dollar casino heist is impossible—it can’t be done. That’s what makes it irresistible to a legendary robber facing the rest of his life in prison for his “Final Score.” An ambitious, hard-working college-bound teenager has a side job delivering illegal booze to “The Sunday List” until a crooked cop, a seductive customer, and a fake guru threaten to end his dreams. Two wise guys tell each other a “True Story” over breakfast at a diner. It’s all bullshit and laughs until someone else has to pick up the check. An otherwise honest patrolman has to make an excruciating choice between his loyalty to the job and his love for a ne’er-do-well cousin in “The North Wing.” The entitled, substance-addicted movie star that surfer/PI Boone Daniels and his crew are hired to babysit in “The Lunch Break” is a problem. She also has a problem—someone wants her dead. Finally, the one terrible, momentary mistake that a devoted family man makes sends him to prison and on a “Collision” course between the man he wants to be and the killer he’s forced to become to survive.
With a foreword written by award-winning crime author Reed Farrel Coleman, The Final Score is a propulsive, perceptive, and deeply immersive collection of crime writing — the ultimate testament to Don Winslow's prowess as a living legend of the genre.
In six all-new short novels written with the trademark literary style, trenchant wit, and incisive characterization that have made Don Winslow “America’s greatest living crime writer” (Providence Journal), this repeat New York Times bestselling author serves up a collection of tales sure to delight Winslow’s most devoted fans and first-time readers.
The multi-million-dollar casino heist is impossible—it can’t be done. That’s what makes it irresistible to a legendary robber facing the rest of his life in prison for his “Final Score.” An ambitious, hard-working college-bound teenager has a side job delivering illegal booze to “The Sunday List” until a crooked cop, a seductive customer, and a fake guru threaten to end his dreams. Two wise guys tell each other a “True Story” over breakfast at a diner. It’s all bullshit and laughs until someone else has to pick up the check. An otherwise honest patrolman has to make an excruciating choice between his loyalty to the job and his love for a ne’er-do-well cousin in “The North Wing.” The entitled, substance-addicted movie star that surfer/PI Boone Daniels and his crew are hired to babysit in “The Lunch Break” is a problem. She also has a problem—someone wants her dead. Finally, the one terrible, momentary mistake that a devoted family man makes sends him to prison and on a “Collision” course between the man he wants to be and the killer he’s forced to become to survive.
With a foreword written by award-winning crime author Reed Farrel Coleman, The Final Score is a propulsive, perceptive, and deeply immersive collection of crime writing — the ultimate testament to Don Winslow's prowess as a living legend of the genre.
302 pages, Kindle Edition
First published January 27, 2026
1226 people are currently reading
5218 people want to read
About the author
Don Winslow
102 books7,693 followersDon Winslow is the author of twenty-one acclaimed, award-winning international bestsellers, including the New York Times bestsellers The Force and The Border, the #1 international bestseller The Cartel, The Power of the Dog, Savages, and The Winter of Frankie Machine. Savages was made into a feature film by three-time Oscar-winning writer-director Oliver Stone. The Power of the Dog, The Cartel and The Border sold to FX in a major multimillion-dollar deal to air as a weekly television series beginning in 2020.
A former investigator, antiterrorist trainer and trial consultant, Winslow lives in California and Rhode Island.
Librarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information.
A former investigator, antiterrorist trainer and trial consultant, Winslow lives in California and Rhode Island.
Librarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information.
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Displaying 1 - 30 of 314 reviews
February 3, 2026
In a Nutshell: A collection of six short novels, each a character-oriented story of moral conflicts and misdemeanours. Excellent in variety, plot development, writing, pacing, and endings. Much recommended! Don’t read the GR blurb.
~~~~~~~~~~~~~~~~~~~~~~~
The blurb calls author Don Winslow "America's King of Crime Fiction" and “America’s greatest living crime writer”. But I had never even heard of him! 🤭 (Put this down to my relative abstinence from the thriller genre in recent years.) Those two labels were impossible to resist, so with the assurance of this having ‘six short novels’ instead of one full-length novel, I decided to give this collection a go. Now that I read it, I am wondering why I haven’t ever read him before!
It’s important to remember that the book promises six short novels, not short stories. With the total page count being about 300 pages, each entry gets more than enough place to develop properly, with a steady progression, intricate plots, outstanding character development, and a well-developed ending.
The characters make the collection shine even better because of how real they feel and because how much they make us root for them even when they are doing unsavoury things. Almost all the main characters have nuanced personalities instead of the usual 2D portrayal we see in short fiction. Every protagonist displays plenty of emotions and vulnerability, even if they happen to be tough guys.
The writing is literary in nature, so the focus of each story is more on the characters than on the action. Despite this, the stories have enough action to help us feel an adrenaline rush. The stories contain some solid twists that take us by surprise without feeling out of the blue or over the top. Some of the stories contain a dash of wit, but on the whole, the dominant mood is more dramatic.
In the foreword, three-time Edgar-award nominee Reed Farrel Coleman calls the author “a chameleon in the best possible sense for not being tied to a genre or style”. After reading the collection, I can only agree with this assessment. None of the stories feels like an action replay of the earlier entry. Each has a clear distinctness in terms of plot, setting and characters. As the stories are not interconnected and contain (in most cases) a proper start-middle-end, the ‘short novel’ label is justified.
The only aspect in which the stories might have created an even bigger impact is by not having such smooth endings. I don’t mind this that much because I am looking for happier reads these days, which isn't easy to find outside of the romance/uplit genres. Even if I get my shot of joy from stories of crime, I shall take it gladly. But readers more attuned to hardcore crime stories might find the endings in some of these tales too neat.
As always, I rated the ‘stories’ individually. Since there are only six entries, I shall include my brief feedback on each of them. You can see for yourself how high-performing this set was in general.
Overall, I had high expectations from this collection because of the praise showered on the author in the GR blurb, and my actual experience turned out to be even better. I am not a regular reader of the mystery thriller genre because it goes too OTT for my taste and because it focusses more on the plot than on anything else, including prose and character development. Don Winslow’s collection proved that all of this can be built convincingly without losing the impact or momentum of the narrative.
This is my first time reading this author, and I can assure you, it won't be the last.
I stopped reading the GR blurb after the two introductory paras; thank heavens for that! It reveals a bit too much about each of the six stories, which actually would be best discovered by going in blind. So don’t read the blurb. Just go for the book.
Definitely recommended to crime-mystery fans. As these are short novels, they are developed mostly in a traditional way, and hence they ought to work even for readers who don’t enjoy short stories.
4.33 stars. (If you are familiar with my ratings, you know that an average that goes to 4 stars and beyond is outstanding for an anthology.)
My thanks to HarperCollins UK, HarperFiction, and Hemlock Press for providing the DRC of “The Final Score” via NetGalley. This review is voluntary and contains my honest opinion about the book.
~~~~~~~~~~~~~~~~~~~~~~~
I follow the Goodreads rating policy:
⭐⭐⭐⭐⭐ - Lifelong favourite!
⭐⭐⭐⭐ - I loved the book.
⭐⭐⭐ - I liked the book.
⭐⭐ - I found the book average.
⭐ - I hated the book.
The decimals indicate the degree of the in-between feelings.
~~~~~~~~~~~~~~~~~~~~~~~
Connect with me through:
My Blog || The StoryGraph || Instagram || Facebook ||
~~~~~~~~~~~~~~~~~~~~~~~
The blurb calls author Don Winslow "America's King of Crime Fiction" and “America’s greatest living crime writer”. But I had never even heard of him! 🤭 (Put this down to my relative abstinence from the thriller genre in recent years.) Those two labels were impossible to resist, so with the assurance of this having ‘six short novels’ instead of one full-length novel, I decided to give this collection a go. Now that I read it, I am wondering why I haven’t ever read him before!
It’s important to remember that the book promises six short novels, not short stories. With the total page count being about 300 pages, each entry gets more than enough place to develop properly, with a steady progression, intricate plots, outstanding character development, and a well-developed ending.
The characters make the collection shine even better because of how real they feel and because how much they make us root for them even when they are doing unsavoury things. Almost all the main characters have nuanced personalities instead of the usual 2D portrayal we see in short fiction. Every protagonist displays plenty of emotions and vulnerability, even if they happen to be tough guys.
The writing is literary in nature, so the focus of each story is more on the characters than on the action. Despite this, the stories have enough action to help us feel an adrenaline rush. The stories contain some solid twists that take us by surprise without feeling out of the blue or over the top. Some of the stories contain a dash of wit, but on the whole, the dominant mood is more dramatic.
In the foreword, three-time Edgar-award nominee Reed Farrel Coleman calls the author “a chameleon in the best possible sense for not being tied to a genre or style”. After reading the collection, I can only agree with this assessment. None of the stories feels like an action replay of the earlier entry. Each has a clear distinctness in terms of plot, setting and characters. As the stories are not interconnected and contain (in most cases) a proper start-middle-end, the ‘short novel’ label is justified.
The only aspect in which the stories might have created an even bigger impact is by not having such smooth endings. I don’t mind this that much because I am looking for happier reads these days, which isn't easy to find outside of the romance/uplit genres. Even if I get my shot of joy from stories of crime, I shall take it gladly. But readers more attuned to hardcore crime stories might find the endings in some of these tales too neat.
As always, I rated the ‘stories’ individually. Since there are only six entries, I shall include my brief feedback on each of them. You can see for yourself how high-performing this set was in general.
💰 The Final Score: I love heist movies but am wary of reading heist stories as the action somehow doesn't translate to visuals that effectively through mere words. This story proved me so wrong! I absolutely loved it from start to end. It was everything a heist tale should be. - ⭐⭐⭐⭐⭐
🍾 The Sunday List: An impressive character-oriented experience. Went somewhat all over the place at first, but every little bit of info made sense at the end. The last line made me smile, which earned it an extra half-star. - ⭐⭐⭐⭐⭐
🚓 The North Wing: Not my kind of characters, but definitely my kind of writing. Gripping plot from start to end. It's a story that's sad and realistic, which hits harder. - ⭐⭐⭐⭐⭐
💬 True Story: This entire novella is nothing but one wild conversation between a duo. Their names aren't mentioned except when they refer to each other in their dialogues. The start was really interesting, but after a point, I kept losing track of who was speaking until some cue brought me back. This might work for some readers, but I don't do too well with extended conversations. Plus, with the slight overdose of repartee, I felt like I was reading a comedy routine. It was a decent work, but it might have worked better for me if it were written in regular prose or in play script format. - ⭐⭐✨
🏄🏻♂️ The Lunch Break: A good story. I might not remember this in the long run, but while it was on, it was quite entertaining. Loved the characters more than the plot. - ⭐⭐⭐⭐
💥 Collision: I simply couldn’t predict where this story would go. Its characters and plotline kept me captivated throughout. This would have been outstanding as a novel, but even as a short novel, it packs quite the punch. - ⭐⭐⭐⭐✨
Overall, I had high expectations from this collection because of the praise showered on the author in the GR blurb, and my actual experience turned out to be even better. I am not a regular reader of the mystery thriller genre because it goes too OTT for my taste and because it focusses more on the plot than on anything else, including prose and character development. Don Winslow’s collection proved that all of this can be built convincingly without losing the impact or momentum of the narrative.
This is my first time reading this author, and I can assure you, it won't be the last.
I stopped reading the GR blurb after the two introductory paras; thank heavens for that! It reveals a bit too much about each of the six stories, which actually would be best discovered by going in blind. So don’t read the blurb. Just go for the book.
Definitely recommended to crime-mystery fans. As these are short novels, they are developed mostly in a traditional way, and hence they ought to work even for readers who don’t enjoy short stories.
4.33 stars. (If you are familiar with my ratings, you know that an average that goes to 4 stars and beyond is outstanding for an anthology.)
My thanks to HarperCollins UK, HarperFiction, and Hemlock Press for providing the DRC of “The Final Score” via NetGalley. This review is voluntary and contains my honest opinion about the book.
~~~~~~~~~~~~~~~~~~~~~~~
I follow the Goodreads rating policy:
⭐⭐⭐⭐⭐ - Lifelong favourite!
⭐⭐⭐⭐ - I loved the book.
⭐⭐⭐ - I liked the book.
⭐⭐ - I found the book average.
⭐ - I hated the book.
The decimals indicate the degree of the in-between feelings.
~~~~~~~~~~~~~~~~~~~~~~~
Connect with me through:
My Blog || The StoryGraph || Instagram || Facebook ||
December 7, 2025
I’m thrilled to share my thoughts on The Final Score, a dynamic and insightful collection of crime writing that showcases the incredible talent of Don Winslow, a true luminary in the literary world. With an engaging foreword by the award-winning crime author Reed Farrel Coleman, this book promises to be nothing short of spectacular.
Winslow’s mastery shines brightly in this collection of six enthralling short stories. He hooks you from the very first page, immersing you in rich narratives and unforgettable characters that feel strikingly real. For those who loved his previous work, Broken , you’re in for a treat! One of my favourites from that collection, “Crime 101,” is set to be adapted into a film in February 2026, and I can’t contain my excitement!
This new collection is a testament to Winslow’s remarkable versatility and profound depth of knowledge across various themes in the crime genre. Each story is a gem, demonstrating his keen understanding of the intricacies of criminal life and the captivating dialogue that flows through the narratives. Despite the violence that often accompanies these stories, Winslow has a unique ability to weave humour into even the most intense moments, making you chuckle while holding your breath.
If this indeed marks the end of Winslow’s literary journey—as hinted at—it’s a grand finale that solidifies his legacy at the peak of his powers. His backlist is a treasure trove that I eagerly look forward to revisiting.
In the title story, we follow a career criminal determined to pull off one last audacious casino heist to secure his beloved wife’s future before his surrender. “The Sunday List” offers a delightful glimpse into Rhode Island’s Sunday alcohol ban, showcasing a clever teenager who navigates the secret world of supply and demand. “True Story” is a brilliant, dialogue-driven narrative that crackles with wit as wiseguys share their outrageous tales over diner coffee. Meanwhile, “The Lunch Break” features a seasoned PI trying to manage a diva-esque actress, blending humour with tension in an entertaining way. Finally, “Collision” delivers an emotional punch as a celebratory night spirals into tragedy, ultimately leading a high-flying family man to a life-altering moment in prison.
I found myself wishing that these stories would never end—a delightful indulgence for any crime fiction enthusiast. I highly recommend grabbing a copy and adding it to the top of your TBR list. Expected publication date in the UK: January 29, 2026. Expected publication date in Canada and the US
A special thank you to Netgalley, HarperCollins UK, HarperFiction | Hemlock Press for providing the ARC in exchange for an honest review. All opinions are my own.
Winslow’s mastery shines brightly in this collection of six enthralling short stories. He hooks you from the very first page, immersing you in rich narratives and unforgettable characters that feel strikingly real. For those who loved his previous work, Broken , you’re in for a treat! One of my favourites from that collection, “Crime 101,” is set to be adapted into a film in February 2026, and I can’t contain my excitement!
This new collection is a testament to Winslow’s remarkable versatility and profound depth of knowledge across various themes in the crime genre. Each story is a gem, demonstrating his keen understanding of the intricacies of criminal life and the captivating dialogue that flows through the narratives. Despite the violence that often accompanies these stories, Winslow has a unique ability to weave humour into even the most intense moments, making you chuckle while holding your breath.
If this indeed marks the end of Winslow’s literary journey—as hinted at—it’s a grand finale that solidifies his legacy at the peak of his powers. His backlist is a treasure trove that I eagerly look forward to revisiting.
In the title story, we follow a career criminal determined to pull off one last audacious casino heist to secure his beloved wife’s future before his surrender. “The Sunday List” offers a delightful glimpse into Rhode Island’s Sunday alcohol ban, showcasing a clever teenager who navigates the secret world of supply and demand. “True Story” is a brilliant, dialogue-driven narrative that crackles with wit as wiseguys share their outrageous tales over diner coffee. Meanwhile, “The Lunch Break” features a seasoned PI trying to manage a diva-esque actress, blending humour with tension in an entertaining way. Finally, “Collision” delivers an emotional punch as a celebratory night spirals into tragedy, ultimately leading a high-flying family man to a life-altering moment in prison.
I found myself wishing that these stories would never end—a delightful indulgence for any crime fiction enthusiast. I highly recommend grabbing a copy and adding it to the top of your TBR list. Expected publication date in the UK: January 29, 2026. Expected publication date in Canada and the US
A special thank you to Netgalley, HarperCollins UK, HarperFiction | Hemlock Press for providing the ARC in exchange for an honest review. All opinions are my own.
March 10, 2026
3.5/5 Estrellas
No soy ningún experto en Winslow, sólo he leído 3/4 obras suyas.
Estamos ante un libro de relatos, con las limitaciones inherentes al género. Pese a ello, creo que estamos ante un Winslow reconocible, con esos diálogos rápidos, casi cinematográficos, cáusticos y con sus toques de humor negro.
La temática recurrente al mundo del hampa y la delincuencia organizada también nos retrotrae claramente a sus anteriores obras. Si estamos en Rhode Island, ese estado minúsculo de la costa este de EEUU, lugar de acogida de miles de emigrantes europeos durante décadas, asistimos a una mafia tradicional de raigambre mayormente italiana. Si el relato está ambientado en California, el factor mexicano cobra especial relevancia. Da igual, Winslow domina todos los palos.
Quizá el factor diferencial con respecto a otros libros, que yo haya leído, radica en que en determinados relatos hay casi un factor romántico, una suerte de moraleja, con la que Winslow quiere aleccionarnos, a diferencia de la crudeza y la terrible violencia que destilan obras como la "Trilogía del poder del perro"
-"Resultado final": Puedes ser un ladrón, pero incluso en esta profesión, la lealtad y la palabra dada tienen una importancia capital para poder sobrevivir.
-"La lista del domingo": Si eres una buena persona, si trabajas, si te esfuerzas, si te sobrepones a un entorno familiar catastrófico, a veces la vida te sorprende y acaba recompensándote.
-"El ala norte": A veces la lealtad a la familia y a los amigos, lleva a poner en riesgo tu propio futuro. ¿Qué harías tu?
-"¿Cómo te lo cuento?": Este diálogo impostado entre mafiosos es lo peor del libro. ¿Cómo te lo cuento? mejor no te metas a mafioso, que acabas mal seguro.
-"El descanso para comer": El segundo peor tras el anterior. El surf como forma de vida. El amor a la naturaleza como bálsamo curativo. El cariño y el buen trato como mano de santo para arreglar un juguete roto. Pues habrá que créerselo....es un relato.
-"Colisión": El mejor relato y el más largo. Con mimbres para convertirse en una obra de mayor enjundia. Un manifiesto en contra del sistema judicial americano, que aboca a las familias a la ruina debido a las terribles costas de los procesos. Un manifiesto en contra del sistema penitenciario americano, una picadora de carne, donde si tienes la suerte de sobrevivir, la persona que emerge del sistema estará a años luz, física y mentalmente, del hombre o mujer que entró allí. Un aviso, ojo chaval, en este país, cualquier error que cometas puede tener consecuencias terribles: una borrachera a destiempo, un descuido conduciendo, una pelea con un golpe fortuito,......el sistema irá a por ti y te destruirá económica, mental y físicamente....salvo que tengas alguna ayudita del hampa....aunque todo tiene sus consecuencias claro. Aquí nada es gratis. Esta última parte también aplica a el relato de "El ala norte".
Resumiendo. No es el Winslow brutal del "El poder del perro", pero se nota su sello en estos relatos y se disfrutan.
No soy ningún experto en Winslow, sólo he leído 3/4 obras suyas.
Estamos ante un libro de relatos, con las limitaciones inherentes al género. Pese a ello, creo que estamos ante un Winslow reconocible, con esos diálogos rápidos, casi cinematográficos, cáusticos y con sus toques de humor negro.
La temática recurrente al mundo del hampa y la delincuencia organizada también nos retrotrae claramente a sus anteriores obras. Si estamos en Rhode Island, ese estado minúsculo de la costa este de EEUU, lugar de acogida de miles de emigrantes europeos durante décadas, asistimos a una mafia tradicional de raigambre mayormente italiana. Si el relato está ambientado en California, el factor mexicano cobra especial relevancia. Da igual, Winslow domina todos los palos.
Quizá el factor diferencial con respecto a otros libros, que yo haya leído, radica en que en determinados relatos hay casi un factor romántico, una suerte de moraleja, con la que Winslow quiere aleccionarnos, a diferencia de la crudeza y la terrible violencia que destilan obras como la "Trilogía del poder del perro"
-"Resultado final": Puedes ser un ladrón, pero incluso en esta profesión, la lealtad y la palabra dada tienen una importancia capital para poder sobrevivir.
-"La lista del domingo": Si eres una buena persona, si trabajas, si te esfuerzas, si te sobrepones a un entorno familiar catastrófico, a veces la vida te sorprende y acaba recompensándote.
-"El ala norte": A veces la lealtad a la familia y a los amigos, lleva a poner en riesgo tu propio futuro. ¿Qué harías tu?
-"¿Cómo te lo cuento?": Este diálogo impostado entre mafiosos es lo peor del libro. ¿Cómo te lo cuento? mejor no te metas a mafioso, que acabas mal seguro.
-"El descanso para comer": El segundo peor tras el anterior. El surf como forma de vida. El amor a la naturaleza como bálsamo curativo. El cariño y el buen trato como mano de santo para arreglar un juguete roto. Pues habrá que créerselo....es un relato.
-"Colisión": El mejor relato y el más largo. Con mimbres para convertirse en una obra de mayor enjundia. Un manifiesto en contra del sistema judicial americano, que aboca a las familias a la ruina debido a las terribles costas de los procesos. Un manifiesto en contra del sistema penitenciario americano, una picadora de carne, donde si tienes la suerte de sobrevivir, la persona que emerge del sistema estará a años luz, física y mentalmente, del hombre o mujer que entró allí. Un aviso, ojo chaval, en este país, cualquier error que cometas puede tener consecuencias terribles: una borrachera a destiempo, un descuido conduciendo, una pelea con un golpe fortuito,......el sistema irá a por ti y te destruirá económica, mental y físicamente....salvo que tengas alguna ayudita del hampa....aunque todo tiene sus consecuencias claro. Aquí nada es gratis. Esta última parte también aplica a el relato de "El ala norte".
Resumiendo. No es el Winslow brutal del "El poder del perro", pero se nota su sello en estos relatos y se disfrutan.
March 10, 2026
¿Tiene sentido comparar este conjunto de relatos con una novela larga como “El poder del perro” o sus secuelas? No, claro que no lo tiene.
Cualquiera que haya leído a Don Winslow sabe cómo se las gasta, con su ritmo endiablado, su falta de escrúpulos, sus diálogos mordaces, su poca clemencia y el tormento al que somete a sus personajes. Pero claro, no se puede desarrollar lo mismo en ochocientas páginas que en sesenta.
Aun así, lo que conocemos de Winslow lo vamos a encontrar en estos relatos, pero a pequeña escala. Incluyendo un poco de humor y de emotividad oiga, sí sí, han oído ustedes bien.
6 relatos tenemos aquí:
- Una versión exprés de “Ocean’s eleven” que da título al libro
- Una “lista del domingo” que ha sido mi cuento favorito, circular, entrañable y bienintencionado (me estaré haciendo mayor)
- Una típica historia del que comete una terrible torpeza que le hará entrar en una prisión llena de gente mala en la que difícilmente va a sobrevivir
- Un diálogo frenético entre dos mafiosos, uno de una película de Tarantino y otro de una de Scorsese. Te cuesta seguirle el ritmo. Es como un solo de batería de 10 minutos. Al principio lo fiplas y luego acabas saturado
- Uno que sí parece que no la ha escrito Winslow, o quizá lo hizo cuando tenía catorce años, protagonizada por una especie de Britney Spears a la que quizá le guste el surf y eso la vuelva menos estúpida
- Y otra típica historia del que comete una terrible torpeza que le hará entrar en una prisión llena de gente mala en la que difícilmente va a sobrevivir
Quitando la ironía que no puedo evitar desplegar, 6 relatos muy entretenidos que se leen como un tiro y con los que he pasado 6 buenos ratos.
Un 3,5 que redondeo a 4 porque este autor se lo tiene merecido.
Cualquiera que haya leído a Don Winslow sabe cómo se las gasta, con su ritmo endiablado, su falta de escrúpulos, sus diálogos mordaces, su poca clemencia y el tormento al que somete a sus personajes. Pero claro, no se puede desarrollar lo mismo en ochocientas páginas que en sesenta.
Aun así, lo que conocemos de Winslow lo vamos a encontrar en estos relatos, pero a pequeña escala. Incluyendo un poco de humor y de emotividad oiga, sí sí, han oído ustedes bien.
6 relatos tenemos aquí:
- Una versión exprés de “Ocean’s eleven” que da título al libro
- Una “lista del domingo” que ha sido mi cuento favorito, circular, entrañable y bienintencionado (me estaré haciendo mayor)
- Una típica historia del que comete una terrible torpeza que le hará entrar en una prisión llena de gente mala en la que difícilmente va a sobrevivir
- Un diálogo frenético entre dos mafiosos, uno de una película de Tarantino y otro de una de Scorsese. Te cuesta seguirle el ritmo. Es como un solo de batería de 10 minutos. Al principio lo fiplas y luego acabas saturado
- Uno que sí parece que no la ha escrito Winslow, o quizá lo hizo cuando tenía catorce años, protagonizada por una especie de Britney Spears a la que quizá le guste el surf y eso la vuelva menos estúpida
- Y otra típica historia del que comete una terrible torpeza que le hará entrar en una prisión llena de gente mala en la que difícilmente va a sobrevivir
Quitando la ironía que no puedo evitar desplegar, 6 relatos muy entretenidos que se leen como un tiro y con los que he pasado 6 buenos ratos.
Un 3,5 que redondeo a 4 porque este autor se lo tiene merecido.
March 10, 2026
He leído a Winslow por primera vez pero, al parecer, no he leído a Winslow. Eso dicen personas radicalmente más versadas que yo en el tema y cuya opinión leo con muchísimo respeto. Según entendí, este libro de relatos no representa en plenitud la esencia de Winslow quien, en esta ocasión, parece divertirse con cambios de enfoque y perspectiva en cada pequeña historia.
Lo que puedo decir es que capta a la novela negra desde la emoción. Y eso me gustó. El autor ha dicho que este género le da la posibilidad de mostrar el mundo de los más marginados y a desarrollar el gran tema central de la ficción criminal:¿Cómo se logra vivir decentemente en un mundo indecente? (Si es que se logra...)
Algunos de estos relatos tienen un humor mordaz, otros son ásperos y alguno realmente duro. Tienen un espíritu en común de aceptación, de emoción y de cierre.
Mi podio: "La lista del domingo" (El pibe haciendo un laburo medio ilegal para poder estudiar. Los padres hippies y anticapitalistas. La vecina y su copita de los domingos. Directo a mi tierno corazón.). Luego "Colisión" y "Resultado final"
Más allá de mi incertidumbre acerca de a quién he leído en realidad, soy consciente de que he leído algo bueno. Y espero ir por más.
Lo que puedo decir es que capta a la novela negra desde la emoción. Y eso me gustó. El autor ha dicho que este género le da la posibilidad de mostrar el mundo de los más marginados y a desarrollar el gran tema central de la ficción criminal:¿Cómo se logra vivir decentemente en un mundo indecente? (Si es que se logra...)
Algunos de estos relatos tienen un humor mordaz, otros son ásperos y alguno realmente duro. Tienen un espíritu en común de aceptación, de emoción y de cierre.
Mi podio: "La lista del domingo" (El pibe haciendo un laburo medio ilegal para poder estudiar. Los padres hippies y anticapitalistas. La vecina y su copita de los domingos. Directo a mi tierno corazón.). Luego "Colisión" y "Resultado final"
Más allá de mi incertidumbre acerca de a quién he leído en realidad, soy consciente de que he leído algo bueno. Y espero ir por más.
February 10, 2026
‘The Final Score” is actually billed as six short novels, not one full length novel, consisting of The Final Score, The Sunday List, the North Wing, True Story, the Lunch Break and Collision. None are connected and only one has a connection to Winslow’s novels. They are often dark and bleak, but ultimately are tales of survival and fortitude.
The first story, the Final Score, is a classic caper tale of John Highland, out on bail, awaiting sentencing, but wanting one last big score to take care of his wife, Jewel, while he’s behind bars. The target is a tribal casino where the cartels launder millions upon millions of dollars brought in through the kitchen and passed on to “lucky” gamblers. Winslow takes us through the planning right through execution.
The second story is “The Sunday List.” It offers a glimpse into the past of Nick McKenna, who in the heady summer between high school and college, was the Sunday driver for Tillman’s Liquor in a state with Sunday liquor laws. It is a time when a kid has a choice between Vietnam, college, and something else, an age when Mrs. Robinson is on the big screen. Nick has to be the Sunday driver, kind of the unofficial town bootlegger one day a week, when he canput away college money his hippie parents couldn’t give a rat’s ass about.
The third story, the North Wing, is the story of two New England cousins, one a patrolman and the other a drunk who ends 20-year-old Sarah Gaines’ young life on a dark sad night that changed everyone’s lives forever. It’s a lesson on how far the web reaches of cause and effect when you do things you shouldn’t and how many souls get compromised along the way.
The fourth story, True Story, is just a conversation about the jokers in the neighborhood like Bobby Bats and Lenny No Socks. It’s almost a stand-up routine the way these humorous stories are told.
The fifth story, “The Lunch Break” returns to some old favorites from the Dawn Patrol with Boone, Dave, and Tide taking turns playing bodyguards to mega-star Brittany McVeigh to keep her away from Boone and drugs and a possible stalker at least until she finishes filming.
The final selection is Collision, which is a story about how quickly life can change in an instant and all the plans you thought you had go up in smoke. It’s about what it takes to survive such collisions and where it takes you morally, metaphorically, and personally.
The first story, the Final Score, is a classic caper tale of John Highland, out on bail, awaiting sentencing, but wanting one last big score to take care of his wife, Jewel, while he’s behind bars. The target is a tribal casino where the cartels launder millions upon millions of dollars brought in through the kitchen and passed on to “lucky” gamblers. Winslow takes us through the planning right through execution.
The second story is “The Sunday List.” It offers a glimpse into the past of Nick McKenna, who in the heady summer between high school and college, was the Sunday driver for Tillman’s Liquor in a state with Sunday liquor laws. It is a time when a kid has a choice between Vietnam, college, and something else, an age when Mrs. Robinson is on the big screen. Nick has to be the Sunday driver, kind of the unofficial town bootlegger one day a week, when he canput away college money his hippie parents couldn’t give a rat’s ass about.
The third story, the North Wing, is the story of two New England cousins, one a patrolman and the other a drunk who ends 20-year-old Sarah Gaines’ young life on a dark sad night that changed everyone’s lives forever. It’s a lesson on how far the web reaches of cause and effect when you do things you shouldn’t and how many souls get compromised along the way.
The fourth story, True Story, is just a conversation about the jokers in the neighborhood like Bobby Bats and Lenny No Socks. It’s almost a stand-up routine the way these humorous stories are told.
The fifth story, “The Lunch Break” returns to some old favorites from the Dawn Patrol with Boone, Dave, and Tide taking turns playing bodyguards to mega-star Brittany McVeigh to keep her away from Boone and drugs and a possible stalker at least until she finishes filming.
The final selection is Collision, which is a story about how quickly life can change in an instant and all the plans you thought you had go up in smoke. It’s about what it takes to survive such collisions and where it takes you morally, metaphorically, and personally.
March 11, 2026
Como siempre me ocurre cuando son relatos, y yo realmente lo entiendo, que es muy complicado que todos estén al mismo nivel... hay calidad dispar, y es que los relatos son muy distintos entre si, los hay con mucho ritmo y otros, pues mas "suaves" (como los libros de sus primeras etapas, de hecho, el de los surfistas son personajes antiguos de una de sus series).
Eso si, a mi los que mas me gustan son los del primer caso, con ritmo y cañeros, al mas puro estilo Winston.
Sinopsis: Escritas con el estilo inconfundible, el ingenio mordaz y la incisiva caracterización de personajes que han convertido a Don Winslow en «el mejor escritor de novelas policiacas vivo de Estados Unidos» (The Providence Journal) y en un habitual de la lista de los más vendidos de The New York Times, estas seis nuevas novelas cortas sin duda harán las delicias tanto de los fieles seguidores de Winslow como de los lectores que se acerquen por primera vez a su obra.
En «Resultado final», un ladrón legendario a punto de ingresar en prisión para cumplir cadena perpetua planea un robo multimillonario en un casino: un golpe imposible de llevar a cabo y, por eso mismo, irresistible. Valoración: 8/10
Un adolescente ambicioso y emprendedor trabaja haciendo repartos ilegales de alcohol para pagarse la universidad en «La lista del domingo», hasta que un policía corrupto, una clienta seductora y un falso gurú amenazan con truncar sus sueños. Valoración: 7/10
Un policía honrado se ve obligado a elegir entre su lealtad al cuerpo y su cariño por el inútil de su primo en «El ala norte». Valoración:6.85/10
Dos mafiosos pegan la hebra mientras desayunan en una cafetería en «Como te lo cuento», y todo son risas hasta que llega la hora de la verdad. Valoración: 6.5/10
En «El descanso para comer», el surfista y detective privado Boone Daniels y su equipo se encargan de vigilar a una estrella de cine que, además de engreída y politoxicómana, tiene un problema añadido: alguien quiere matarla. Valoración: 6/10
Y, por último, un terrible error momentáneo aboca a un padre de familia a una «Colisión» entre el hombre que aspira a ser y el asesino en el que tiene que convertirse para sobrevivir cuando acaba en prisión. Valoración: 8.5/10
Valoración final: 7.14/10
Eso si, a mi los que mas me gustan son los del primer caso, con ritmo y cañeros, al mas puro estilo Winston.
Sinopsis: Escritas con el estilo inconfundible, el ingenio mordaz y la incisiva caracterización de personajes que han convertido a Don Winslow en «el mejor escritor de novelas policiacas vivo de Estados Unidos» (The Providence Journal) y en un habitual de la lista de los más vendidos de The New York Times, estas seis nuevas novelas cortas sin duda harán las delicias tanto de los fieles seguidores de Winslow como de los lectores que se acerquen por primera vez a su obra.
En «Resultado final», un ladrón legendario a punto de ingresar en prisión para cumplir cadena perpetua planea un robo multimillonario en un casino: un golpe imposible de llevar a cabo y, por eso mismo, irresistible. Valoración: 8/10
Un adolescente ambicioso y emprendedor trabaja haciendo repartos ilegales de alcohol para pagarse la universidad en «La lista del domingo», hasta que un policía corrupto, una clienta seductora y un falso gurú amenazan con truncar sus sueños. Valoración: 7/10
Un policía honrado se ve obligado a elegir entre su lealtad al cuerpo y su cariño por el inútil de su primo en «El ala norte». Valoración:6.85/10
Dos mafiosos pegan la hebra mientras desayunan en una cafetería en «Como te lo cuento», y todo son risas hasta que llega la hora de la verdad. Valoración: 6.5/10
En «El descanso para comer», el surfista y detective privado Boone Daniels y su equipo se encargan de vigilar a una estrella de cine que, además de engreída y politoxicómana, tiene un problema añadido: alguien quiere matarla. Valoración: 6/10
Y, por último, un terrible error momentáneo aboca a un padre de familia a una «Colisión» entre el hombre que aspira a ser y el asesino en el que tiene que convertirse para sobrevivir cuando acaba en prisión. Valoración: 8.5/10
Valoración final: 7.14/10
February 22, 2026
Absolutely brilliant! Audiobook
July 12, 2025
Winslow you sly dog you done done it again. Absolutely brilliant.
November 17, 2025
Six short stories described in one word, Solid!
First time reading a Winslow book and I'm impressed. Not being a huge fan of short stories I didn't expect to enjoy this collection as much as I did. One of the stories is completely dialogue based and that was a 5 star read. Full of smart humor, and playing with Mafia stereotypes, it was a joy to read.
All the stories were enjoyable with great characters and despite their short length they delivered an emotional impact.
If I had to complain about something, I would comment on the fact that the stories felt a bit predictable and that some of them could use a not so happy ending.
Thanks to NetGalley and to HarperCollins UK for providing me with an eArc
8,1/10
First time reading a Winslow book and I'm impressed. Not being a huge fan of short stories I didn't expect to enjoy this collection as much as I did. One of the stories is completely dialogue based and that was a 5 star read. Full of smart humor, and playing with Mafia stereotypes, it was a joy to read.
All the stories were enjoyable with great characters and despite their short length they delivered an emotional impact.
If I had to complain about something, I would comment on the fact that the stories felt a bit predictable and that some of them could use a not so happy ending.
Thanks to NetGalley and to HarperCollins UK for providing me with an eArc
8,1/10
February 27, 2026
El libro es una serie de seis relatos que se leen muy rápido pero que están muy lejos del mejor Winslow. La mayoría de los relatos son normalitos y rutinarios, siendo Colisión, el último, el mejor y el que más se acerca a ese estilo suyo tan característico que ha convertido a Don Winslow en el mejor escritor de novelas y thrillers policíacos. Aún así, los fanáticos del autor -entre los que me incluyo- lo disfrutarán. Porque la escritura de Winslow siempre es un placer.
February 6, 2026
Mira que a mi los libros hechos de sobras, o de multirelatos, no me convencen y huyo de ellos.
Pero este no es el caso. De Las 6 historias, 5 son cojonudas. Una, flojilla. Pero vamos muy buen libro.
El autor en ppio, estaba ya retirado,y me imagino que estos relatos los tendría hechos desde hace años y por cualquier motivo no salieron adelante. Y la editorial, pues no iba a dejar escapar un chollo así.
Muy recomendable. Vale que el autor, es de mis preferidos, pero es que no tiene libro malo.
Pero este no es el caso. De Las 6 historias, 5 son cojonudas. Una, flojilla. Pero vamos muy buen libro.
El autor en ppio, estaba ya retirado,y me imagino que estos relatos los tendría hechos desde hace años y por cualquier motivo no salieron adelante. Y la editorial, pues no iba a dejar escapar un chollo así.
Muy recomendable. Vale que el autor, es de mis preferidos, pero es que no tiene libro malo.
March 16, 2026
4.5 sterren in Humo.
Bij misdaadauteur Don Winslow spat er altijd één ding meer van het blad dan bloed, en dat is schrijfplezier. In zijn aanzienlijke oeuvre levert America's King of Crime Fiction keer op keer meeslepende verhalen af die zo authentiek zijn dat je zou denken dat Winslow in zijn vorige levens straatboefje, surfer, Mexicaanse drugbaron, New Yorkse politieagent, Al Capone én Don Corleone was.
Met zes uiteenlopende verhalen biedt de bundel Eindscore de ideale biotoop om de kameleon in zichzelf te cultiveren: een onmogelijke casino-overval; een verwende, bloedirritante filmster die bewaking nodig heeft tegen een stalker — en tegen zichzelf; een agent die een pijnlijke keuze moet maken tussen job en familie wanneer hij zijn neefje uit een gevaarlijke gevangenisvleugel wil houden. En in het langste verhaal brengt één impulsieve daad een toegewijde familieman achter tralies waar hij zichzelf hoognodig moet aanpassen om staande te blijven. Hoe verschillend ook: elk verhaal knalt in zes seconden naar 100 km/u en waarborgt instant leesverslaving. De genreknipoogjes en de verscheidene jargons waarmee Winslow zijn personages begiftigt, nemen niet weg dat gevoelswereld en morele kwesties telkens centraal staan. De haarfijn beschreven taferelen gooien je hulpeloos van scène tot scène, alsof elke bladzijde vanzelf op het witte doek wordt geprojecteerd.
En toch zijn het allicht de twee minst spannende verhalen die Stephen King ertoe brachten Eindscore te bejubelen als 'de beste misdaadfictie die hij de laatste twintig jaar heeft gelezen'.In een oergeestig roddelgesprek tussen twee maffialeden en in de schets van een hardwerkende tiener die als bijbaantje illegale drank bezorgt, zien we voluit waar Winslow nog het meest in excelleert: dankzij enkele uitgekiende kenmerken, sappige dialogen en vlijmscherpe humor de menselijkheid van elk individu — hoe crimineel dan ook — resoluut naar de voorgrond brengen.
Moge dit leesfestijn bovendien zo veel mogelijk lezers katapulteren naar Winslows verbluffend opgebouwde politieroman 'Lek' en zijn grandioze Amerikaans-Mexicaanse grens-trilogie.
Bij misdaadauteur Don Winslow spat er altijd één ding meer van het blad dan bloed, en dat is schrijfplezier. In zijn aanzienlijke oeuvre levert America's King of Crime Fiction keer op keer meeslepende verhalen af die zo authentiek zijn dat je zou denken dat Winslow in zijn vorige levens straatboefje, surfer, Mexicaanse drugbaron, New Yorkse politieagent, Al Capone én Don Corleone was.
Met zes uiteenlopende verhalen biedt de bundel Eindscore de ideale biotoop om de kameleon in zichzelf te cultiveren: een onmogelijke casino-overval; een verwende, bloedirritante filmster die bewaking nodig heeft tegen een stalker — en tegen zichzelf; een agent die een pijnlijke keuze moet maken tussen job en familie wanneer hij zijn neefje uit een gevaarlijke gevangenisvleugel wil houden. En in het langste verhaal brengt één impulsieve daad een toegewijde familieman achter tralies waar hij zichzelf hoognodig moet aanpassen om staande te blijven. Hoe verschillend ook: elk verhaal knalt in zes seconden naar 100 km/u en waarborgt instant leesverslaving. De genreknipoogjes en de verscheidene jargons waarmee Winslow zijn personages begiftigt, nemen niet weg dat gevoelswereld en morele kwesties telkens centraal staan. De haarfijn beschreven taferelen gooien je hulpeloos van scène tot scène, alsof elke bladzijde vanzelf op het witte doek wordt geprojecteerd.
En toch zijn het allicht de twee minst spannende verhalen die Stephen King ertoe brachten Eindscore te bejubelen als 'de beste misdaadfictie die hij de laatste twintig jaar heeft gelezen'.In een oergeestig roddelgesprek tussen twee maffialeden en in de schets van een hardwerkende tiener die als bijbaantje illegale drank bezorgt, zien we voluit waar Winslow nog het meest in excelleert: dankzij enkele uitgekiende kenmerken, sappige dialogen en vlijmscherpe humor de menselijkheid van elk individu — hoe crimineel dan ook — resoluut naar de voorgrond brengen.
Moge dit leesfestijn bovendien zo veel mogelijk lezers katapulteren naar Winslows verbluffend opgebouwde politieroman 'Lek' en zijn grandioze Amerikaans-Mexicaanse grens-trilogie.
January 31, 2026
Thank you William Morrow for an ARC
Actually such a solid short story collection!
Full review to come
Actually such a solid short story collection!
Full review to come
July 29, 2025
I was pretty thrilled when the announcement of Winslow's latest came across the ole newsfeed (like many, his retirement announcement a few years back left me literary depressed). Happy to say, with The Final Score, Winslow is at his best. All 6 of the stories within The Final Score showcase his better than all writing skills, which, for me, has always been his characterization. How he gets us to care so deeply, so quickly (and in SHORT stories) for people is astounding. It likely has something to do with the situations in which he places his characters, but their dialogue (True Story & The Lunch Break) is so sharp, so witty, so hilarious, so ... real, is the real gift. And fans of Winslow's other works will be happy they get to hang with Boone Daniels again. Perhaps it says something that I can't say I had a favorite of the 6 stories; all are equally weighted in character, but ... his use of "-uh," following most of Brittany McVeigh's sentences in "The Lunch Break" is a simple highlight. And if you don't find yourself rooting for Brad McAlister's plight in "Collision" then you might not get one of the overarching themes of his book - choices determine our fate.
Although I received a galley copy, I have still ordered myself a copy off of Barnes and Noble. Winslow deserves the support.
Thank you, Christopher Connolly and Harper, for the galley copy of the book.
Although I received a galley copy, I have still ordered myself a copy off of Barnes and Noble. Winslow deserves the support.
Thank you, Christopher Connolly and Harper, for the galley copy of the book.
August 24, 2025
I was very happy to see another release by Don Winslow as I had thought he’d retired from writing. This book was comprised of six short stories with interesting titles, characters, and storylines. I usually don’t feel super engaged in a short story but these progressively became more interesting as I read the next one. I haven’t really ever been disappointed in a Don Winslow book so another solid rating was in order for me!
Thank you to both Netgalley and the publisher in exchange for an honest review.
Thank you to both Netgalley and the publisher in exchange for an honest review.
January 30, 2026
Any Winslow book is going to be an automatic 5 star read. I hope he stays out of retirement for more books.
Ranking of stories:
Collision
The Lunch Break
The Final Score
The North Wing
The Sunday List
True Story
Even True Story, ranked lowest, is an excellent story, told strictly through a conversation. But the highs of Collision and the Lunch Break and the Final Score… Winslow has done it again.
Ranking of stories:
Collision
The Lunch Break
The Final Score
The North Wing
The Sunday List
True Story
Even True Story, ranked lowest, is an excellent story, told strictly through a conversation. But the highs of Collision and the Lunch Break and the Final Score… Winslow has done it again.
February 11, 2026
Escribir relatos siempre me ha parecido especialmente complicado. Conseguir calar en el lector en pocas páginas, hacerlo varias veces seguidas y con historias distintas no es nada fácil. Nunca he conectado del todo con este formato: suelo quedarme con la sensación de que no me da tiempo a entrar en las historias o a implicarme de verdad. Por eso me “sorprendió” tanto que Resultado final haya sido el libro que me reconciliara definitivamente con los relatos.
He puesto entre comillas “sorprendió” porque admito que Don Winslow tiene una habilidad especial: consigue que me guste todo lo que escribe, incluso aquí, cuando el formato no suele ir conmigo. No esperaba que un libro de relatos me atrapara de esta manera, me ha parecido un auténtico librazo.
Si no conocéis al autor, suele escribir thrillers sobre criminales, de bandas organizadas, atracos, corrupción, dr0ga, el cartel… En Resultado final encontramos pequeñas dosis de todo eso repartidas en seis relatos independientes entre sí y absolutamente brillantes.
No son muy largos, pero lo suficiente para engancharnos y darnos esa especie de adrenalina que hace que queramos leer la siguiente historia para ver con qué nos sorprende y dejarnos con pena al cerrar el libro.
Sin entrar en detalle de cada relato, sí que os diré que me han gustado todos. Son dinámicos, tensos y algunos incluso tienen ese toque de humor que es como la marca de la casa. También aparecen esos clichés del cine estadounidense que tanto le caracterizan, pero que aquí juegan a su favor y suman personalidad a cada historia.
Resultado final es un libro impecable. Don Winslow demuestra que no necesita cientos de páginas para construir historias potentes y memorables. Para mí, este libro es la prueba de que, cuando un autor sabe lo que hace, incluso un formato que no es el que nos guste puede convertirse en uno de nuestros mejores descubrimientos.
Poco más tengo que añadir… es un libro redondo y no le encuentro ninguna pega.
He puesto entre comillas “sorprendió” porque admito que Don Winslow tiene una habilidad especial: consigue que me guste todo lo que escribe, incluso aquí, cuando el formato no suele ir conmigo. No esperaba que un libro de relatos me atrapara de esta manera, me ha parecido un auténtico librazo.
Si no conocéis al autor, suele escribir thrillers sobre criminales, de bandas organizadas, atracos, corrupción, dr0ga, el cartel… En Resultado final encontramos pequeñas dosis de todo eso repartidas en seis relatos independientes entre sí y absolutamente brillantes.
No son muy largos, pero lo suficiente para engancharnos y darnos esa especie de adrenalina que hace que queramos leer la siguiente historia para ver con qué nos sorprende y dejarnos con pena al cerrar el libro.
Sin entrar en detalle de cada relato, sí que os diré que me han gustado todos. Son dinámicos, tensos y algunos incluso tienen ese toque de humor que es como la marca de la casa. También aparecen esos clichés del cine estadounidense que tanto le caracterizan, pero que aquí juegan a su favor y suman personalidad a cada historia.
Resultado final es un libro impecable. Don Winslow demuestra que no necesita cientos de páginas para construir historias potentes y memorables. Para mí, este libro es la prueba de que, cuando un autor sabe lo que hace, incluso un formato que no es el que nos guste puede convertirse en uno de nuestros mejores descubrimientos.
Poco más tengo que añadir… es un libro redondo y no le encuentro ninguna pega.
February 1, 2026
The Final Score is a sharp, highly entertaining collection of six long short stories that shows exactly why Don Winslow is so good at this. The writing is lean, confident, and tightly paced, with strong character work and none of the bloat or stylistic gimmicks that sink lesser crime fiction. Some stories are merely very good, a couple are excellent, but all of them feel purposeful and complete.
I especially enjoyed the Southern California settings—Winslow clearly knows the terrain. Two stories set in San Diego County (including an East County Indian casino heist and a bratty movie star tale in La Jolla and Pacific Beach) add a fun, grounded sense of place. Gritty, smart, and well executed. 4.25 stars.
I especially enjoyed the Southern California settings—Winslow clearly knows the terrain. Two stories set in San Diego County (including an East County Indian casino heist and a bratty movie star tale in La Jolla and Pacific Beach) add a fun, grounded sense of place. Gritty, smart, and well executed. 4.25 stars.
February 14, 2026
I had never read Don Winslow before. I knew him on social media — his tweets were fine, not spectacular — , and so I didn’t think he could be a very good writer. Oh, man…
It seems that he had announced his retirement. And then, after a while, he began writing… for no special reason… and he couldn’t stop. He wrote without deadlines. Without pressure. It just happened. So he says. He says that two of these little novellas are the best things he ever wrote. The Final Score and Collision. And some of the reviews I looked at seemed to agree. The first one, which is a caper, is very good. Reminds a little bit of Westlake. The second is just a noir knockout. Like David Hume, I like to say that often I don’t read books, I read *in* them. And with a collection like this, there is no compulsion to complete. So with this, I will stop.
It seems that he had announced his retirement. And then, after a while, he began writing… for no special reason… and he couldn’t stop. He wrote without deadlines. Without pressure. It just happened. So he says. He says that two of these little novellas are the best things he ever wrote. The Final Score and Collision. And some of the reviews I looked at seemed to agree. The first one, which is a caper, is very good. Reminds a little bit of Westlake. The second is just a noir knockout. Like David Hume, I like to say that often I don’t read books, I read *in* them. And with a collection like this, there is no compulsion to complete. So with this, I will stop.
September 4, 2025
I really liked these!
This was my first time reading Don Winslow and won’t be my last! This collection of short stories was a great introduction to the types of books he writes, which I think I’ll thoroughly enjoy! There are six stories total, each around 40 pages except for the last which was 90+. I liked every single story! The first story, which is about a heist, was so entertaining, I was wishing for more. The second story started off a little slow but had a fantastic ending, and has since stuck with me. Another story is purely dialogue between two men, and I absolutely loved the dark humor. The second to last has a beautiful character arc, but the final story (Collision) was my favorite. Collision is about a guy who makes one stupid, heat-of-the-moment mistake, and whose whole life, and his family’s, is irrevocably changed from it. I absolutely devoured that one.
Two of the stories touch on the horrors of prison. Most have a theme of redemption. And all had characters who had to deal with the consequences their choices led them to.
𝑾𝒉𝒐 𝑰'𝒅 𝑹𝒆𝒄𝒐𝒎𝒎𝒆𝒏𝒅 𝒕𝒐:
Anyone that likes short story collections or crime fiction.
4.5/5 rounded up
This was my first time reading Don Winslow and won’t be my last! This collection of short stories was a great introduction to the types of books he writes, which I think I’ll thoroughly enjoy! There are six stories total, each around 40 pages except for the last which was 90+. I liked every single story! The first story, which is about a heist, was so entertaining, I was wishing for more. The second story started off a little slow but had a fantastic ending, and has since stuck with me. Another story is purely dialogue between two men, and I absolutely loved the dark humor. The second to last has a beautiful character arc, but the final story (Collision) was my favorite. Collision is about a guy who makes one stupid, heat-of-the-moment mistake, and whose whole life, and his family’s, is irrevocably changed from it. I absolutely devoured that one.
Two of the stories touch on the horrors of prison. Most have a theme of redemption. And all had characters who had to deal with the consequences their choices led them to.
𝑾𝒉𝒐 𝑰'𝒅 𝑹𝒆𝒄𝒐𝒎𝒎𝒆𝒏𝒅 𝒕𝒐:
Anyone that likes short story collections or crime fiction.
4.5/5 rounded up
March 12, 2026
"La domanda è: cosa fa più male, un chiodo nel piede o tua moglie che si scopa un altro?".
L'ultimo colpo, ultima fatica letteraria di Don Winslow (ultima in ogni senso, visto che lo scrittore statunitense ha annunciato il ritiro), è un noir dal ritmo molto veloce e con personaggi travagliati. Ci troveremo sei racconti brevi ma intensi in cui, come spesso succede nelle opere di Winslow, nessuno esce incolume (anche nel profondo dell'anima) dalle proprie decisioni e dove umanità e violenza si intrecciano come non mai.
Sei racconti dalla scrittura tagliente e vagamente malinconica.
Vediamoli brevemente:
- L'ultimo colpo: Prima di finire all'ergastolo, un vecchio rapinatore, vera e propria leggenda nel suo "campo", progetta un ultimo colpo per sistemare economicamente la sua compagna;
- La lista della domenica: Un ragazzo, per potersi pagare la retta scolastica, è costretto a fare da corriere per la distribuzione di alcolici illegali;
- L'ala nord: Un poliziotto onesto ma con un cugino scansafatiche finito in carcere, deve decidere tra dovere e famiglia;
- Una storia vera: Due gangster, mentre mangiano al ristorante, chiacchierano del più e del meno… ma qualcun altro dovrà pagare il conto!
- La pausa pranzo: questo racconto segna il ritorno di Boone Daniels (il detective-surfista già visto in altri romanzi di Don Winslow) che, insieme ai suoi amici poliziotti-surfisti, saranno incaricati di proteggere una nota attrice da uno stalker;
- Collisione: Un uomo onesto, gran lavoratore ed affettuoso padre di famiglia, finisce in carcere per un unico ma fatale errore. Anni dopo ne uscirà profondamente cambiato ed intenzionato e difendere quello che ha di più caro al mondo.
Come vedete, si tratta di racconti che parlano di scelte inevitabili e determinazione nel sottile confine tra bene e male. Un libro insomma per gli amanti del genere e per chi non ha mai letto nulla di Don Winslow che, come ho detto poc'anzi, è ai saluti finali.
[https://lastanzadiantonio.blogspot.co...]
L'ultimo colpo, ultima fatica letteraria di Don Winslow (ultima in ogni senso, visto che lo scrittore statunitense ha annunciato il ritiro), è un noir dal ritmo molto veloce e con personaggi travagliati. Ci troveremo sei racconti brevi ma intensi in cui, come spesso succede nelle opere di Winslow, nessuno esce incolume (anche nel profondo dell'anima) dalle proprie decisioni e dove umanità e violenza si intrecciano come non mai.
Sei racconti dalla scrittura tagliente e vagamente malinconica.
Vediamoli brevemente:
- L'ultimo colpo: Prima di finire all'ergastolo, un vecchio rapinatore, vera e propria leggenda nel suo "campo", progetta un ultimo colpo per sistemare economicamente la sua compagna;
- La lista della domenica: Un ragazzo, per potersi pagare la retta scolastica, è costretto a fare da corriere per la distribuzione di alcolici illegali;
- L'ala nord: Un poliziotto onesto ma con un cugino scansafatiche finito in carcere, deve decidere tra dovere e famiglia;
- Una storia vera: Due gangster, mentre mangiano al ristorante, chiacchierano del più e del meno… ma qualcun altro dovrà pagare il conto!
- La pausa pranzo: questo racconto segna il ritorno di Boone Daniels (il detective-surfista già visto in altri romanzi di Don Winslow) che, insieme ai suoi amici poliziotti-surfisti, saranno incaricati di proteggere una nota attrice da uno stalker;
- Collisione: Un uomo onesto, gran lavoratore ed affettuoso padre di famiglia, finisce in carcere per un unico ma fatale errore. Anni dopo ne uscirà profondamente cambiato ed intenzionato e difendere quello che ha di più caro al mondo.
Come vedete, si tratta di racconti che parlano di scelte inevitabili e determinazione nel sottile confine tra bene e male. Un libro insomma per gli amanti del genere e per chi non ha mai letto nulla di Don Winslow che, come ho detto poc'anzi, è ai saluti finali.
[https://lastanzadiantonio.blogspot.co...]
March 6, 2026
This collection was so good, especially the last story, "Collision." The tone and quality of writing reminded me of Winslow's incredible Power of the Dog trilogy.
My only gripe is that I wish each of these novellas was a full-fledged novel.
"The Final Score": 3.5
"The Sunday List": 4
"The North Wing": 4.5
"True Story": 3
"The Lunch Break": 3
"Collision": 5
My only gripe is that I wish each of these novellas was a full-fledged novel.
"The Final Score": 3.5
"The Sunday List": 4
"The North Wing": 4.5
"True Story": 3
"The Lunch Break": 3
"Collision": 5
February 9, 2026
How have I only just discovered this gifted author? This collection of six short, hard-hitting crime stories is utterly compelling. The expertly constructed plots, sharp dialogue, and richly drawn characters make each story impossible to put down; I found myself reading the entire book in two sittings. Every vignette is meticulously crafted and leaves a lasting impression.
It is easy to see why he is an internationally acclaimed author and a master of the crime-thriller genre. I am very much looking forward to exploring his back catalogue.
It is easy to see why he is an internationally acclaimed author and a master of the crime-thriller genre. I am very much looking forward to exploring his back catalogue.
February 19, 2026
This originally appeared at The Irresponsible Reader. If you like this post, you might like others on that site. Consider checking it out!
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SHORT NOVELS?
Let's address this thing that's been irking me. The title page calls these "Six Short Novels."
Nope. Just nope.
I know, there are no hard and fast rules about length of a novel, novella, etc. But five of these works clock in around 40 pages. That is not—no way, no how—a novel.
The sixth, "Collision," is around 90 pages. I'll buy that as a novella—or a "short novel." But even that feels like stretching things too much.
Just had to get that off of my chest—it's been bugging me since I read the Table of Contents.
Also, that's the last negative you're going to see in this post.
WHAT'S THE FINAL SCORE?
Don Winslow un-retires with this stunning collection of six crime stories. Beyond that, it's hard to describe them all as a group—they all differ in tone, voice, side of the law, style, and how much you'd like to see the protagonist punished/get away with something.
"THE FINAL SCORE"
We start off with the "title track"—a story about a man who's made a career of robbery, trying to go for his final score to provide for his wife as his career is ending. There's something sweet about it (if you ignore all the felonies and risks to human life).
But there are surprises waiting for him.
This is a solid start to the book—I liked the characters, the pacing, and story. It's not Winslow's best, but I'm not complaining about it.
"THE SUNDAY LIST"
This is only a crime story by technicality. But whatever it is, I really enjoyed it.
In the shadow of the Vietnam draft, Nick, a teenager with ambition beyond the hippie life his parents live, works hard to make it to college—and will do all sorts of things to get the money for it. Even if that means crossing a few lines.
"THE NORTH WING"
There's an old-school mafia vibe to this story. Family ties are tested when a police officer's cousin gets into legal trouble.
There are so many beats in this story that feel familiar—even if only from Winslow's oeuvre. But there's a freshness to it, and Winslow's ability to make you care about anything that separates this from the familiar.
"TRUE STORY"
Remember the part in Goodfellas where Henry Hill tells us all the names and nicknames of the men he works with? Imagine if that went on for pages and pages—with some digressions for stories about some of the men with those monikers.
In something that feels like it could've been a comic-relief in The Sopranos, this features two guys with some sort of mob ties in an extended conversation over breakfast. They're basically gossiping about various men they know—what they've been up to lately, where their nickname comes from, and whatnot.
It was ridiculously fun—and every time you start to think that the shtick might be getting tired, they say something else that makes you get over it.
I strongly suggest making sure that you have enough time to finish this one before you start it—the end of my lunch break interrupted things for me, and it took a little too much effort to get back into the flow of things when I got home. But it was so worth it.
If it weren't for the next story, I'd say it was the most entertaining entry in the collection.
"THE LUNCH BREAK"
But in any collection featuring Winslow's Dawn Patrol, just about everything else is going to pale in comparison—at least for me. Boone is hired to watch over a movie star to keep her from getting carried away with drugs, drink, carousing, or anything else that will derail filming of her current film. He brings along Dave the Love God and High Tide to provide around-the-clock observation.
Things get wild from there.
This might be my favorite Dawn Patrol story since the first novel. (in a perfect world, Winslow's next collection would be all his short Dawn Patrol stories with a few new ones thrown in)
"COLLISION"
The crowning achievement of the book. From the beginning you can tell that things are going too well, and that just can't last.
And it doesn't. What comes next will cause your stomach to drop. Your blood pressure to spike. Your heart to come close to breaking (if not further). I don't know what to say that won't take away from the experience for you—and I don't want to do that.
It's just so good.
WHY DID I PICK THIS UP? WHY DID I KEEP READING?
When I decided that I want to start talking about this kind of thing, I didn't really think it through. Sometimes, it's just this simple.
I picked it up because: Don Winslow.
I kept reading because: Don Winslow.
WHAT DOES THIS BOOK TELL US ABOUT HUMANITY?
One thing that seems prominent through all of these stories (with one possible exception) is the human potential, if not propensity, to change.
It's not always going to be for the best—or even for the better. Sometimes change will just be change. Sometimes change will be for the detriment of the person doing the changing—or those they love.
But the characters in this book are not static, even in these short pages, they evolve, they develop, they show that whatever their lives may be like at one point in their life (not always in their youth), they can—through their choices and actions (frequently pushed by choices and actions of others), their stories, their lives, are not set in stone—they can change the direction they head in.
It's both inspiring and a warning.
SO, WHAT DID I THINK ABOUT THE FINAL SCORE?
Reed Farrel Coleman pays tribute to Winslow in the Foreword to this collection, talking about Winslow's dedication to the craft, his gifted writing, and the diversity of stories he tells. Which is incredibly fitting for this book—which really just shows off that ability of Winslow's.
Every story in this collection was a winner, will likely end up in your personal "all time short story canon," and will make you want to re-read them again and again to fully appreciate them.
I can't recommend this enough.
---
SHORT NOVELS?
Let's address this thing that's been irking me. The title page calls these "Six Short Novels."
Nope. Just nope.
I know, there are no hard and fast rules about length of a novel, novella, etc. But five of these works clock in around 40 pages. That is not—no way, no how—a novel.
The sixth, "Collision," is around 90 pages. I'll buy that as a novella—or a "short novel." But even that feels like stretching things too much.
Just had to get that off of my chest—it's been bugging me since I read the Table of Contents.
Also, that's the last negative you're going to see in this post.
WHAT'S THE FINAL SCORE?
Don Winslow un-retires with this stunning collection of six crime stories. Beyond that, it's hard to describe them all as a group—they all differ in tone, voice, side of the law, style, and how much you'd like to see the protagonist punished/get away with something.
"THE FINAL SCORE"
We start off with the "title track"—a story about a man who's made a career of robbery, trying to go for his final score to provide for his wife as his career is ending. There's something sweet about it (if you ignore all the felonies and risks to human life).
But there are surprises waiting for him.
This is a solid start to the book—I liked the characters, the pacing, and story. It's not Winslow's best, but I'm not complaining about it.
"THE SUNDAY LIST"
This is only a crime story by technicality. But whatever it is, I really enjoyed it.
In the shadow of the Vietnam draft, Nick, a teenager with ambition beyond the hippie life his parents live, works hard to make it to college—and will do all sorts of things to get the money for it. Even if that means crossing a few lines.
"THE NORTH WING"
There's an old-school mafia vibe to this story. Family ties are tested when a police officer's cousin gets into legal trouble.
There are so many beats in this story that feel familiar—even if only from Winslow's oeuvre. But there's a freshness to it, and Winslow's ability to make you care about anything that separates this from the familiar.
"TRUE STORY"
Remember the part in Goodfellas where Henry Hill tells us all the names and nicknames of the men he works with? Imagine if that went on for pages and pages—with some digressions for stories about some of the men with those monikers.
In something that feels like it could've been a comic-relief in The Sopranos, this features two guys with some sort of mob ties in an extended conversation over breakfast. They're basically gossiping about various men they know—what they've been up to lately, where their nickname comes from, and whatnot.
It was ridiculously fun—and every time you start to think that the shtick might be getting tired, they say something else that makes you get over it.
I strongly suggest making sure that you have enough time to finish this one before you start it—the end of my lunch break interrupted things for me, and it took a little too much effort to get back into the flow of things when I got home. But it was so worth it.
If it weren't for the next story, I'd say it was the most entertaining entry in the collection.
"THE LUNCH BREAK"
But in any collection featuring Winslow's Dawn Patrol, just about everything else is going to pale in comparison—at least for me. Boone is hired to watch over a movie star to keep her from getting carried away with drugs, drink, carousing, or anything else that will derail filming of her current film. He brings along Dave the Love God and High Tide to provide around-the-clock observation.
Things get wild from there.
"She sounds like trouble, bruddah."
"She's about five-three, can't go more than a buck-five," Dave said. "How much trouble could she be?"
Now he knows.
Bad things come in small packages.
This might be my favorite Dawn Patrol story since the first novel. (in a perfect world, Winslow's next collection would be all his short Dawn Patrol stories with a few new ones thrown in)
"COLLISION"
The crowning achievement of the book. From the beginning you can tell that things are going too well, and that just can't last.
And it doesn't. What comes next will cause your stomach to drop. Your blood pressure to spike. Your heart to come close to breaking (if not further). I don't know what to say that won't take away from the experience for you—and I don't want to do that.
It's just so good.
WHY DID I PICK THIS UP? WHY DID I KEEP READING?
When I decided that I want to start talking about this kind of thing, I didn't really think it through. Sometimes, it's just this simple.
I picked it up because: Don Winslow.
I kept reading because: Don Winslow.
WHAT DOES THIS BOOK TELL US ABOUT HUMANITY?
One thing that seems prominent through all of these stories (with one possible exception) is the human potential, if not propensity, to change.
It's not always going to be for the best—or even for the better. Sometimes change will just be change. Sometimes change will be for the detriment of the person doing the changing—or those they love.
But the characters in this book are not static, even in these short pages, they evolve, they develop, they show that whatever their lives may be like at one point in their life (not always in their youth), they can—through their choices and actions (frequently pushed by choices and actions of others), their stories, their lives, are not set in stone—they can change the direction they head in.
It's both inspiring and a warning.
SO, WHAT DID I THINK ABOUT THE FINAL SCORE?
Reed Farrel Coleman pays tribute to Winslow in the Foreword to this collection, talking about Winslow's dedication to the craft, his gifted writing, and the diversity of stories he tells. Which is incredibly fitting for this book—which really just shows off that ability of Winslow's.
Every story in this collection was a winner, will likely end up in your personal "all time short story canon," and will make you want to re-read them again and again to fully appreciate them.
I can't recommend this enough.
February 16, 2026
I’ll start with an appreciation for how difficult it is to write stories of this length (not quite as long as a novella, but longer than a short story), and this is the second time (the first being Broken) that Winslow had done so flawlessly.
This time it’s mostly completely new material, though we do get a delightful visit with our old pals from the Dawn Patrol.
Readers like me who love Winslow’s work but sometimes struggle with the moral brutally violent, visceral elements will find this one pleasantly easier to take. Aside from Bobby Z, I think this is the first time I’ve made it through a Winslow novel or collection without involuntarily squinting and cringing.
But don’t worry, that hasn’t lessened the intensity and suspense Winslow brings to the table. Other than True Story, which is all dialogue and only an okay read, these are all five-star stories.
My favorite was probably Collision, though it was very hard to choose.
*I received an ARC of this book in exchange for an honest review.*
This time it’s mostly completely new material, though we do get a delightful visit with our old pals from the Dawn Patrol.
Readers like me who love Winslow’s work but sometimes struggle with the moral brutally violent, visceral elements will find this one pleasantly easier to take. Aside from Bobby Z, I think this is the first time I’ve made it through a Winslow novel or collection without involuntarily squinting and cringing.
But don’t worry, that hasn’t lessened the intensity and suspense Winslow brings to the table. Other than True Story, which is all dialogue and only an okay read, these are all five-star stories.
My favorite was probably Collision, though it was very hard to choose.
*I received an ARC of this book in exchange for an honest review.*
February 14, 2026
quick read; great short stories
This was recommended by the Kindle editorial team and I really enjoyed it. I hesitated giving five stars: I generally reserve that for books I’m sure I’d read again and again, so 4.5 is probably more accurate - but either way, a great set of short stories. Good plots; you don’t always see the twists coming - I definitely didn’t in the mob story and had my head spinning a bit trying to follow all the characters (the names were hilarious tho), and then bam - the ending. You sometimes find yourself rooting for the “bad” guy but then trying to determine what really is “bad”.
I will definitely be looking for one of his full-length novels to read now.
This was recommended by the Kindle editorial team and I really enjoyed it. I hesitated giving five stars: I generally reserve that for books I’m sure I’d read again and again, so 4.5 is probably more accurate - but either way, a great set of short stories. Good plots; you don’t always see the twists coming - I definitely didn’t in the mob story and had my head spinning a bit trying to follow all the characters (the names were hilarious tho), and then bam - the ending. You sometimes find yourself rooting for the “bad” guy but then trying to determine what really is “bad”.
I will definitely be looking for one of his full-length novels to read now.
February 27, 2026
Un insieme di storie brevi che racchiudono l’essenza dell’autore. Furti omicidi narcotrafficanti prigioni mafiosi donne surfisti california new england e dialoghi che sembrano usciti da un film di Scorsese.
Mastodontico Winslow.
Mastodontico Winslow.
March 10, 2026
Otro libro del bueno de Don, esta vez en formato de historias cortas. Mordaz y al grano y siempre interesante, muy recomendable como siempre.
February 9, 2026
L’ultimo colpo di Don Winslow è una raccolta audace di sei racconti che mescolano suspense, ironia e umanità, offrendo come sempre uno sguardo variegato e appassionante sul mondo del crimine.
Le storie (che spaziano dal rapinatore leggendario a un adolescente ai margini, dal poliziotto in crisi di coscienza a i ben "noti" surfisti) sono tutte ben costruite e mantengono alta la tensione fino all’ultima pagina.
Winslow ha dimostrato ancora una volta la sua maestria nel creare personaggi moralmente complessi e situazioni imprevedibili, pur con qualche episodio che risulta meno memorabile di altri.
Le storie (che spaziano dal rapinatore leggendario a un adolescente ai margini, dal poliziotto in crisi di coscienza a i ben "noti" surfisti) sono tutte ben costruite e mantengono alta la tensione fino all’ultima pagina.
Winslow ha dimostrato ancora una volta la sua maestria nel creare personaggi moralmente complessi e situazioni imprevedibili, pur con qualche episodio che risulta meno memorabile di altri.
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