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440 pages, Paperback
First published September 2, 2025







Oh this was explosive.
I might be biased because Elodie Harper is already one of my favourite historical fiction writers, and The Wolf Den trilogy absolutely had me in a chokehold, but honestly? Boudicca’s Daughter is even better.
And that is saying a lot.
This book has everything I adore. Rome. Britain. power. class. survival. women forced to become something sharper than the world ever intended. And at the centre of it all, Solina, who is such a magnificent character: wounded, furious, intelligent, complicated, impossible to look away from.
She doesn’t just move through this novel. She carves through it.
What Harper does so brilliantly, again, is take a woman history barely bothered to name and make her feel utterly real. Flesh-and-blood real. Not a symbol. Not a footnote. A person. A daughter, a survivor, a woman dragged across worlds and identities and expectations, from the aftermath of revolt to Nero’s Rome, and forced to keep becoming someone new.
And God, I loved every second of that journey.
It is epic in scope. Truly. Thousands of kilometres. Wild Britain to the rot and glitter of Rome. Sacred land to imperial spectacle. And yet it never loses the emotional core. That is what makes Harper so good. She gives you scale, but she never sacrifices intimacy for it.
The emotional entanglements here are so rich and so painful. Nothing is simple. Nothing is clean. Love is never just love. Loyalty is never just loyalty. Everything is tangled up with power, memory, violence, obligation, identity. The personal and political are constantly ripping into each other.
Which makes it feel alive.
And the Rome of it all… yes. Completely yes. Anyone who knows me knows I will show up for Roman fiction every single time, but this delivered on every level. Nero’s Rome feels dangerous, decadent, hungry. Not just marble and spectacle, but menace. Theatre and blood and performance and rot underneath all of it.
It’s a feast.
I also loved that this feels bigger than a straightforward revenge or survival story. It is about empire, yes, but also about what remains of a person after history has tried to crush them. What can still be chosen. What can still be salvaged. What kind of strength is left when the obvious kind has already failed.
There is such confidence in this writing. Such control. Harper never needs to overdo anything. She knows when to let a scene burn and when to let it ache.
Honestly, I inhaled it.
5★
Fierce, transporting, emotionally charged, and completely immersive. If Elodie Harper writes Roman women forever, I will read every single word.