As some of the other reviews have mentioned, this was not my fave BW novel. I thought that it hit a different chord than most of her work does, and I felt more disconnected from the story and the characters than usual.
1) A lot more profanity and sex than usual—by quite a bit. You can usually expect her novels to have adult elements: a sex scene (usually not too explicit or prolonged) and light profanity or violence here and there. But this one has heavy cussing, I would say in excess, to the point where I was asking myself, “Who actually uses the F word THIS MUCH??” It became somewhat of a distraction from the story itself, and the romantic tension wasn’t strong enough to carry all of the times these characters were falling into bed with one another.
2) The characters in the modern story line are pretty angry with one another. The mother/daughter relationship is unquestionably toxic, and I had a hard time buying that Audrey hadn’t seen her dad since she was 6 or 7, knowing exactly where he was. The reasoning given is that her mother made her choose, but I don’t really see any element of that. Their biggest problem doesn’t seem to be codependency, but rather high levels of either apathetic neglect or belligerent resentment, depending on who you’re looking at. All of this vitriol makes it pretty difficult to root for anyone other than the love interests, but the whole time I was secretly hoping that they would RUN THE OTHER WAY, because these women are walking red flags. There just isn’t enough of a believable character arc to constitute the renewed relationships at the end.
3) The historical timeline actually wasn’t too bad, although once again, I had a difficult time believing the interrelationships between the characters. There wasn’t enough motivation for them to either hate or love one another. I thought that the premise was really poignant and interesting, but there wasn’t enough development in order to showcase the meaningful aspects of the plot/make the reader really invested. When a key character dies, I was like, “OK, he died. Next thing.” I don’t believe that was the point, but I didn’t care enough to be all that sad when he was killed.
4) Small thing, but Audrey’s mother is an actress who has starred in movies that are all (somehow) based on previous books my BW. I found this a bit kitschy and I was left questioning how this would even logistically work in the universe that she has created, where the characters from those novels are literally connected or related to characters from all of her other novels. Is she trying to manifest her own movie adaptations?? This was a small element that bothered me.
Overall, I thought this BW novel was under-developed and doesn’t carry the usual flavor in the characters. It’s a skip for me, and I found myself longing for the beautiful storyline and memorable characters of last summer’s publication, Husbands and Lovers.