From December 2021 to December 2022, artist and writer Amy Ching-Yan Lam kept a record of each time real estate, property or housing came up in conversation. She called this the Property Journal.
Over the course of a year, neighbourhood landmarks are demolished, politicians break promises, friends despair, and parents age. Mould appears to grow on Lam’s face moisturiser; as property organises people’s lives, it also overtakes them. What began as a simple framework soon becomes an index of precarity, told through the indignities, dread, and dreamscapes of what we’re able to call ‘home’.
Tender, fierce, and mordantly funny, Property Journal is a damning indictment of the permanent state of affairs known as the housing crisis.
Amy Ching-Yan Lam is an artist and writer. She was part of the artist collective Life of a Craphead from 2006 to 2020. Her work has been exhibited at Seoul MediaCity Biennale, Eastside Projects, and the Art Gallery of Ontario, and she has participated in residencies at Macdowell and the Delfina Foundation. She was born in Hong Kong and lives in Tkaronto/Toronto.