Left Behind: Nicolae is a kaleidoscopic mess. There are so many angles from which to approach the book, but none of them capture the full scope of the text. It is simultaneously the best and worst book in the series thus far. Any unifying theory will miss some mortal wound or decorative flourish in this magnificent corpse. So, I’m stealing a move from Jenkins and LaHaye, breaking down my review into four technically-connected acts, and praying someone is determined enough to reach the end.
###Act One: “Let’s Do This One Last Time”
Left Behind: Nicolae is a soft reboot of Left Behind: Left Behind. After the back-written mess that was Tribulation Force, Jenkins and LaHaye have gotten past the preamble of their apocalyptic drama. The story is finally far enough removed from reality that the authors are free to play with their toys without worrying about the rules. And with that freedom, we essentially get a rehash of the plot from the first book. Here is an outline of the plot for both books:
- Act One deals with the immediate aftermath of an apocalyptic event, and is mostly concerned with the hour-by-hour travel logistics as our protagonists race around the globe.
- Act Two blindsides the reader with an rogue-hero subplot where Buck goes on an adventure that doesn’t have anything to do with the events of Act One.
- Act Three unifies all the heroes in Chicago to rekindle their faith and share their testimonies
- Act Four builds up to a show-stopping cliffhanger in which the apocalypse gets somehow worse for the world and our heroes
As a soft reboot, Nicolae does manage to improve on this formula in some ways. For one thing, our protagonists are finally allowed to make decisions that have consequences. Those choices are few and far between, but this was the first book where there was any sense of agency among our core group of acolytes. The action scenes in this book were likewise an improvement, and were the first times I felt Jenkins enjoying himself without describing horrible suffering and carnage. Most importantly, this was the best-paced of the three books so far. The plot never stalled for chapters on end the way Left Behind and Tribulation Force did. All of these improvements meant I was able to read through the book relatively quickly, and remember almost all of it.
But don’t get comfortable, because this is where the praise ends.
###Act Two: “I Hear You Like Clip Shows”
Left Behind: Nicolae is a book in a series, and the authors must have known this. And just in case you thought they hadn’t read the first two books, they’ve added lengthy recaps anytime a returning character enters. Recaps in books aren’t bad by default. In long-running series, it’s a good idea to refresh those of us who took a break between books what already happened that will be relevant in this book. However, in a bizarre choice, the recaps in Nicolae don’t begin until Act Two, and stretch on for pages at a time. Minute plot points are recounted in rote recitals that consume up to half a chapter at a time. It is mind-boggling that these sections made it into the final draft. They are too detailed, and too far into the book to be useful to any reader.
With that said, let’s move on before any more time is wasted on this dumb topic.
###Act Three: “Left Behind as Performative Conservatism”
Left Behind: Nicolae is a book desperately trying to scare “yer dad.” In their portrayal of the end of the world, the authors reveal their own biases rather than any legitimate commentary on society. What is the worst case-scenario for Tim LaHaye and Jerry Jenkins? When has the world truly gone to hell? Easy: when the Antichrist raises taxes, expands social services and abortion clinics, and manipulates the economy to his own advantage. A conservative’s worst nightmare.
What results is an apocalypse tailor-made to trigger fear and anxiety in the audience not towards the characters in the book, but towards liberals and leftists in real life. The authors are essentially setting up a “slippery-slope” argument, but without any nuance to mask their fear-mongering. At times, they seem to drop buzzwords just because they know it will spike their audience’s blood pressure. The talking points are so pointed, and the straw-men so flimsy that it becomes hard to dismiss the political sections of the book as anything but propaganda.
Regardless of which side of the isle LaHaye and Jenkins fell on, they failed to connect any of their political themes to the story itself, and should have realized that this was not the place to voice them.
And while we’re talking about conservative viewpoints, let’s get an update on this series as it relates to feminism. Or...
###Act Four: “How Many Women Can I Fit in this Fridge?”
Left Behind: Nicolae is a book that stopped pretending it was interested in female characters (with one exception). Amanda, Rayford’s new wife, has no discernible character. She spends most of her time standing next to the men making important decisions, only piping up to tell Rayford how uncomfortable she is sitting next to the Antichrist. Chloe and Amanda both are sent home to Chicago for the entire second act, while Rayford and Buck experience the plot without them. Loretta gets an elevated role as the hostess and southern-mom of the Tribulation Force. Her most important contribution is printing out the notes of a male character who died in the last book. Verna, Buck’s female antagonist, gets a faux redemption, before revealing that she was actually a nasty woman because she is (SPOILER) a lesbian. She also vocalizes being a worthless journalist compared to Buck. On the whole, the female characters have nothing to do in this book, until the fourth act, when they are designated to deal with Hattie. And we need to talk about Hattie.
For about two chapters, I had hope for Hattie. Out of nowhere, she becomes the most self-realized character in the entire story. She sees her faults, acknowledges them, and takes action to rectify a bad situation. That’s more than any of the other characters have managed to do in this series. But it didn’t last long. Hardly had I picked my jaw off the floor, when the assassin of all that is well-written stuck: an abortion conversation. After being reduced to a puddle by Rayfords facts and logic, Hattie becomes a prop in the pro-life argument the book is suddenly very concerned with making. None of the characters seem to care what happens to Hattie, as long as she doesn’t visit a clinic. At one point, Buck shudders at the idea of having to raise the child of the Antichrist — an ironic moment that definitely flew over the authors’ heads. The premise of a character deciding whether or not to abort the child of the Antichrist is full of potential, but you will find none of it expended here. Hattie exists to make one point, and one point only.
All the problems with the female characters culminate in the final chapters of the book (Spoilers from here on out). The book ends with a giant earthquake, during which Loretta is unceremoniously squished, and Amanda, Chloe, and Hattie (i.e., all the female characters minus Verna) are left in unknown jeopardy. The only change their maybe-deaths have prompted by the final page is getting Rayford to turn against Carpathia. So, while it’s still up in the air how many of the women are dead, they will have died as they lived: only servicing the character development of their men.
And I, for one, can’t wait to open Schoedinger’s Fridge and see what’s inside...
TL;DR: Rehash of book 1; too much recap; bad politics; not a fan of women. Bad book is bad.