I finished reading Dragons of Deceit three days ago. I started reading Dragons of Deceit a month ago.
First, I must acknowledge that this is the first Dragonlance novel I have read, or even considered reading. In the past, I would have recognized that this was part of a decades-spanning series and immediately made the decision not to read it. With so many books in this series, and my limited reading time, I find it difficult to commit to such an undertaking—especially considering there are literally over a hundred books out there in the Dragonlance setting.
I must also acknowledge how much I loathe time travel stories. The only piece of media that I think got time travel right has been Back to the Future. Anytime time travel is used, I always feel like it is lazy and a cop out (Avengers: Endgame).
So, why did I decide to read this new book? The initial interest is, of course, due to my recent hobby of playing Dungeons and Dragons. I decided to do some light research and found that Dragons of Deceit is described as part of a new, standalone series and that there was no need to have read the previous entries. That was enough to encourage me to pick up this book when Barnes and Noble had their year-end, half-price sale on hardcovers. I was quite excited to start this book. After Wizards of the Coast “fixed” their major mistake, which was the OGL debacle of 2023, I was finally in a space to pick up Dragons of Deceit.
(Light spoilers ahead.)
Overall, Dragons of Deceit is a mess, much like its main protagonist, the unoriginally named Destina Rosethorn. The book is broken into three parts. The first part of the book is a boring slog of an info dump to establish the time, place, and context of the story, as well as introduce the main character and her motivations for the remainder of the story. This part of the book is like reading an overly in-depth summary of what happened over the course of six-ish years. While some of this information is important to the overall plot, the execution is bland and lacks inspiration. The whole time I was reading the first 80-something pages, I was thinking, “Why aren’t they just alluding to this over the course of regular conversations between characters?” It took nearly a third of the book for the main plot to start, which resulted in me regularly stopping for days at a time until I reached the second part.
My next issue with Dragons of Deceit is that I find the main character to be completely unlikable. From the way she treats here mother (“I love my white dad and hate my black mother”), to her flippant disregard for how her actions will negatively affect others (and even time itself), Destina is just a horrible person. I understand that this is the first installment of a trilogy, and there is obviously a lot of room for her to have some character building, but I feel like Destina lacks any redeeming qualities that endears her to the reader. I literally don’t care about what happens to her and am far more interested in some of the side characters.
Speaking of side characters, most were boring, one-dimensional, and obviously used for nostalgia. Even the copper dragon, Saber (another unoriginal name), was under-utilized. However, the real issue I take with the supporting cast is that they are all characters from the Chronicles and Legends trilogies from the 1980s. Remember when I said this book was marketed as a standalone? Well, it isn’t. It would help immensely to have read at least Chronicles and Legends (six books), and probably even more. How do I know this since I haven’t read any Dragonlance prior to this book? I watched a two-hour video on YouTube so I could understand what was going on. While there is some explanation as to who these characters are, it feels more like we are having them shoved down our throat because Weiss and Hickman can’t let go of the characters that made Classic Dragonlance so popular. Instead of pushing the series/setting into new territory, they relied upon established characters to win over the hearts of long-time fans. Unfortunately, that doesn’t work with the new readers. This is especially evident in the character of Tasslehoff.
The kender Tasslehoff Burfoot is right behind Destina for worst character in this book. I understand that he was a major character previously, and that a lot of people like him, but his schtick is exhausting. I’ve read other reviews that this version of Tas has been diminished compared to previous iterations, so I can’t speak to what he used to be like. However, I found myself in a constant state of being ready to move past his part of the story, only to be horrified to find that he will be in the next book.
Though most of the side characters were duds, I did like Dalamar the elven wizard, and Wolfstone the dwarf. I don’t think they were particularly well written, but they were more palatable than the rest. It was really a shame that Wolfstone wasn’t more prominent.
Though I was massively disappointed in this book, there were things that I did like, which is why I’m rating two stars instead of one. Mainly, I thought that the lore of Krynn was interesting. Anytime the gods were discussed, or the War of the Lance, I was invested.
In the end, this feels like the writers are trying to force a new narrative into an already dense timeline, as well as alter the timeline in a soft-reboot kind of way. While I will likely read the next installment, I can’t say that I’m at all excited for it. I am considering reading the “Holy Six” of the Classic Dragonlance novels (Chronicles and Legends), but after finishing Dragons of Deceit, and finding those books are only available in mass market paper back, I can’t say with certainty that I will. My perspective is that Weiss and Hickman, as well as Wizards of the Coast, lost out on a major opportunity to make Dragonlance a big deal again.
(sidenote)
I despise the cover art for Dragons of Deceit. While the background is truly lovely, the choice of this kind of lighting for characters in the foreground is a poor one. It is far too dark and difficult to see the interesting details that one would normally look at in a traditional cover illustrated like a heroic fantasy.