Once again, Murrin combines solid procedural and culinary detail, as well as continuing to develop his introspective and compelling 1st person narrator, Chef Paul Delamare, in this second of a series. (See my review of the first for more: 2025’s Knife Skills for Beginners.) We get less of his London Jubilee Cottage home Setting, as in this installment, Paul is the guest of his dear friend, Xéra and her new husband Sir Billy on a luxurious yacht sailing from Britain to the Caribbean until it is not. Paul is there at the last minute, has an immediate mishap with his clothing, and while he is assisting Xéra with her memoirs (She is from a famous French patisserie family.), he is in the precarious position of being not quite a quest and not quite an employee, as he gets talked into helping in the kitchen because the cook is not a chef for this caliber of clientele, and uncovers some unsettling information about Sir Billy’s family, business associates, and the crew of the yacht after Xéra’s expensive necklace goes missing. Murrin builds an increasing suspenseful Tone and Pace as Paul is once again, wrongfully accused of the theft, and there is a murder. Paul is still grieving his partner’s death, dealing with chaos at the magazine he works for, and contending with harassment from his step-son Johnny. We have texts and emails from his bestie, Julie, and her boyfriend, police detective Declan, and those influence the Pace and Plot well. CH development for all the other CHs run the gamut from stereotypical and predictable to some innovate and colorful ones like the dog handler, and her charge, Colefax, and Bernie, the cook. The twists in the Plotting are well-laid, especially the red herrings, and the Tone is in turns, snarky and fun to sinister and suspicious. Cooking details add depth, and the colorful descriptions of boat décor and routine are very enlightening, aided by a schematic of the yacht and a passenger manifest. Economic, class, celebrity, social media, marriage, fidelity, family, and grief all are ingredients in the thematic and tonal mixture in this book. The author includes some recipes at the end of the tale. RED FLAGS: Human trafficking; Drugs; Violence; Drowning and Claustrophobia triggers. I will read a third even though I do think this one could have been better edited to make it a bit shorter. Readalikes, again, may be Jessa Maxwell’s A Golden Spoon for a VT cooking school, Colleen Cambridge’s American in Paris: Julia Child cooking mysteries which is post-WWII timeline, and Alexander Campion’s The Grave Gourmet series also set in Paris. Because of the trend to have closed location mysteries set on boats and trains, I also think if that is an appeal, C.L. Miller’s The Antique Hunter’s Death on the Red Sea which deals with antiquities, Laura Lippman’s Murder Takes a Vacation, and Kemper Donovan’s Loose Lips are candidates.