I'd seen this title floating around so often, and had read so many other works by Jane Yolen, that when I picked this book up from the library, I was half-convinced I had read it already. Only one ("Mama Gone"), though, did I actually remember when reading, and most I was positive I had never come across before.
As a collection, it's eclectic. While the stories all have some element of "the impossible," their genres range from sci-fi, to horror, to fantasy, to magical realism. Many are coming of age narratives where a girl (and in one story, a boy) finds their inner resilience, and several deal with coming to terms with loss, but then there are several that have nothing at all to do either theme.
In the introduction, Yolen writes that fantasy stories are metaphors by which authors come at real problems. That truth is at the heart of what makes good fantasy resonate with its readers. But too many of Yolen's "metaphors" in this collection are clunky and trite, the bald moral badly disguised under its fictional wrappings. "Tough Alice" is predictable and boring. What "Phoenix Farm" gains in simplicity, it loses in obviousness. The best stories in the collection are those where Yolen gets too swept up in the atmosphere and the story to focus on the meaning, like in "Wilding," which has a similar "message" to several others in the collection, but still feels like a breath of fresh air with its vivid and unusual setting, or when Yolen simply has such an unusual perspective on an old tale that its charm can't be resisted ("The Bridge's Complaint"). My personal favorite was the last piece, "Lost Girls," even though the message was front and center, because the story itself took such interesting turns, and Darla felt like a fully realized and rounded character, and one who actually knew herself.