I put this down as one of the best comics collections of the year. Few books, whether prose or comics, can surpass its ability to set mood and use light and atmosphere to enrich the stories, which follow a loosely connected cast of characters in a vaguely dystopian near-future South Wales/England as they seek clues to a mystery that feels both repressive and existential.
The main hero is a helmeted quasi-superhero whose motivations and eyes we never penetrate behind a dark visor. Another character dies violently on a 'case', then reappears suddenly, only with no seeming interest in reuniting with her family. Distant military spaceships silently cross the sun-blasted sky, but the real dread seems to emanate from bland corporate facades.
Reynold's thick black inks hide shadowed lives, but also nearly miraculously evoke the rolling hills and misty light of southern England, and the bleak chill of Thatcher's repressive regime, which is when they first appeared.
A ground-breaking black and white comic that is now getting a deserved retrospective, Mauretania: Comics from the New World should be placed as 'Exhibit A' in the comics-as art debate.